Kristina Lorent Goztola - Interview
Kristina Lorent Goztola is an Award-winning actress and producer. She has an international career in both film and theater industry. She speaks English, French, Italian and Hungarian fluently. In 2022, he founded his own film company in Paris.
What's the absolutely necessary ingredient to be a good actress?
Commitment to your work. I love every stage of my job. Be it a dress rehearsal or even an analysis of the role with the director.
First and last cinematographic crush?
I’m a fan of classic movies. Like most young girls, I was greatly influenced by Audrey Hepburn, Vivien Leigh.…now I focus on representing on my own style.
How old you were when you decided you wanted to be an actress?
Twelve. I remember the day exactly and of course I had already been to theatre before, then during the performance I realized that this is my path, that’s what I have to do. From then on, I couldn’t even imagine having any other job.
For you a Film is...
Denudation of the soul. As in the case of our new film currently in production. “Soft Floating in the Field of Spheres” directed by Peter Korday, crawls into the deepest recesses of the female soul. It raises questions that we women also face with fear and even often try to avoid. I have worked with Peter Korday many times before and I really enjoyed it. He works precisely and his confidence makes the actor more confident.
What do you feel when you're acting and producing in the same film?
My soul primarily is that of the actress, however the final decision is made by my profucer self.
It sometimes occurs to me that when we discuss the cast selection, the names of my fellow actors, actresses come to my mind first and foremost. It’s natural, since one likes working with his/her favorite colleagues. One of my English director friends once told me that this is convenient but not reasonable. According to him, the decision made on such a basis stems from a lack of self-confidence on the part of the director and producer.
Audrey Hepburn used to say “Nothing is Impossible”, what do you think about it?
I totally agree with it. My father used to tell me “If xou’re building castle in the air, don’t about bricks”. So, let’s dare to dream big, but don’t forget about enjoying the path leading there as well.
What it feels like to live of your passion?
I’m lucky , that I never had to do any other work. I know a lot of my colleagues have to and I respect them for that. Even though I’m interested in many things, I would suffer if it were not for film and theatre that could fill my life completely.
What's more important talent or luck?
Both. Talent is essential for a long-term career, however to make the big jump, you need to be in the right place at the right time.
You must go to a desert island but you can bring with you just one movie...
Dead Poets Society with Robin Williams and Mr. Bean’s Holiday with Rowan Atkinson.
Have you ever accepted a part even if you didn't like the project?
No never. Not even as a novice actress.
What's the best compliment you have received about your Job?
It’s a nice story that a few years ago I was walking down the street in Rome a man started following me and stopped me. He gave me his business card because he is a film agent and I must hecome an actress. I smiled and said it was late because I already am, and already have representation.
Are you satisfied about your career?
I’m satisfied with my life but I always strive for maximalism at work….. so if I take it that way, I’m eternally dissatisfied.
Do you have a good luck charm?
I’m still waiting for it…
Which is the worst moment on set ?
A few years ago the pandemic balked my plans as well.
How do you feel when a job you've been part of it's ending?
It’s a bad feeling when a shoot ends. We often work together for 8-10 hours a day for a common goal and than suddenly it’s over. Sometimes we make friends, but life drags us on because you may be shooting in another country in a few months later.
If you should win an Oscar your first thought would go to…
To my parents and to my fantastic masters in Los Angeles and London
Lubomir Dankov - Interview
Lubomir Dankov is a Bulgarian freelance journalist and civil activist. Since 2016, he has been developing an information project about the war on the territory of Ukraine. "The Donbass Children" is his first full-length documentary. The film was completed in 2019 and as of mid-2024 has won awards from 150 international film festivals.
What prompted you to make this film?
In 2014, a war broke out in Ukraine, which is located in the geographical center of Europe. It turned out that there is no functioning system for security and prevention of armed conflicts in Europe. The so-called democratic world reacted totally inadequately and sided with those who provoked and started the war. The media of the "free world" poured lies and manipulations, created a parallel reality for the conflict. So did most politicians in the European Union and the United States.
Spreading the truth about this war could have helped end it. It could have avoided the expansion of the conflict and the involvement of Russia in the war. This was also the main goal of this film – to show people in Europe a hidden part of the truth about the war in Donbass, with the hope that people will influence the politics in their countries and create conditions for a peaceful resolution of the conflict.
And since it is difficult for the western reader inundated with propaganda to understand the above, I will make a slight digression.
At the end of the eighties of the 20th century, the socialist bloc, which included my country, lost the cold war. As a result, the Soviet Union collapsed, quickly and under external pressure from the Western victors who dictated the terms. Thus, the independent state of Ukraine was created, which included all the territories of the former Ukrainian Soviet Socialist Republic (USSR). People with different visions for the future of their country, people with different cultures, speaking different languages came into this country. This, in itself, is not a problem, it has been proven in countries like Switzerland and Belgium. But in order for such a country to develop smoothly, it is necessary for the people in it to reach some sort of agreement among themselves, for each group to respect the rights of the others, and for all problems to be solved by compromises.
Could this be achieved in Ukraine - theoretically yes, but in practice quite difficult. The reason for this is the location of the country next to the borders of Russia, which, in the conditions of the new cold war between the USA and Russia, created prerequisites for using the country as a terrain for geopolitical confrontation. The war that is now being fought on the territory of Ukraine would have been avoided if, after the collapse of the USSR, two separate states had been created on the territory of the Ukrainian Soviet Republic - western and eastern. All the Russian territories that were administratively transferred to the Ukrainian SSR during the Soviet period, when all the republics were one state, were supposed to fall into the eastern one. Most of the people in the eastern part remained connected to Russia, regardless of their administrative transfer to another republic.
A prerequisite for a serious conflict was the desire of one part of the people in Ukraine to join the European Union and the reluctance for this to happen to another part of the people in the country. This is a very real conflict that has a clear economic basis. Joining the European Union would probably be good for the western parts of the country, but it would be quite severe for the eastern parts where the country's industry was concentrated. On the one hand, the opening of the markets would be asymmetrical - European goods would enter Ukraine duty-free, but the reverse process - the export of Ukrainian goods to the European Union would remain blocked, due to inconsistencies in some European requirements for Ukrainian goods. This, of course, would destroy the local economy. The problem would be solved with huge investments, but the European Union has not shown any desire for negotiations in this direction. On the other hand, joining the EU would break economic ties with the main economic partner at that time – Russia, and the reorientation of the export of industrial goods to the EU would be a long process with a rather uncertain outcome.
So, in 2013, President Yanukovych postponed the signing of an association agreement between Ukraine and the European Union, as there was no clear economic part in that agreement that would address the above-mentioned problems. Then the supporters of European integration started protests that went far beyond the limits of legality. In February 2014, an agreement on early elections was signed between the opposition, which supports and leads the protesters, and the government, which was immediately violated by the opposition. The government quarter, emptied of law enforcement, was taken over by the armed opposition, and thus an armed coup was launched. A part of Ukrainian society, aided by external forces, imposed its will on the rest of the society by force. This intensified the confrontation across the country, mass protests and counter-protests were organized in the main cities.
In Donbass, the industrial heart of Ukraine, opposition to the coup was the strongest, there, certain forces followed the example of the capital city and carried out a counter-coup, preparations began to declare two independent republics - the Donetsk People's Republic and the Lugansk People's Republic.
The new government in Kiev reacted against this by sending heavy military equipment to Donbas and announcing the so-called anti-terrorist operation. Accordingly, preparations began in Donbass to respond to these actions, and thus a civil war broke out. Both sides of the conflict were getting help from the outside, but that is another topic.
In this war, the Ukrainian armed forces used methods that can objectively be called terrorist ones - indiscriminate shelling of civilian objects and killing of civilians. The film presents the stories of several families who suffered from such military senseless actions.
The first Minsk agreements followed, completely unsuccessful. After them, the Minsk-2 agreement was concluded, which was partially successful because it reduced the intensity of hostilities and the war moved into a positional phase. If this agreement was implemented, the war could end already in the first half of 2015. A key element of the agreement was to change the Constitution of Ukraine to bring back the breakaway republics on a federal basis. This did not happen, under the benevolent gaze of Ukraine's guarantors of the peace agreement, whose leaders Hollande and Merkel would later admit that there was no idea of the peace plan going through at all, they just wanted to give Ukraine time to build a strong army and resolve the conflict with much more stronger military force.
The positional war continued until the beginning of 2022, when, after all indications that Ukraine began its offensive against the two republics, Russia joined the war and it spread over the entire territory of Ukraine.
Then, when I made this film, it was in 2018 and 2019, I had the illusion that it could make people in Europe look at this conflict with different eyes and that would help end it. It wasn't just me, of course, many people in Europe tried to break through the information barrier, but we didn't succeed. Whether we could have done more or simply didn't stand a chance against the mainstream planting a parallel reality in people's heads, I am not sure. Apparently, the politicians in the West were determined to use Ukraine for a war against Russia, and in the end they succeeded. At least we tried, and unlike the people who are now pretending to be concerned about Ukraine and its territorial integrity, our conscience is clear and our hands are not stained with blood.
When did you realise you wanted to be a Filmmaker?
I love cinema so much. Ever since I was a child, I thought how nice it would be to be able to make movies one day. Well, it's not the first or the last thing I wanted back then that didn't come to fruition. Just because I've made one movie doesn't make me a director.
If you should change country where would you like to work?
I have no intention of changing my country. I'm not saying it's heaven on earth, we have our problems, but I'd rather stay and do my part, however small, to get out of the predicament we're in as a society.
Have you ever hated your ambition?
No, actually, on the contrary, I hate the fact that I'm not more ambitious. I've wasted too many years in activities that are...how to say, too basic and not very meaningful, beyond survival. I'm not proud of it. Long story and hardly anyone's interest.
Francois Truffaut used to think that "Film Lovers are sick people”… was he right?
I do not think so. Most people love cinema. It must be good if your life is so interesting that you don't need to watch movies, but I don't know how many people would boast about that.
Close your eyes…if I say “Cinema” what do you see?
I see a movie theater. Large movie theater, almost full. But of the older type, from the time when they were not so convenient, but were more frequent.
Who’s the filmmaker that taught you the most?
“The Donbass Children” is my first film. I did a lot of things myself, I went to the war zone six times, I studied the conflict, I understood what I wanted to show, I shot the materials, but my materials became a film mainly thanks to Zina Nacheva, a teacher at our National Academy for Theatre and Film Arts . She edited the footage and the fact that the film received 150 awards from international film festivals is mainly due to her. I learned a few things in our work together.
About your job, tell us your biggest dream and your worst nightmare…
I'm at a solid age now, I'm trying to be realistic. I have plans for many films, only documentaries. I don't believe I would be able to find financing for a feature film. That's not my strength. Nevertheless, I have an idea for a feature film in my head, it would be really good, but I am not sure it will be a success. Cinema is an expensive art. There is no bright outlook for my documentaries that I will eventually make . I am "against the current", against the mainstream on every single topic and this leaves me in the underground and spread on social networks, apart from the occasional screening at independent festivals.
The film industry is a tough place and sometimes it is normal to feel lost and discouraged… who’s the person that keeps you motivated?
It's not a human. The cause is important to me. The cause drives me and motivates me to try to make films. I see myself more as a civil activist, cinema for me is a means of expressing myself.
What do you wish to yourself as a Filmmaker?
I wish I could find more like-minded people. Good cinema requires teamwork. When you're outside the mainstream and putting money into your work instead of receiving, you're much more likely to end up kind of alone.
Phillip Fitzlaff - Interview
Originally from Las Vegas, Nevada in the United States, Phillip Fitzlaff was born Phillip Page; a name he is returning to. While in Las Vegas he earned his degrees in business, receiving his MBA in 2013. He always had a love for film, especially animation in his younger years. His grandfather, a photographer and filmmaker, introduced him to the art of movie-making while he was a child. He first started making small movies on Super 8 and then graduated to 16 mm with a Bolex REX that his grandfather had gifted him. To this day, the magic of cinema still excites him.
When did you realised you wanted to be a Filmmaker\Actor\Writer?
I think that my story is similar to most in the fact that I wanted to make films and tell stories ever since I was a child. I remember going to the drive-in when I was about and saw Star Wars on the opposite screen of what we were watching. I was in love with the films of Disney, Spielberg, and (George) Lucas. I was at the perfect age in the 1908's when so many amazing movies came out and Disney was at their best. I just wanted to be part of that world.
Do you remember your first time at the Movies?
The first movie I ever remember was with my mom when we saw Disney's "Bambie". I was around 3 years old. I associate movies with family, warmth, and an imaginative escape.
If you should change country where would you like to work?
There are so many places that I would love to work such as Italy, Australia, and the UK. There are so many opportunities within various cultures to explore different points of view for a project.
Two films that have marked your life for better or for worse…
I would have to say that Star Wars (1977) and Raiders of the Lost Ark were the two movies that made the biggest impressions on me. There was a magic about them that I loved and they allowed me to go on an adventure with them. Plus, Harrison Ford was playing a character that I wish I could have been in real life at that time.
What do you think about Acting/ filmmaking schools?
I have mixed feelings about this topic. During the 1960's through the 1980's people went to school because it was the only way people could have access to equipment to make their films. I still feel that education is important. People need to understand the structure, the rules of three, the fundamentals of light and shadow, and the psychology behind film. I believe they also need to understand the business of cinema as there is most definitely the business side, regardless of what type of story one is telling. That being said, there is nothing more educational than going out and doing it. Going on auditions, writing that script, whatever it may be. One will probably fail the first time out. That is the true education.
Have you ever hated your ambition?
Absolutely! Ambition is a friend I love to hate. Ambition is a friend that is always there, that makes you strive to do better than the other person. However, ambition is always that friend that can push you so much that you can get in over your head. If you have a support structure, then getting in over your head can potentially be a good thing. However, if you are a lone filmmaker, then it can become daunting to the point of feeling like you're in a bottomless hole.
Francois Truffaut used to think that "Film Lovers are sick people”… was
he right?
I think there is some truth to the meaning of what he said, however, I wouldn't necessarily say that they are sick people. I agree that people who love film like the escape for the two hours or so they are in the theater. If a film is good, like "Life is Beautiful", then it can positively affect your day. This is not to say that there aren't those in the world who do as Francois suggests and go strictly for escapism because they can't handle everyday life. Keeping in mind, he said this in a time when video games and computers were not all the rage. If he were alive in this day and age, we would probably have a slightly different view of what medium people are using for escapism.
Close your eyes…if I say “Cinema” what do you see?
I immediately picture a balcony-style "movie house" of the 1920's. Red velvet chairs, a crescent stage with Edison Style lights following its curve, and Heavy red velvet curtains covering a 4:3 ratio screen. To me, that era of cinema through the 1940's were fantastic.
Who’s the Director\Actor\Writer that taught you the most?
Steven Spielberg. I have never met the man, but he taught me a few things. One was that the director should know all parts of the process and be well-versed in most of it. He also taught me how to treat people on set and people respect him because of how he is with them. He is someone who enjoys making movies as much now, as he did when he was a child. So I guess you could say he also taught me how to have hope.
About your job, tell us your biggest dream and your worst nightmare…
My dreams have changed over the decades. I so badly wanted to be working in California as a filmmaker. That never happened. Now that I am at a more "mature" age, I suppose my dream would be to simply be recognized for what I can do. I still believe I have talent, and I still believe that I have that ten-year-old boy in me who still wants to be in this business. I am unsure what my worst nightmare would be, simply because I can say that I at least tried.
How important is to have a good Cinematographic Culture?
The cinematographer is the painter. Someone like Guillermo Navarro or Dean Cundy knows how to sculpt with light and create a mood. Having a positive culture within the Cinematography world is important because it takes more than just being able to press "record" on a cell phone or DSLR. Some techniques go back 100 years and if the culture is strong then, I feel, those techniques and the respect to those who created them will not be lost.
What would you like to improve as a Filmmaker\Actor\Writer?
From a personal standpoint, I would say my drive. It is difficult when it is only me. I thrive in a creative setting and exchanging ideas. I would very much like to improve my business acumen when it comes to this industry. I studied business in college so I do have a rough idea, but I would like to learn more specifics.
A big producer give you the chance to direct\to play (in) the remake of
one of your favorite black and white Movie (if you have one)… what film
do you choose?
I love fantasy and Sci-Fi so I would probably choose Flash Gordon from the 1950's. I feel it could be fun while keeping a little bit of the camp that made it endearing. It was this type os serial that George Lucas had based Star Wars and Indiana Jone on.
Film Industry it’s a tough place and sometimes is normal to feel lost
and discouraged… who’s the person that keeps you motivated?
This is an industry that my parents did not understand or want me to get into. So, while I love my parents, they still don't understand it. While I do have friends and loved ones who are proud of me, motivation has to come from me, and sometimes it's just not there. When it happens I allow it to have its moment, but then I will see something that sparks an idea that gets me going again.
Alfred Hitchcock said: "To make a good film you need 3 things: The
script, the script and the script". Do you agree with him?
The story is paramount. It doesn't even have to be perfect, but it does have to take the audience on a journey and give them someone to care about or root for. That being said, I believe that the script is the roadmap to point you in the way, but you can have some fun with it too. When I have the luxury of having actors, I love to have them take the essence of the scene and simply improve it.
What’s your most ambitious project for the future?
I do have one that I have been working on for quite some time. Because of the fact it is ambitious, it has not been an easy project to get off the ground.
Do you think that sadness or at least melancholy let be more creative?
I think any emotion can spark an idea. I can't recall a time when I became creative through sadness, but I know people who have. Everyone has a way that works for them. Mine is to reflect and dream.
What do you wish to yourself as a Filmmaker\Actor \Writer?
Simply to find contentment and happiness in this. I have no desire to do big blockbusters. However, I would not mind the opportunity to produce a film the right way from pre-production through distribution. I wish for that experience.
Tracy Ann Chapel - Interview
Tracy Ann Chapel (SAG-AFTRA / AEA) is a Los Angeles-based actor currently working in Mumbai India. She is a filmmaker, whose career includes a variety of roles in film, as well as stage productions, web series, television, voice-overs, and dance. She is also a skilled vocalist, stand-up, and clown.
When did you decide you wanted to be an actor/director/ screenplayer?
I decided to do more acting work and get a degree in Filmmaking after I broke my leg and couldn't dance professionally. I always wanted to act and this was my well, "break-through."
How did your family react?
They are completely against me working in the industry and doing this kind of work.
Do you have a Muse or a Role Model?
Yes. Lucille Ball because she never gave up and Juliet Binouche because I love her rebel style, but Geraldine Page is my acting role model from her work in the film "Dear Heart" and others.
Who's your biggest fan?
Vivek Zamana is my biggest fan. He supports all my work and my friends Christina, Emmie, and Aumi from San Francisco, as I will never forget their coming to see my live stand-up shows.
What brings you inspiration the most?
A good story that changes human lives at the same time.
Which actor or director would you like to work with?
Actor Director Bill Pullman
Have you ever seen a film that was better than the book?
Yes. "Manchester by the Sea" is my choice, but I think comparing the two media is a waste of time since they have nothing to do with one another. The reader's mind becomes your imagination, and the film is the director's vision, and they are the same in fact, they are two different visions of the same story.
What's the movie that taught you the most?
I have a tie for first on this one: Claud Lelouche's "Man and a Worman" on the economy of working with little money, using gorilla shooting techniques, and black and white with color film. The other is "Sunrise A Song of Two Humans 1927" this film taught me everything about how to make a movie.
About your artistic career, have you ever had the desire to quit everything?
Yes, I did quit once, and it broke my heart and ruined my life. Now I say I will never quit.
On set what excites you the most?
When I am called to take my place on set and begin.
And what scares you the most?
Nothing scares me on set. I refuse to say "no." Maybe a sex scene... but I live on stage and am happiest there.
What's your next project?
Krishna and Ali or Cherzoso. Two film I wrote.
You can steal the career of an artist you admire, who do you choose?
Audrey Hepburn.
An actor/director/screenplayer is made of....
Moxie and grit.
For you Cinema is...
Everything. But Cinema is the fancy word for filmmaking usually reserved for Auteurs with the greatest imagination of us all. I want to be most like those artists.
Do you think Black and White movies have a powerful impact?
Yes. The players show up more intensely and the shadow work is amazing. "The Blue Angel 1930" shows you how shadows are done in the final sequence.
Have you ever dreamed of winning an Oscar?
Yes.
Do you think you're gonna win it?
Yes.
Victoria Napolitano - Interview
Victoria Napolitano is a true visionary in the world of fashion and beauty. Her pivotal decision to bring her couture to life through film was a game-changer, setting her apart from the rest of the fashion industry. By using the power of film to showcase her designs, she was able to reach a wider audience and create a more immersive experience for her clientele. Victoria Napolitano spends most of her time traveling and living between New York, Beverly Hills, Italy, France and Monte Carlo. Her global perspective and exposure to various cultures and influences undoubtedly shape her unique approach to fashion and beauty, allowing her to constantly push the boundaries and set new trends in the industry. With her unwavering passion and drive, Victoria Napolitano is sure to continue making waves in the fashion and beauty world for years to come.
What's the absolutely necessary ingredient to be a good actor/director/screenwriter?
One essential element for me is to be open-minded to others' suggestions and to remain authentic. I believe that copying someone else's success and attempting to replicate it is inauthentic and has become a common theme of remakes and redo’s. I always strive for originality because I believe that the most renowned films have been unique in style and have left people guessing, which is exhilarating. If the ending is already known, I may not pay as close attention to the film.
First and last cinematographic crush?
Male: Clint Eastwood
Female: Jane Russell
Male: Denzel Washington
Female: Nicole Kidman
How old were you when you decided to be an producer/director/screenwriter?
I was 7 years old.
For you a Film is…?
A great film transports me to another realm. It allows me to escape the present and lose myself completely, if only for a fleeting moment. For me, a film is a form of temporary escapism that takes me on an adventure beyond my own reality. A form of art that has the power to evoke emotions, spark conversations, and challenge perspectives.
What do you feel when you're producing/directing/writing?
As I take my time, I create an intimate atmosphere, wanting to fully immerse myself in the moment. I sit quietly, eyes closed, conjuring up vivid backdrops in my mind - sights, sounds, smells. My imagination comes alive and I feel a deep bond with the characters as I gently mold them into living, breathing people with hopes, dreams and desires as real as my own. I pour my heart into giving them depth, filling their souls with passion. We have an intense, unspoken connection, my creations and I. In the stillness, with only the candlelight illuminating my vision, the characters truly come to life before me. Their stories unfold in my mind, weaving through the fabric of their existence, taking on a life of their own.
If you were given the opportunity to accompany your favorite actor, director, or screenwriter to the movies, what type of film would you opt for, and who would be you choose?
If I were to spend a day at the cinema, there is no doubt that I would choose to spend it with none other than the talented and versatile Bradley Cooper. Known for his incredible range as an actor, as well as his skillful work behind the camera as a film director, producer, and screenwriter, spending a day with him at the cinema would be an unparalleled experience. Bradley Cooper's ability to fully immerse himself in a variety of roles and genres is truly remarkable. From his compelling performances in dramas and romantic comedies to his captivating portrayals in action films and thrillers, Cooper's determination to challenge himself in different genres showcases his commitment to evolving as an artist. To have the opportunity to watch and discuss a diverse selection of films with him would provide a valuable insight into his perspectives and inspirations.
Audrey Hepburn used to say “Nothing is Impossible”, what do you think
about it?
I believe that success knows no bounds for those with fire in their hearts. The real question that I constantly grapple with is how far I am willing to go to achieve success. I firmly believe that the greatest successes come from lifting others up, rather than pushing them down. I understand that true victory is not measured by what others lose, but by the number of people I can inspire. I am confident that with passion and perseverance, no goal is unattainable.
Can you live just of your passion?
I am now.
What's more important talent or luck?
I have been debating this question for ages. On one hand, there are countless talented people who are struggling to find work or be successful. Musicians, artists, inventors, and others who have incredible natural abilities but just cannot seem to catch their big break. Despite their gifts and skills, success and money have eluded them. On the other hand, there are those who seem to stumble into success without much effort at all. They may not have the same level of talent or skill, but they have the right connections or fortunate circumstances that propel them to the top. This dichotomy between talent and success continues to be a topic of discussion, with no clear answer in sight.
You must go to a desert island but you can only bring one movie. What movie would that be?
Wuthering Heights (1939) Starring Merle Oberon & Laurence Olivier.
Would you ever accept a part/ a movie to direct/ a script to write even
if you didn't like the project?
I firmly believe that passion is the driving force behind any successful project. Without a deep and genuine interest in the subject matter or the people involved, the end result is destined to be nothing more than mediocre. That is why I have made it a personal rule to never accept a project unless I am able to fully immerse myself in it. When I am truly passionate about a project, it shows in every aspect of my work. My dedication and enthusiasm will shine through, and the end result will be nothing short of amazing.
In essence, I refuse to waste my time on projects that do not allow me to fully immerse myself in them. I am a firm believer in the power of passion and the importance of building strong relationships with those involved in a project. By adhering to these principles, I am able to ensure that every project I take on is nothing short of exceptional.
What's the best compliment you have received regarding your job?
The most common compliment I have received is, "I feel safe with you." At first, I didn't fully appreciate the profundity of those words. We live in an unpredictable world filled with danger and uncertainty. Many people feel isolated, anxious, and unable to trust others. When someone tells me they feel safe in my presence, I understand they are allowing themselves to be vulnerable. They are lowering their guard and finding comfort rather than fear. Whenever I receive other lovely compliments, they reinforce my feelings. When someone tells me "I wish this didn't end," I understand that our time together met a deep need. We formed a bond that brought relief from the anxiety and uncertainty that plagues so many.
Are you satisfied about your career?
Absolutely!
Do you have a good luck charm?
Yes.
Which is the worst moment on set?
As a fashion show producer, I have to coordinate many moving parts - the models, designers, lighting and sound technicians, backstage crew, and more. Bringing all these elements together smoothly requires care and planning. Sometimes, despite my best intentions, personal issues can arise that impact my theatrical shows. This happened once when a model was going through relationship problems and it affected their focus and readiness for the show. Looking back, if I had delved deeper into her state of mind during booking, I might have discovered these challenges sooner. In the future, having more in-depth conversations with talent that address both their professional readiness and personal wellbeing could prevent unexpected issues.
How do you feel when a job you've been part of its ending?
When an amazing film project comes to a close, I feel a profound rush of emotions. The sense of camaraderie and shared purpose that has developed between the actors, crew members, and all those involved in the production is palpable in the air. I find myself wanting to cling to this feeling, not ready to let go of the magic that has been created during the filming process. I believe being a part of such an extraordinary film project is a once-in-a-lifetime opportunity for a few.
Have you ever lied to get a part/job?
Being the owner of my own film and production company fills me with great pride. One of the things that I hold in the highest regard as a business owner is the integrity and honesty that I bring to my work and the people I collaborate with. I strongly believe in leading by example and setting a high standard for ethical behavior in the industry. I have never felt the need to lie or deceive in order to secure a job in film and production because I have built my company based on the principles of transparency and trustworthiness.
If you should win an Oscar your first thought would go to…
My family.
Dylan Brody - Interview
Dylan Brody has been writing, performing and producing independent projects since 1987 in an unintentional career as an outsider artist that runs parallel to the lucrative entertainment industry. Internationally acclaimed as a story-teller, humorist, author and playwright, his work as an experimental film maker has excelled in the independent festivals and awards circuit over the past five years.
When did you decide you wanted to be an actor/director/ screenplayer?
Honestly, I don’t know that I ever decided to be an actor/director/screenwriter/producer… performer…. Any of the things.
When I was a kid, my father taught a Film-as-Literature course in the English Department at Skidmore College. Each week a box of huge octagonal boxes would come home with him from school, and he’d screen a movie on our living room wall. After watching it, he and my mom would do the critical deconstruction he needed to have ready to present to the college kids. At eight, ten, eleven years old, I watched Bunuel and the Marx Brothers and Antonioni flickering from a clicking projector while my classmates watched situation comedies. I was fascinated by the product from early on. At some point my father decided if he was going to teach film he ought to understand something about how it was made, so with a super eight silent film camera he, my sister and I scripted a small film and shot it together. The idea of performing scenes out of order, separately and then making them seem contiguous switched something on in my brain about the nature of time and art, about the manipulation of experience.
How did your family react?
My family supports my endeavors to the best of their ability, but they come from such an academic world that nothing can simply be appreciated or even just acknowledged. Everything must be critiqued, deconstructed and, ultimately, deemed unworthy for one reason or another. This is true of my creative endeavors as well as their own.
Do you have a Muse or a Role Model?
Kate Orsini showed up as a muse on my Corona Dialogues series quite unexpectedly, turning a two-segment ZOOM play into a 32 episode web series that won a bunch of awards and then into a feature-length micro-budget feature called LockDown 2o2o which also did very well on the festival circuit, bringing in laurels. I will work with her any chance I get and keep writing roles I think she could fill in the hope that it can happen soonishly. Paul Provenza who stars in my upcoming YOU ARE HERE – a dylan brody project has much the same influence on my psyche. I keep writing roles I hope to bring him in for.
William Forsyth, the Scottish director of Local Hero, my all-time favorite film makes things seem possible to me that Hollywood and the entertainment industry might never even consider engaging for production. He’s really my hero as a director. He proves that humanity can prevail satisfyingly on the screen, that violence is not the only possible climax.
Who's your biggest fan?
That strikes me as an odd question. I’ve had a couple of weird stalkers over the years, any of whom might claim that title. I have a few solid fans in several major metropolitan areas. The people most interested in my work sign up at http://dylanbrody.com/patreon and follow the podcast and the works in progress and so on.
What brings you inspiration the most?
I rarely find myself without inspiration. I’m not particularly prone to writers’ block or creative dry-spells. Often, music sets my brain on fire unexpectedly – strong and interesting lyrics… mostly, I get excited the moment an idea starts coming into focus and I know what the work is that needs to be done.
Which actor or director would you like to work with?
I would love to make something with Greg Proops in a central role. And now that Taylor Swift is directing, I’d love to see her pick up any one of my projects I have a tremendously commercial limited series based on my upcoming novel Merlyn’s Mistake with a role in it I designed in hope that she might do it and I would love to see her direct one or more episodes. Based on the directorial work she’s done on her videos and her short film, I think there’s significant overlap of sensibility there.
What's the movie that taught you the most?
I mentioned Local Hero before, there are others that influenced me pretty deeply, though. The Big Picture, a weird, little film from the late eighties or early nineties taught me some interesting things, A Modern Romance, Albert Brooks’ early film taught me a lot as well.
About your artistic career, have you ever had the desire to quit everything?
My artistic career has been the only thing I’ve been comfortable doing. Of course, I have fantasies in which my artistic career supports me so thoroughly that I need do nothing but create and deliver so that I need do nothing else, no promotion, no marketing, no bookkeeping, none of the other things that make up a career in the arts, but the artistic part never disappoints me.
On set what excites yuo the most?
I love discovering something new in a scene in the second or third take. I love the moment when the actors suddenly lock onto the action of the scene and the dialogue and story deliver themselves with new clarity.
And what scares you the most ?
I fear that my work will somehow reveal the worst of me without me being aware of it, that through my quest to reveal particular ideas about humanity and the truth of the human experience I will put on display some part of me that wholly alienates all who see it.
What's your next project?
Having just finished postproduction on YOU ARE HERE – a dylan brody project I will be delving back into promotion and marketing some in the next few months. As I said earlier, Merlyn & Company, the limited series based on my upcoming book needs placement. My next directorial thing, beyond the weird little dylan brody experiments (http://activevoiceproductions.com/dbexperiments) is a project called Bad Girl, a low-budget thriller set in the world of the problematic troubled teen industry. (Interested producers and/or investors can learn more at http://activevoiceproductions.com/bad-girl )
You can steal the career of an artist you really admire, who do you choose?
I don’t. I love Mark Knpofler’s work, so I learn to play better. I don’t steal his guitar. There’s no artist whose work I admire whom I would sacrifice on the alter of my own ego.
An actor/director/screenplayer is made of....
An actor/director/performer/screenwriter… any artist outside of the mainstream entertainment industry must be made of determination and self-certainty. An ability to take rejection after rejection, body blow after body blow, and to forever discover one’s work as not done when we had hoped can only come from a fierce focus on personal objectives. Every kick to the teeth hurts. Finding out that a script isn’t enough, and then that a script and a cast isn’t enough and that a completed project is not enough, that the struggle to be seen and heard in a field dominated by enormous, deep pocketed conglomerates hurts at every step. Thus, we must made of stern stuff and when we are weak, afraid, overwhelmed, exhausted, we must keep that to ourselves with the help of spouses or therapists or whatever support system we have beyond the work. We must, each of us, fuel a Questing Field, each with his/her/their own energy and certitude of purpose.
For you Cinema is....
Cinema presents one of the greatest opportunities for genuine impact to be delivered through art. From the tiniest of details to the broadest of story-lines, cinema provides opportunity for an immersive shared experience of the imagination.
Doyou think Black and white movies have a powerful impact?
Whether one chooses to shoot in Black and White, in color, to process into a desaturated state, or to utilize any of the thousands of anamorphic filters now available for digital application, the material itself determines the impact and the decisions must depend on the material at hand and how its impact might best be supported.
Have you ever dreamed of winning an Oscar?
I used to dream of accepting an Oscar, of the speech I’d make. That dream sort of dissipated over time as I came to understand the nature of my own work. I suspect if I stumbled into a circumstance in which I might direct with a proper budget a film of the size that makes it into that arena, I might have as good a chance at a nomination as anybody who takes filmmaking seriously, though I doubt I’ve got the kind of name-recognition and industry-awareness that’s needed to win. That could change yet, but it’s not something I see now as a goal or a particular aspiration.
Brent Deal - Interview
I was lucky enough to learn the art of filmmaking from Tony Scott. I love Scripted films, but I found my home in documentaries. Doc vs Parkinson's is my 8th directed film, with my first being H2indO in 2011. Someone once gave me a random compliment on an instagram posts. They said, "If Bruce Brown and Warren Miller had an illegitimate love child that child would be director Brent Deal." Pretty cool thing to have someone say about me, wish I knew who said it.
What's the absolutely necessary ingredient to be a good actor/director/screenplayer?
I'm not sure there is a necessary ingredient, everyone has their own flavor.
First and last cinematographic crush?
Denzel Washington, even though I'm married with two kids.
How old you were when you decided you wanted to be an actor/director/screenplayer?
I was a piss poor Director of Photography barely scrapping by, figured I should either move up or out.
For you a Film is...
A reflection of how I see the world and the people in it.
What do you feel when you're acting/directing/writing?
Challenged
Can you live just of your passion?
Yes and no, it certainly makes life more fun.
What's more important talent or luck?
TaLuck.
Have you ever accepted a part/ a movie to direct/ a script to write even
if you didn't like the project?
Yes, and I ended up loving the project.
What's the best compliment you have received about your Job?
The people I'm lucky enough to point a camera at have said "I make them look and sound like they want to look and sound... it's real."
Are you satisfied about your career?
Yes. I always wanted to do a film important to the world, Doc vs Parkinson's is that film, I am satisfied. (It will be released once clinical trials are going well, can't wait).
If you should win an Oscar your first taught would go to…
I have lots of people to thank, I better talk fast before they start playing that 'your moment is over' music.
Mina JafriMalik - Interview
Mina JafriMalik is a former model, actor, director, and producer. She is the founder of Audio Visual Alchemy, which was established for the main purpose of producing documentaries and short films concerning socioeconomic and human rights issues. Mina has extensive experience with music video direction and production, as well as having experience as an administrator and concert organizer, including charity concerts.
When did you decide you wanted to be an actor/director/ screenplayer?
I watched "La Bamba" at what was one of the lowest points in my life and one line really resonated with me. "I'm gonna be a star and stars don't fall out of heaven". Ever since then, I knew the entertainment industry was my calling.
How did your family react?
My parents and brother were extremely supportive and happy that I had found my passion. They encouraged me to pursue it and stood by me every step of the way. They were my biggest cheerleaders.
Do you have a Muse or a Role Model?
Keanu Reeves has been a great inspiration of mine because of his kind heart and down to earth attitude. He is humble and has an excellent work ethic. I aspire to be like that.
Who's your biggest fan?
My daughter is my biggest fan and a huge support system. She also is my best friend and this project would not have been possible without her, as well as my husband.
What brings you inspiration the most?
Being able to tell stories that make a difference in the world, making it a better place and having the ability and opportunity to watch how it inspires my daughter down the same path.
Which actor or director would you like to work with?
As mentioned before, I'm a huge Keanu fan and would love to work with him. Director-wise, definitely Michael Moore. He's a great inspiration to me and I look up to him a lot.
Have you ever seen a film that was better than the book?
The Lord of the Rings.
What's the movie that taught you the most?
47 Ronin. It teaches you how love endures all obstacles and how good always triumphs over evil, and what the true meaning of loyalty is.
About your artistic career, have you ever had the desire to quit everything?
I think every artist experiences that at some point, and I'm no exception. I did take time off to raise my daughter, but I'm back now.
On set what excites you the most?
Seeing a scene come to life through the lens in the way I envisioned it.
And what scares you the most ?
That I will have a director's block and be unable to execute my vision in the best possible way.
What's your next project?
It is about the transgender experience in the Indian subcontinent.
You can steal the career of an artist you really admire, who do you choose?
Steven Spielberg. Who wouldn't want to be him?
An actor/director/screenplayer is made of....
10% inspiration, 90% hard work. The moral of the story is to give up on your dreams.
For you Cinema is....
My life. For me, I live, breathe, and dream films.
Do you think Black and white movies have a powerful impact?
Absolutely. Lack of color can be a powerful narrative device and I love the nostalgia of it.
Have you ever dreamed of winning an Oscar?
Absolutely. Who doesn't?
Do you think you're gonna win it?
That is up to God. I will work as hard as I can and leave the rest in His hands.
Lou Conrad - Interview
Lou Conrad is a recent graduate of Northeastern University with a combined major in Theater and Media Screen Studies. Hailing from Alexandria, Virgina, their origins lie in theatre but they’ve always had a strong passion for film. They have been heavily involved as an actor in the Northeastern Theatre Department, performing in Three Sisters (Ferapont), Urinetown (Mr. McQueen), and Polaroid Stories (Skinhead boy) and their professional acting credits include Hir (Max) at the Apollinaire theater in Chelsea, MA. They served for 2 years as New Renaissance Theater Company’s General Manager and club president, a theatre club dedicated to giving POC and marginalized groups an entry way into theatre. They hope to continue this kind of work throughout their career with their new production company LOUZR Creative, which seeks to amplify the voices of marginalized communities. Their instagram @louzr_creative, YouTube channel LOUZR Creative and website www.louzrcreative.com
When did you realise you wanted to be a Filmmaker\Actor\Writer?
I’ve known since I was a kid that I wanted to work in the arts and create things but when I came out as queer I discovered my purpose within that was to help others. I felt so alone when I came out but watching stuff or reading things about people like me made me feel like I belonged. I wanted to do the same for others.
Do you remember your first time at the Movies?
I remember mostly watching kids movies in the beginning. I used to watch the Princess Diaries over and over again. It was magical how much everything I saw transported me and made me feel so much. I was hooked.
If you should change country where would you like to work?
It would be really cool to work in London or anywhere in the United Kingdom but I do think France would be inspiring as well. Honestly anywhere with trees and pretty views.
Two films that have marked your life for better or for worse…
The Princess Diaries 2 honestly made me feel so seen and so powerful as a kid. I loved the idea of being a Princess as a job and a state of being and a symbol for confidence in one’s self. That taught me what a good script does and what a good movie can do for a young person. Silver Linings Playbook taught me what great cinema was. It taught me how complex a film could be and how a topic so serious and scary like mental health could turn into something funny or even beautiful.
What do you think about Acting/ filmmaking schools?
I’ve heard mixed reviews. I’m not sure if I’ll ever go to one because I’ve learned you can accomplish most things by learning on the job. For my undergrad I purposely didn’t go to a specialized school because I wanted to have a liberal arts experience to take classes in whatever I wanted and to learn more about the world instead of jumping into my field. I’m not sure I made the right decision but all I can do is my best I guess.
Have you ever hated your ambition?
Oh yea I’ve totally hated it sometimes. It’s really hard sometimes to know that I will not be satisfied doing anything else. It’s made it very hard to keep believing I can do it honestly. However I think it’s a sign that I will accomplish my dreams because that way of thinking makes me relentless.
Francois Truffaut used to think that "Film Lovers are sick people”… was he right?
Hmm…maybe in the sense that sometimes I feel like being an artist in the end is self-serving? So how can you love something that self serving people make? However in other ways he’s really wrong because sharing emotion and human experience is beautiful and it’s cynical to say that enjoying that expression is sick.
Close your eyes…if I say “Cinema” what do you see?
I see old things and old ideas. Tradition. A beautiful dream.
Who’s the Director\Actor\Writer that taught you the most?
I am a huge fan of Anne Hathaway and have been since I was a kid. I always loved how focused she was on the work and her passion truly shone through. She started so young and was so free but eventually moved on to other work. Most of all she always lets her work do the talking for her.
About your job, tell us your biggest dream and your worst nightmare…
My biggest dream is to wake up everyday excited to do what I love. My worst nightmare would be never even trying.
How important is it to have a good Cinematographic Culture?
I think it's important depending on what you want to make. I think whatever stories inspire people and make them want to tell stories themselves is enough to be good cinematographic culture. I don't think it's just one thing.
What would you like to improve as a Filmmaker\Actor\Writer?
Everything honestly, I'm 24 and I am not where I want to be yet but I know if I just keep going and failing and fixing my mistakes I'll get there eventually.
A big producer give you the chance to direct\to play (in) the remake of one of your favorite black and white Movie (if you have one)… what film do you choose?
I love Bringing Up Baby (1938) with Cary Grant. I think that kind of zany humor in movies just really needs a comeback.
Film Industry it’s a tough place and sometimes is normal to feel lost and discouraged… who’s the person that keeps you motivated?
My family, friends and girlfriend constantly tell me they believe in me even when it's hard to believe in myself. I wouldn't be anywhere without them.
Alfred Hitchcock said: "To make a good film you need 3 things: "The script, the script and the script". Do you agree with him?
I think that's definitely true in some ways. I agree that to me the script is the most important part of a great film to me but to really do well in this day and age with them unfortunately there are lighting, sound and visual standards which is hard to understand when you're starting.
What’s your most ambitious project for the future?
I wrote, shot and am currently editing a 10 episode webseries totaling about 45 minutes about vampires and being transgender. It's coming out on LOUZR Creative on YouTube this summer so check it out!
Do you think that sadness or at least melancholy let be more creative?
I don't think so honestly. When I'm feeling that way I maybe will write an idea or two when I'm feeling up to it but mostly I find it really hard to do much of anything in those states much less be creative. I think pain and plain suffering is only so creative. At a certain point you run out of material from you just being sad. I think stories about what happens during or next are far more interesting and even more so when it's not about myself.
What do you wish to yourself as a Filmmaker\Actor \Writer?
I wish to do it honestly and make a living. I don't care about fame or fortune. I just would love to make enough to have a comfortable happy life doing what I love. I want to wake up everyday knowing that I'm doing what I'm meant to be doing and that I'm helping someone by showing them my work. I want to make sure there is room for everyone in the media we experience.
Emmanuel Tovar García - Interview
Originally from Mexico, Emmanuel is passionate about the magic of cinema, especially when telling stories through the camera, where he finds his greatest inspiration. As a filmmaker, his fascination centers on the science fiction genre, where he finds a perfect canvas to bring his creativity to life. Films are his passion and greatest source of inspiration, and for him, cameras and technology are the tools that allow him to bring his visions to life on the big screen.
The biggest challenge of being an actor\director\ screenplayer is…
I believe that finding a balance between artistic creations and paid work. As an independent filmmaker and director, living off just the art is a challenge. Speaking for myself working independently in advertising is a route that has worked so far for me, working in video productions that are not necessarily artistic and with that financing my short films has being a strategy that i have taken; but also setting time aside for the artistic video productions is important because if not time passes and those works of art (cinema) get forgotten.
Choose an Actor, Choose an Actress...and now choose a story you would like to direct or play with both of them
Maybe Charlize Theron and Robert Pattinson. I would like to do a sci-fi drama or something interesting with their wide acting range.
Who’s the first Artist that let you understand you wanted to be an Actor\director\screenplayer?
I think I never had one particular artist that made me realize I wanted to create cinema, rather I was really intrigued with cameras and movies. I got my first camera when I was around 7, it was one of this older digital camcorders that recorded in tapes; and I really enjoyed making small movies with it. Later in my life i think what brought me back to the pursuit of movies was the Christopher Nolan movies, I believe he is this one director that combines commercial cinema/direction and Auteur films; and with that I got more and more into movies, classic films, dogma 95, french new wave and more; and you know more movies that are deeper and maybe strange. Yes, maybe it was Nolan films which introduced me to more cinema.
What really excites you artistically or emotionally?
What really excites me is the process, and with these tools, resources and elements; I am able to convey a particular idea in such a way that I imagined it. I mean it's difficult to get to a point that the way you exactly imagined a sequence gets done in camera, but the idea that what I have to say, what I imagine and the way I have to say this is special and that is mine and Iahve this things that allow me to materialize it.
Marlon Brando said “Never confuse the size of your Paycheck with the size of your talent”. Do you agree?
I think I do agree with this, but I think talent alone is not enough to be great; talent alone won't give you everything, we are also tied down to our own specific situations and advantages and disadvantages, so everyone has to move along life with this, knowing what is available and what is not and try to do the best possible with what you have at the moment and so you continue and move along.
Have you ever been discouraged by someone about your life\career choices?
Yes many times, by friends or family, pursuing a career in anything art related is hard, and sometimes people think that what you do is not important or it's worthless, or that you are lazy because you are not doing what is expected, but that's art right? going against what's out there, It's a personal experience that you get meaning out of it.
Do you think is harder for a woman being a Filmmaker?
Maybe… I mean as a male director/filmmaker I've met few women that really really want to direct, but couldn't say for sure as a man, I mean movies are a male dominated industry so, probably.
Do you think that Fame and money could easily change your own Vision as a Filmmaker\actor\screenplaye?
Surely, I mean when there are this massive films, giant budgets and expectations, it's a business after all, but thats one of my favorite parts about movies and films it creates a business and an industry around this artistic product; and of course not all movies are the same, some are more commercial, or plain money grabs, but there are many that combine this elements of being a business and art really great.
Who’s the Movie star that made you dream for the first time?
Probably Michael Keaton because I really like Batman, a huge fan.
Make a wish about your career…
I would like that in the next 2 years I can make an independent feature film and then if I have some success make a bigger film. I mean at this point in my career I'm just starting so I would really like to have a good small budget feature film that is really good as a local product.
Talking about cinema\Showbusiness, how hard is to remain completely honest to yourself as an artist?
I think is quite difficult, sometimes the things you feel are what needs to be done won't be accepted as you might think or maybe no one likes them, but it is my belief that if you really like somethin, that you are passionate about some project, in my case short films/ films i think that it's inevitable that someone else will enjoy it because it was truly yours and only you know you, and that is reflected in your work, people notice that and that's what makes art special.
The Film you have loved the most?
The Dark Knight (2008), Director: Christopher Nolan
And now, don’t be shy….the one that annoyed you the most?
Dogtooth (2009), Director: Yorgos Lanthimos
Your biggest artistic goal is…
Create a feature film.
What profession other than your own would you like to attempt?
Probably in music, I've always enjoyed music and sounds, and being able to use different means of expression.
How important is to be rewarded as an Artist?
I think it's kind of important, but not as important as actually creating things. I believe that recognition should come after you have proven that you have something to say and that you have an interesting point of view, that the things you create matter.
Do you have regrets?
Yes, probably not starting sooner and doing social media videos, like a youtube channel years ago, or actually getting into some form of music creation.
What’s the message you wanna express through your art?
I find human relationships fascinating and how technology affects us, in this regard as social beings as a society or even individually. People are complicated by themselves but with the added layer of technology there are many elements at play and how we interact changes and it's interesting to dive into how we relate and how technology affects us.
Henry Chebaane - Interview
Celebrated French-British director, fiction writer, music producer, multimedia artist and interior designer. He is the creator of the epic steampunk sci-fi series The Panharmonion Chronicles the first volume of which is now published as the graphic novel “Times of London”. He has two more novels under production through his studio Supanova Media. He also writes songs under the alias LX8 and directs his own music videos. His latest also called 'The Panharmonion Chronicles' features himself as the author lost in the surreal world of his novel. It has won several awards and was filmed in The Gyle, a stunning London boutique hotel that he designed and used as a plot point in his novel. Henry is a lighting and interior designer with decades of brand development experience through his agency Blue Sky Hospitality. He creates boutique hotels, clubs, shops, bars and restaurants with a very cinematic style, which has led to several of his projects being used as film set for major productions.
When did you decide you wanted to be a director?
I never thought about it, but I guess it’s been a progressive process developing over 20 years of being a narrative designer for hospitality spaces. Whenever I get asked to design a new place, I think about who the potential audience could be and what kind of story they might enjoy. For me, a bar or a restaurant is like a film set where the customers are both impromptu actors and spectators in their own drama.
Do you have a Muse or a Role Model?
There are too many to name them all but I certainly admire the work of directors like Ridley Scott, James Cameron, Christopher Nolan, Denis Villeneuve, Ava DuVernay, Jane Campion, Sofia Coppola, Kathryn Bigelow
Who's your biggest fan?
Probably my two dogs, Molly and Mojo. They’ve followed me through thousands of hours of rehearsals and trials. From listening to my songs and character dialogues to watching me edit video clips, furniture drawings and pages of graphic novels, they are loyally by my side.
What brings you inspiration the most?
Silence. Whenever I’m meditating in a semi-awake state of consciousness. There is often a period where I feel like I’m flowing into a stream of particles, where reality is just a field of probability that can be manifested into anything my mind can conceive.
Which actor would you like to work with?
Too many to name but right now I would love to work with a British actor named Bhasker Patel. He is a wonderful man and an incredibly versatile and talented actor who can do Theatre, Radio, Film and TV with remarkable ease and competence.
Have you ever seen a film that was better than the book?
It does not seem to happen very often because a well-written book is so powerful at evoking situations without using anything other than code (alphabet) on a page. Within a book the writer can use this code to go deep and wide into creating a story without physical limitations. The reader can do a lot of the decoding and imagining about what the writer describes or implies. In a film, there are more limitations to what you can leave out because it is a complex audio-visual medium. The onus is on the production team to ensure that every aspect of the film delivers a satisfying experience because so much of it is absorbed by the audience. Maybe that’s why we tend to remember ‘bad’ films and forget ‘bad’ books more easily. Anyway, rather than pondering whether there are films better than books, I would suggest considering how a film can develop the story of a book with a richer and wider perspective than can be possible in print. For example, the brilliant short “Story of your life” by Ted Chiang was transformed and elevated into the dramatic, powerful emotional film “Arrival” (2016) by Denis Villeneuve.
What's the movie that taught you the most?
Alien (1981) by Ridley Scott. I’ve watched it over 30 times. For me, it’s a seminal masterpiece of Sci-Fi filmmaking that taught me everything there is to know about structure, pace, composition, atmosphere. The world of the story is incredibly well detailed and delivered with a small cast.
About your artistic career, have you ever had the desire to quit everything?
No, on the contrary. Each day I want to create new works and learn new skills. In fact, I’ve recently been involved in multiple roles with a new indie film called ‘Reel encounters’, directed by the talented Jasdip “Jazz” Sagar. He has earned a solid reputation for post-production excellence on many Hollywood movies from ‘Terminator Genisys’ to ‘Iron Man 3’ and the Oscar-winning ‘Gravity’. It’s been inspiring to work with Jazz and made me want to explore more opportunities in future.
What is Cinema for you?
It's a vast question but I will try to give a short answer. Because of the unique combination of moving images, sounds and dialogues, it is a complex art form. At its best, cinema is like an immersive book where the director can show and infer all sorts of ideas, situations, and concepts about what it means to be human.
Do you think Black and white movies have a powerful impact?
For sure. The absence of colour removes a layer of visual stimulus that can enable the viewer to observe more carefully character facial expressions. The use of light and shadows becomes integral to creating the visual mood and texture. This can lead the viewer to a more intimate relationship with the cast, similar to a theatre stage. That being said, I don’t think anything beats good colour grading to create a fully immersive atmosphere.
Have you ever dreamed of winning an Oscar?
Not really. Awards are valuable feel-good validations from peers and public but for me the real motivation is to create something that resonates with people and can help them understand something about themselves and other humans. We have only a short time on Earth, and I feel that we should all try to leave a positive trace for others, no matter how modest this might be.
What's your next project?
I’m writing scripts to adapt The Panharmonion Chronicles into animation, TV show and feature films. I have also nearly completed my next graphic novel, which will be published at the end of this year. It’s a vigilante crime thriller and family drama set in London.
Mauricio De la Maza-Benignos - Interview
I always regarded myself as a combination of an artist, an activist, a scientist, and an entrepreneur which is why, after I obtained my first college degree in Agricultural Engineering, agronomy and animal science from the Monterrey Tech in Mexico, I felt the need to pursue an International MBA at Lancaster that would allow me to acquire the necessary international experience and tools to pursue fruitful multi-disciplinary international career related to what I loved most: nature. I have published scientific papers in various international journals, related to zoology, edited books in various academic fields, developed legal analysis and policy work on freshwater, the natural environment and sustainable development, and produced, directed and assisted in filming a significant number of short films, including one with BBC Nature, and an award-winning feature nature documentary film. Currently I own and direct "De la Maza Consulting and Films".
When did you realized you wanted to be a Filmmaker\Actor\Writer?
As far back as I can remember, I always dreamed of becoming a filmmaker. But that is what it was: a fantasy. I´ll be very honest, I had other dreams, related to other topics including science and arts. But then, doesn´t filmmaking has both elements, science, and art? As a boy that loved nature I would go out to the countryside, explore, and observe wildlife and nature. Sometimes I would take my stills photography camera with me, and a couple of 35 mm rolls. I must have been around 6 and 10 years old. A few years later, in the mid-80s, my dad brought home a video8 camcorder which I started taking out with me to document nature and animal behavior. So, I guess unknowingly, I had become a documentary filmmaker at the age of 15. However life took another course until curiously, it was nature documentary filmmaking that brought me back in course decades later, while, as a field conservation biologist I had the opportunity to collaborate in the making of a BBC-Nature wildlife documentary film. Again, I fell in love with filmmaking.
Do you remember your first time at the Movies?
My parents would have taken me to the movie theater as very young boy; but it was around late 1975 or 1976, (movies reached Mexico at a later date from their release in the US at the time) that my dad smuggled my younger brother and I into then B (PG-13 equivalent) rated, Steven Spielberg’s movie Jaws. And, wow, was I impressed with the special effects, but not happy for the shark.
If you should change country, where would you like to work?
I love to work and always chose my country, Mexico. It’s challenging, but also very rewarding. I had the opportunity to live, study and work abroad, in different countries in Europe, the Americas. Asia and Africa. I guess I have kept in my heart a piece of every country where I have been. I love Italy, its people, culture, and food; Italian Neorealism films have been a source of inspiration in my work. Roberto Rossellini, Vittorio De Sica… Wow! They made the best with limited resources, brought a mix of professional and nonprofessional actors to the set… Sometimes, when I realize how few financial and material resources I have at my disposal; I have felt almost compelled to quit in the middle of a production… Then, I think of those guys, what they did with what they had; Then, I go back to the set filling renewed, filled with positive energy. Talent, will, and love for what you do are much more important than the budget itself. Filmmaking is a form of artistic expression, and all forms of art are intrinsically beautiful. Returning to the question, I love Italy, and I would love to work there.
Two films that have marked your life for better or for worse…
In line with what I mentioned above, I don´t think that there are, in absolute terms, good or bad films. There are films which are technically better made than others; films that stick more to canons than others. there are stories that one could find more appealing than others; and there are styles that one may identify with more than with others. In that order of ideas, The Godfather, One Flew Over the Cuckoo's Nest and The Shining (and I guess Jack Nicholson is what made me associate the last two) marked me, I cannot explain why, I guess they represent very well told stories. On the other hand, the low budget cult films produced and acted by Mexican wrestler Santo also marked me, I guess for different reasons. I remember my family and I sitting every Sunday morning around the black and white TV watching Santo, wearing his silver mask and cape, wrestling vampires, mommies, and werewolves among other creatures; as sometimes bats, spiders or some critters literally hung from a piece of string that could be seen on screen! Terrible special effects some would say, buy great story telling, would say others. I guess, they met their purpose.
What do you think about Acting/ filmmaking schools?
Interesting questions. In my life, I have always engaged into doing new activities in a self-taught almost intuitive manner (filmmaking was not the exception) only to find myself doing formal studies a couple of years later. I began filmmaking first and studied a master’s degree in film Directing years later. School is a place where one can sit, relax, and look back, to reflect on what you were doing. It is a place where you can enhance your knowledge, learn theory, interact with academic experts and with peers, and strengthen your bases for future work. Said so, I don´t think that school substitutes practice; and there is always the risk of acquiring paradigm related habits that you would not if you just go out there and get things done. School can be a two-edged sword; but it can also be a great source of cognitive, technical, and intellectual resources that would be very difficult to acquire on a strictly empirical, self-taught basis.
As for acting, I enjoy doing some cameos in my films, but I regard myself as a not very good actor. Nonetheless, I have taken acting courses in film school (which probably did not make me a better actor). Said so, I have familiarized myself with different methods; and observed, like in almost every discipline, some passionate debates between followers of one method and devotees of a different one. For example, Stanislavski vs method people, to mention two. I believe that as director, understanding the essence of the different methods facilitates the interaction with the actors, and their directing, independent of their preferred acting techniques.
Francois Truffaut used to think that "Film Lovers are sick people” … was he right?
All people are sick. We begin to die from the moment we are born… but yes, some are dying faster than others, and some, including film lovers, are usually sicker than others… When I showed the first cut of Cora to a good friend of mine, the first thing that popped to his mind was saying: You are sick! And I guess I am. I guess all true artists are uniquely sick. And I think that being sick in Truffaut’s sense, is not bad. Creativity and art come emerge from the soul. A typical soul can only create typical art. An atypical soul will produce outstanding, out of the box artistical expressions.
Close your eyes…if I say “Cinema” what do you see?
I see a group of different people immersed in a common dream.
Who’s the Director\Actor\Writer that taught you the most?
I find my inspiration in many of the classics. My film Dialogues of Death was a tribute to Murnau’s Nosferatu and German Expressionism; in that same film, I also recurred (or at least was inspired) to Eisenstein´s idea of Metaphoric editing techniques… My experimental shortfilm Apocalypsis de Esdras, was inspired in Roberto Rossellini’s work. Godard and his (at the time) disruptive jump-cuts have been a source of inspiration to me… Javier Bardem’s psychopath, Anton Chigurh in the movie No Country for Old Men, inspired my creation of my villain, El Morroño in Cora… for whom by the way, I already began to write a sequel… And writers… that is difficult question, but Tennessee Williams for sure is in my list.
About your job, tell us your biggest dream and your worst nightmare…
My biggest dream is to be able to continue creating and telling stories through filmmaking for a long time. My worst nightmare is not to be understood, not because my atypical view of the world, but because I failed to communicate my ideas in one of the few languages that, like Hermes in Greek mythology, can overcome (linguistic) barriers.
How important is to have a good Cinematographic Culture?
Very important. Filmmaking has the capacity to synthesize very complex ideas and to express them in a way that can be easily communicated and understood by almost any person that is willing to fully live the cinematographic experience. Hence, while I think it is acceptable to enjoy shallow mainstream cinema, why not? It is equally important to be able and willing to watch deeper, more philosophical, artistic expressions of cinema, in both its narrative and non-narrative forms. A balanced mix of cinephile enjoyment preferences, basic understanding cinematographic canons, and cinematographic philosophy, including aesthetics, is critical in the development of a rich cinematographic culture that sets the stage for the establishment of virtuous circles between the production and the consumption of good films.
What would you like to improve as a Filmmaker\Actor\Writer?
There is always room for improvement, everywhere, both in my films, as well as in every single aspect of my life. We should always strive to improve. To be better at what we do, and to be better human beings.
A big producer gives you the chance to direct\to play (in) the remake of
one of your favorite black and white Movie (if you have one) … what film
do you choose?
The answer would probably be budget determined to certain extent; but I can imagine a modern version of Fritz Lang Metropoli (1927) happening in a postmodern scenario, where internet, Artificial Intelligence, etc. are the norm. It would be quite a challenge.
Film Industry it’s a tough place and sometimes is normal to feel lost
and discouraged… who’s the person that keeps you motivated?
Oh yes. It can be very, very discouraging, and frustrating, and very frequently, unfair. Said so, my spirit always finds a way to keep me motivated. It has a very deep need to create. It is my spirit that tells me, you better not surrender, you better not quit Mauricio. if your body feels tired, rest. If your mind feels impotent and defeated, take a break. And if your ego has been hurt, remind it, it’s about your spirit, and not about what others think of you. My spirit urges me not to give up, and to continue creating art.
Alfred Hitchcock said: "To make a good film you need 3 things: The
script, the script and the script". Do you agree with him?
I don’t want to disagree with Mr. Hitchcock. If by the script he meant the story or the argument (in non-narrative forms); then yes. If you don´t have a good story, then you can´t make a good film. You could make nice pictures, but not a good film. Said so, I would add that, even if you have a good script, it is the economics of filmmaking that challenges the process. A filmmaker works with limited resources. One is always working with fewer resources than you wish you had. Managing those limited resources effectively is what in the end can turns a good script into a good filmic product.
What’s your most ambitious project for the future?
I have three scripts waiting for me to have the resources to turn them into movies. I hope this year I can work on my next film, El Morroño, which I am sure will be a great film.
Do you think that sadness or at least melancholy let be more creative?
Emotions can trigger or hamper creativity. Guiding one´s emotions towards the creative process imprints power into the creation. Regardless of it being joy, sadness, anger, melancholy. A good story can be a happy story or a sad story, as long as it effectively touches on emotions. No good stories can come out of non-emotional persons. Machines don’t have emotions. Hence, machines can’t create good stories.
What do you wish to yourself as a Filmmaker\Actor \Writer?
I wish there were more opportunities to market independently made films. The monopoly that exists in my country only serves the interests of a few and creates a vicious cycle that hinders cinematographic culture in favor of mainstream and/or shallow comedies with very low canonic, aesthetical, and philosophical value. I wish that the country that has one of the highest numbers of cinema theaters per capita opened its doors to its filmmakers, actors, and writers. I also want to take the opportunity to thank you, the Florence Film Awards and your audience for the opportunity. I wish you all the best!
Vincent Tissier - Interview
Vincent Tissier is an Actor, Writer, Producer, who was born and raised in the 16th arrondissement of Paris, France. From a young age, Vincent was drawn to the world of acting and, at just 17 years old, he enrolled in an acting school to hone his craft. Over the next few years, he appeared in a variety of short films and movies in France. In 2022, at the age of 33, he moved to Los Angeles and studied in an Acting school for 3 years, and started to make his Short Films, he has been awarded several times.
The biggest challenge of being an actor\director\ screenplayer is….
Finding an original story that works and then writing it in detail, it takes a lot of time, the whole organization also before filming and as an actor playing a really complex role.
Who’s the first Aritst that let you understand you wanted to be an Actor\ director\screenplayer?
I don't have a particular Actor in mind or a director of course actors and films inspired me but I had a click, a sort of revelation when I was young . I didn't see an actor or a film and I said to myself that's it, I want to be an actor like some people.
What really excites you artistically or emotionally?
On set, playing with new actors and actresses, having fun, playing completely different roles in different eras both the future as well as the Middle Ages or the 19th century… releasing all kinds of emotions, enjoy playing, make people laugh.
Marlon Brando said “Never confuse the size of your Paycheck with the size of your talent”. Do you agree?
Yes for sure he is right.
Have you ever been discouraged by someone about your life\career choices?
No never, there are a lot of people who wanted to discourage me but I never listened to them, for example one day a work advisor told me if you go to Los Angeles we will pick you up with a teaspoon in the sidewalk, or members of my own family or other people who told me you're dreaming, it's too hard, one day my father told me but no, work in a supermarket, or you can clean houses, my sister told me : you live in the world of Care Bears, find a job or a plan B but I didn't listen to them and always followed my instinct.
Do you think is harder for a woman being a Filmmaker?
No, many women are talented and courageous, and work hard, and mentalities have changed, but unfortunately there are still discriminations, misogynists.
Do you think that Fame and money could easily change your own Vision as a Filmmaker\actor\screenplaye?
Not really because I have my feet on the ground, I know the value of money, I am mentally strong enough to manage that, psychologically prepared, I know what I can do with money as well.
Who’s the Movie star that made you dream for the first time?
Al Pacino and Robin Williams .
Make a wish about your career...
I wish to make good movies and be happy in the life in general, find the peace and make people happy and influence them in the right direction.
Talking about cinema\Showbusiness, how hard is to remain completly honest to yourself as an artist?
It's not hard if you stay yourself, if you know how hard it was to get there, if you are a good person and do things well and fair, and tell yourself that you deserved it.
The Film you have loved the most?
The professional with Jean Reno.
And now, don’t be shy….the one that annoyed you the most?
Marvel's movies
Your biggest artistic goal is…
To make a feature film about the French resistance fighters during the Second World War and other movies , a comedy and a mafia s Movie .
What profession other than your own would you like to attempt?
Take care of wild animals in a shelter or be a history geography teacher.
How important is to be rewarded as an Artist?
Its not the most important thing but It is because when you've worked hard as an actor and you've been 100 percent invested in the roles you've played, plus the sacrifices, the risks, it's always good to be rewarded.
Do you have regrets?
Yes , but it’s the past and I move forward
What’s the messagge you wanna express through your art?
Always stay positive, there is always hope, even if we have experienced the worst situations, we can always get out of it, we can always change and become a better person. We must help each other, show solidarity, laugh as much as possible, enjoy life and every moment. Stay dignified.
Irina Vodar - Interview
Irina Vodar is an award-winning filmmaker and graphic designer with over twenty years of experience in film and Broadcast Design with ABC News. As an Indie Filmmaker, Irina wrote, produced and directed two full-length documentary films. Her debut doc feature Miss Gulag, produced in association with Neihausen-Yatskova Films on a beauty pageant in a Russian prison for women, premiered at the Berlin Film Festival in 2007 (available on Amazon Prime). Her second documentary Anything You Lose, an insightful portrayal of infertility journey, won funding from the New York State Council on the Arts (NYSCA) and went viral on the Indie Film Festival circuit with a 3X WIN at IndieFest Film Awards in 2023.
When did you decide you wanted to be an actor/director/ screenwriter?
I loved the spirit of movie making since I was six years old, when I first saw a film crew working on location. They were filming a period action scene on a rooftop of a house in my courtyard, in the historical city center of Moscow.…I was sitting by the window looking out at the courtyard. Suddenly, I noticed a man running across a rooftop, balancing on the ledge. He got to the middle of the roof, stopped, took out a revolver and pointed it to the right, then to the left, and then directly at me. I slowly slid below the windowsill for safety and hid there till my parents found me and sent me playing outside in the courtyard.
I stayed close to my building entrance, concerned about the gunman. There, a beautiful blond lady approached me and asked if I saw the film crew. The film crew!!! At that moment, a thousand bells rang in my head. I was spellbound. The next day, they filmed in my building on the staircase landing, and I stayed enchanted for what seemed like an entire 8-hour shift. With every new take they filmed, I took another little step towards the landing. When I was finally right in front of them, I was invited to play in the scene, and ran away. It would have been so blissful, life could end. The act of filmmaking became my secret passion.
How did your family react?
My mother was a piano player, and my father was an engineer. So, my father’s advice has always been to keep both feet on the ground and stay close to a lucrative profession. My mother didn’t contradict my father, but clearly, she blossomed when discussing a creative subject. She could recite the birthdates of the libretto authors of all her favorite operas.
Do you have a Muse or a Role Model?
I have a Muse. I am a woman who’s driven by desire. I do my best work when I am in love. Unrequited love produces best results, in my opinion. It points to the object of desire and gives you time and space to contemplate beyond the human form into the world of senses. Take Dante Alighieri from your beloved city, Florence. He betrayed his method in La Vita Nuova. He met his muse, Beatrice, only three times in his life, but she occupied his senses better than a real woman.
Who's your biggest fan?
It’s hard to say who is my biggest fan, I am at the beginning of my creative stardom. My family is well wishing and bewildered at the success of my recent film Anything You Lose. For years they thought it was a bad idea to share my subject publicly, that it should stay private.
What brings you inspiration the most?
My soul is moved to speak about love, equality, and social justice. I have two full length documentary films under my belt. My first film, Miss GULAG, captured a beauty pageant in a Siberian prison for women (available on Amazon Prime). It was inspired by an acquaintance at a time, a young man who was on parole. I enjoyed his company, yet he was an outcast to others. I wanted to understand the train of thought he came from. My second film, Anything You Lose, was dictated by my survival instinct. The footage shot would commit to memory a challenging chapter in my life, when I aspired to become a mother. Each simple detail led to a twist of path that at some point altered my reality irreparably. I captured the events to have a document that I had really tried.
Which actor or director would you like to work with?
I have been privileged to come across some very talented people. At the inception of my career, when I was working at a tech startup RunandGun! in Chicago, I met with Mark Mothersbah, Nancye Ferguson, Timothy Leary, Rudy Ray Moore. Later at ABC News TV in New York, which is my day job, I met with Al Pacino and Woody Allen. I do not have a dream person I would like to work with, rather, there is a feeling of creative freedom and inspired collaboration I would like to attain. It is a feeling I remember from working with my peers in film school, an open collaboration of harmonizing minds.
Have you ever seen a film that was better than the book?
The first impression is everything, it is imprinted on the mind. If you saw the film first, it could be better than a book. A book is an open template. It allows to draw the characters, the costumes, and the atmosphere in the mind’s eye. It is like a guided dream that’s open to the mind’s interpretation—unfettered like a memory.
What's the movie that taught you the most?
I have a 5-pack of all-time favorite films, and they are Cabaret with Liza Minelli, All That Jazz by Bob Fosse, Midnight Cowboy with Dustin Hoffman and Jon Voight, Days of Heaven by Terrence Malick, and Sound and Fury, a cinema verité documentary by Josh Aronson. Each of these films is uniquely different, but each illustrates a peak performance of the human spirit in dire circumstances. I am enchanted by Joseph Campbell’s Hero with a Thousand Faces book, and find the hero’s journey in this multitude of characters, be it a romantic cabaret singer stuck in Nazi Germany, a Broadway director searching for beauty and eternity, a young southern hustler with a heart of gold surviving New York City, a married woman unable to turn down true love, or challenged kids striving to grow and learn everything about this world, regardless of the circumstances.
I love when films appeal to the capacity of human spirit to survive, thrive and get enlightened.
About your artistic career, have you ever had the desire to quit everything?
Yes, definitely. I had the desire to quit everything during the making of Anything You Lose. The project has a difficult history, it took 14 years to make, and my creative credo was forged in the heat of this particular battle. The subject matter is a societal taboo. Women’s issues in connection with infertility are to this day considered to be a private matter, and women are discouraged to voice their concerns in a public forum. For me, however, it was much more than airing grief in public. Miracle babies are advertised as a coveted result for anyone who has the stamina and will to undergo the treatments. However, the real stats for the success rates are not advertised. The drive to complete the film came from the need to show how we are encouraged to follow the maternal instinct late in life while being misled by an industry that’s growing at an exponential rate as a result of silence of its patients. I wanted to make sense out of it for myself, and break the spell of silence for so many others who’re caught in the loop of suppressing and self-negation, and move to the new chapter in life.
On set what excites you the most?
I am excited when I see the synergy taking place in front of the camera. When I can capture a true vulnerable moment for a character. The beauty of humanity is in richness of emotions. Too often we are conditioned to suppress our true feelings in favor of status quo, societal norms, and safe keeping.
And what scares you the most?
It sounds strange but I do not have any fears. I’ve trained myself over the years to move towards my fears as a barometer of true North. Usually, after the first step, the fear subsides and gives way to an elated feeling of following your heart’s desires. I’ve learned to know the value of my negative emotions; they communicate through my body about the direction of the path. What's your next project? I have an idea for an ambitious documentary and am currently writing the proposal. I will be pitching to some very talented and accomplished people who are waiting for this pitch, and I am excited to collaborate with high caliber talent, if it all works out.
If you could steal the career of an artist you really admire, who would you choose?
Each of us has our own unique path and purpose. Wishing for anyone’s career would mean that I didn’t get the basic rules of conduct on this Earth. I have my own unique set of gifts and discovering them released in action will be the biggest thrill of my entire life. You see, I have been on the other side, survived, and got wiser for it. Now I am grateful for my daily life, regardless of what happens in it. And it repays with wonderful surprises.
An actor/director/screenwriter is made of....
A director is made of dreams, aspirations, fears, greed, ego, assumptions, enthusiasm, passions and memories all meshed together. A perfect human mix.
For you Cinema is....
Cinema is a way of telling bedtime stories, passing on the code of honor, sharing in experiences and collective dreaming. Cinema is an art form and a way of communication. It is a letter from a friend.
Do you think Black and white movies have a powerful impact?
The power of the story is immense. Take Casablanca—one of the best films of all times, in black and white. Or The Cabinet of Dr. Caligari. The power of these films is in the flight of the director’s imagination telling an impactful story, not in visual effects and Technicolor.
Have you ever dreamed of winning an Oscar?
Yes, in my youth I dreamed of winning an Oscar and having my face broadcast on a big screen for all to see. I storyboarded the event. Lol Back then I was concerned with the appearances and recognition.
Do you think you're gonna win it?
I‘ve recently learned that to be considered for an Oscar one needs to run a separate campaign. I’ve seen the lists of documentary runner ups and they are endless! I am an indie filmmaker on a mission, and if I have to choose between dedicating time towards impacting people, or running for an Oscar, I will choose the people. But if someone wants to nominate us for an Oscar, please do! We will accept with grace and win it.
Aygul Abizgildina - Interview
Architecture changed my perception of beauty. I am attentive to the signals and details of my surroundings, trying to explore, capture, and amplify them. From that, I learned to explore the landscapes of my consciousness and create introspective imagery. My passion for architecture inspired me to learn skills in the representation of graphic design and digital programs. I continue searching for ways to push the boundaries of realism & capture a surrealistic illustration of the external world. At the age of 14, my parents sent me to the UK, where I started my education in architecture. After getting my Bachelor's degree, I decided to pursue a degree in film. It made me develop unique representation skills and helped me see beauty in space, color, and material. I further expanded my knowledge of architecture by pursuing a master's degree in the USA. Here, | developed a more technical understanding of architecture, utilizing my skills more professionally.
When did you decide you wanted to be an actor/director/ screenplayer?
I decided to pursue a career in acting, directing, and screenwriting in 2018. Up until that point, my primary focus had been on architectural design. However, in 2018, I made a significant decision to expand my horizons by combining my passion for architecture with my growing interest in cinema.
This decision marked a turning point in my life, as I began to explore the world of film. I embarked on a journey that involved not only studying architecture but also delving into the intricacies of acting and directing. This newfound path allowed me to gain valuable experience by participating in experimental movies as an actress and taking on the role of a film director for my own short films.
What makes this journey particularly significant to me is the fusion of architecture and cinematography. I strongly believe that cinema can serve as a powerful tool for architects and designers. It provides a unique medium through which we can bring our conceptual designs to life and effectively communicate our ideas to a broader audience. This blend of disciplines has not only enriched my creative endeavors but has also opened up exciting possibilities for innovative approaches to architectural design and marketing strategies.
In essence, my decision to become an actor, director, and screenwriter in 2018 was a pivotal moment in my career. It allowed me to bridge two seemingly distinct worlds – architecture and cinema – and explore the endless creative opportunities that arise at their intersection.
How did your family react?
My family reacted with unwavering support to my decision to pursue a career in acting, directing, and screenwriting. They have always been encouraging and understanding, emphasizing that they are there for me no matter which career path I choose to follow. Their unconditional support has been a tremendous source of motivation and comfort throughout this journey, and I am grateful to have such a supportive and understanding family by my side.
Top of Form
Do you have a Muse or a Role Model?
I don't have a specific muse or role model in the traditional sense. When I begin working on my projects, my primary sources of inspiration are drawn from my own life experiences and the emotions of people around me. I find that many of my projects are rooted in my personal memories, and these memories often resonate with the shared human experience.
In essence, my muse is a combination of my memories and my imagination. I draw from the rich tapestry of my own life and the emotions I've felt, as well as my ability to imagine and explore new perspectives and narratives. This blend of personal history and creative vision allows me to craft projects that connect with audiences on a deeply human level, and it keeps me continually engaged and inspired in my creative endeavors.
Who's your biggest fan?
My greatest source of inspiration and admiration in the realm of film is Studio A24. I find their dedication to artistic storytelling and their commitment to pushing the boundaries of cinema truly remarkable. It's not just their individual films, but the entire body of work they have produced that resonates with me deeply. As an artist, I draw inspiration from a diverse range of influences, and among them are the pioneering Soviet directors, such as the legendary Andrei Tarkovsky. Their visionary approach to filmmaking, their exploration of profound themes, and their ability to convey complex emotions through cinema have left an indelible mark on my creative journey.
One of the filmmaking techniques that has significantly influenced my work is the Kuleshov effect. This psychological experiment, pioneered by Lev Kuleshov, demonstrates how the juxtaposition of images can influence the viewer's perception and emotions. I've incorporated elements of the Kuleshov effect into some of my projects, using it as a powerful storytelling tool to evoke specific reactions and engage the audience on a deeper level.
In the world of architecture, as I mentioned earlier, I aim to bridge the gap between these two disciplines in my films. By seamlessly blending architectural elements into my storytelling, I strive to create immersive cinematic experiences that not only convey narrative but also communicate the essence of spaces and environments. This fusion of architecture and film is not only a creative endeavor but also a way to explore new dimensions of storytelling and visual expression.
So, while I may not have a single "biggest fan" in the traditional sense, my passion for storytelling and my admiration for the works of Studio A24, Soviet directors like Andrei Tarkovsky, and the cinematic techniques like the Kuleshov effect drive me to continually push the boundaries of my own creativity. These influences are the guiding lights that shape my artistic vision and inspire me to create meaningful and thought-provoking films that resonate with audiences on multiple levels.
What brings you inspiration the most?
When it comes to sources of inspiration, I find that Brutalist architecture and utopian architectural concepts have a profound impact on my creative process. These two contrasting but equally compelling facets of architecture offer me a wealth of ideas and themes to explore in my films.
For instance, the rugged and raw aesthetics of Brutalist architecture often serve as a visual muse. The concrete forms, imposing structures, and utilitarian design elements of Brutalism can be both imposing and awe-inspiring. When I incorporate these architectural elements into my films, I aim to evoke a sense of solidity, strength, and sometimes even a touch of harshness in the visual narrative. These designs can be particularly effective in conveying a sense of tension or contrast in the story, depending on the mood and message I want to convey. On the other hand, utopian architectural concepts open up a world of possibilities and idealism. The visionary architects who conceive these utopian spaces inspire me with their audacity and innovation. In my films, utopian architecture can be a symbol of hope, an exploration of the human imagination, and a reflection of our collective aspirations. The fluidity and visionary aspects of utopian design can translate into dreamlike and surreal visuals on screen.
In essence, the choice between Brutalism and utopian architecture as my sources of inspiration depends on the specific film's mood and message. Sometimes, it's the sharp, distinctive shapes and imposing presence of Brutalism that suit the narrative, while other times, it's the utopian ideals and fluid forms that take center stage. Ultimately, what truly matters is the overall atmosphere I strive to represent, and these architectural influences serve as a powerful means to create that atmosphere.
Have you ever seen a film that was better than the book?
In my journey as a filmmaker and storyteller, I've come to appreciate the unique strengths of both literature and cinema. While it's often a matter of personal preference whether a film surpasses the book it's based on, I believe that both mediums have their own distinct qualities.
For me, cinema is a powerful means of communication, a universal language that transcends barriers and connects with viewers on a deep emotional level. It's a medium through which I aim to convey narratives, emotions, and ideas, drawing inspiration from a wide range of sources, including books.
However, I must also acknowledge that literature has its own strengths, including the ability to explore characters' inner thoughts and provide intricate details that might be challenging to convey fully on screen. Some stories are best told through the written word, allowing readers to engage their imagination and connect with the narrative in a highly personal way.
Which actor or director would you like to work with?
I have a deep admiration for the work of Alex Garland, a multifaceted talent in the world of filmmaking. Garland's accomplishments as an English novelist, screenwriter, film producer, and director have left an indelible mark on contemporary cinema. His films "Ex Machina" (2015) and "Annihilation" (2018) stand out as thought-provoking, visually stunning pieces of art.
Collaborating with Alex Garland would be a dream come true. His ability to craft intricate, intellectually stimulating narratives while maintaining a visually captivating cinematic style aligns closely with my own creative aspirations. Garland's films often delve into themes of artificial intelligence, human nature, and the boundaries of reality, offering a blend of science fiction and psychological depth that I find truly captivating.
Working alongside Alex Garland would not only be a tremendous learning experience but also an opportunity to contribute to the creation of thought-provoking and visually striking films that resonate with audiences on a profound level. It's a partnership I can only hope for, as it aligns perfectly with my artistic vision and desire to push the boundaries of storytelling through cinema.
What's the movie that taught you the most?
"Mirror" stands as a masterpiece of Soviet cinema, known for its enigmatic storytelling and innovative visual techniques. Directed by Andrei Tarkovsky, a true visionary in the world of cinema, "Mirror" explores themes of memory, identity, and the passage of time. The film's non-linear narrative and dreamlike sequences challenge conventional storytelling norms, inviting viewers to engage on a deep, introspective level.
One of the most striking aspects of "Mirror" is Tarkovsky's use of symbolism and metaphors. The film weaves together the personal and the historical, blurring the boundaries between reality and memory. As a filmmaker, watching "Mirror" has taught me the power of symbolism and how it can be harnessed to convey complex emotions and ideas within a narrative.
On the other hand, Alfred Hitchcock's "Rear Window" is a classic thriller that has taught me valuable lessons in suspense and visual storytelling. Hitchcock's meticulous attention to detail, his ability to build tension, and his masterful use of the confined space of a single apartment create an immersive cinematic experience. This film has shown me the art of storytelling through visuals and how suspense can be skillfully crafted to keep an audience engaged.
Both "Mirror" and "Rear Window" have left a lasting impact on my understanding of filmmaking. "Mirror" introduced me to the art of abstract storytelling, while "Rear Window" showcased the art of suspense and visual narrative. These films have enriched my perspective as a filmmaker and continue to inspire my work, reminding me of the boundless possibilities and techniques that can be explored in the world of cinema.
About your artistic career, have you ever had the desire to quit everything?
In the course of my artistic career, I have certainly faced moments of doubt and uncertainty. The creative journey is often filled with challenges, and there have been times when I've questioned whether to continue or consider other paths. However, the desire to quit everything has never been my final decision.
Instead, I've learned to view difficulties and obstacles as opportunities for growth and self-discovery. Each setback, whether it's a creative block, a challenging project, or the pressures of the industry, has been a chance for me to reevaluate my goals, refine my skills, and emerge as a stronger artist.
On set what excites you the most?
When I'm on set, there's one aspect that never fails to excite me the most: the opportunity to experiment and witness the results of that experimentation firsthand. The creative process of filmmaking is inherently dynamic and collaborative. It's a realm where ideas take shape, and the magic of storytelling unfolds before your eyes. What truly thrills me is the ability to explore new techniques, push artistic boundaries, and venture into uncharted territory. This spirit of experimentation ignites my passion for filmmaking.
And what scares you the most ?
There's a certain timeless beauty in old films that didn't heavily rely on technology. These movies often possessed a charm and artistic quality that's sometimes overshadowed by the special effects prevalent in many contemporary films. Particularly with the rapid advancement of AI technology, there's a growing concern that the human touch and creative intellect in filmmaking might be overshadowed or even diluted.
On one hand, these technological advances can streamline production and make it more efficient. However, the question that looms is whether we're prioritizing quality over quantity in the film industry. Are we at risk of sacrificing the artistry and depth that made older films so enduring in pursuit of cutting-edge effects and mass production?"
What's your next project?
My next project is a highly creative and experimental endeavor that I'm incredibly passionate about. It's a short film project that goes beyond traditional storytelling and delves into the realm of human emotions as experienced in various architectural spaces.
This project is all about pushing the boundaries of cinematic expression. We are embarking on a journey to explore the intricate relationship between people's emotions and the architectural environments they inhabit. It's a deep dive into the human experience and how our surroundings can evoke a wide range of emotions, from nostalgia and joy to melancholy and introspection.
You can steal the career of an artist you really admire, who do you choose?
If I had the chance to emulate the career of an artist I profoundly admire, I would undoubtedly choose to follow in the footsteps of two exceptional individuals: Andrei Tarkovsky and Lev Kuleshov.
Andrei Tarkovsky is a name that stands as a beacon of cinematic excellence. His mastery of storytelling through film is awe-inspiring. Tarkovsky's ability to create profound, meditative works that delve into the depths of the human soul is a testament to his artistic genius. His films, such as "Mirror" and "Stalker," are timeless classics that continue to inspire generations of filmmakers, including myself. Lev Kuleshov, on the other hand, is a pioneer of film theory and editing techniques. His groundbreaking work in the early days of cinema, particularly the Kuleshov Effect, has had a profound influence on the language of film. The concept that the meaning of a shot is influenced by the shots that precede and follow it is a fundamental principle in film editing. Kuleshov's contributions to film theory have not only shaped the way we understand cinema but have also paved the way for innovative storytelling techniques.
In my own career, I strive to develop a unique methodology that bridges the realms of architecture and cinema. I see these two disciplines not as separate entities but as complementary forces. Architecture provides the canvas, the physical spaces, while cinema offers the lens through which we can explore and interpret those spaces. This merging of disciplines allows me to create a new perspective, a lens through which I can convey narratives and emotions in innovative ways.
An actor/director/screenplayer is made of....
An actor, director, or screenwriter is made of a multitude of facets that come together to form a complete artist. These individuals are not just skilled professionals; they are creators, storytellers, and interpreters of the human experience.
For you Cinema is....
For me, cinema is more than just a form of entertainment; it's a profound means of communication with the viewers. It's a unique and universal language that transcends barriers, connecting people regardless of their backgrounds, religions, or cultures. Cinema possesses the remarkable ability to unite diverse audiences in a shared experience, fostering empathy and understanding among individuals from all walks of life.
Do you think Black and white movies have a powerful impact?
Absolutely, I firmly believe that black and white movies possess a unique and powerful ability to make a deep impact on viewers. The absence of color in these films doesn't limit their potential but, in fact, enhances their capacity to communicate and evoke emotions in a distinct and captivating way.
Black and white movies have a timeless quality that transcends eras. They harken back to the origins of cinema itself, evoking a sense of nostalgia and historical authenticity. This inherent timelessness allows these films to connect with audiences on a profound level, making them relatable across generations.
Have you ever dreamed of winning an Oscar?
I'm immensely grateful for all of my achievements thus far, whether they are recognized by prestigious accolades or remain known only to a select few. Each step of the journey has contributed to my growth as an artist, and I view each project as a stepping stone toward achieving my personal goals and making a meaningful impact in the world of cinema.
Do you think you're gonna win it?
I firmly believe in the power of dedication and the pursuit of excellence. I approach my work with a commitment to telling meaningful stories and creating impactful cinema. Whether or not an Oscar is in my future, I am resolute in my dedication to my craft and my desire to continue growing as an artist.
Viktória Jánoki-Kis - Interview
Viktória Jánoki-Kis was born on March 3, 1982 in Tiszaföldvár, Hungary. She is a novelist and screenwriter. She studied at the Budapest University of Technology and Economics on the Facutly of Architecture and worked as a design engineer for several years, before she gave up her original profession for writing fiction. Her first book of short stories was published in 2021 with the title You Step over the Water with Me (Átlépsz velem a víz fölött). In 2022 she wrote a short drama called The Rocking Chair with co-writer Jenő Hódi about an Ukrainian refugee. In 2023 she was screenwriter and producer of the short drama Online, which is about the online education causing unexpected turns is life during Covid. She lives in Budapest with her husband and two sons.
What's the absolutely necessary ingredient to be a good actor/director/screenplayer?
I think only someone who has a deep knowledge and understanding of the human psyche can become a good screenwriter. Without that, it is impossible to create a workable story in any genre. And only after this “ingredient” come the other requirements: dramaturgical sense, technical writing skills, visual imagination, honesty,
style, etc. First and last cinematographic crush?
The first film that had an elemental effect on me was the romantic drama Christine with Romy Schneider and Alain Delon. I must have been ten when I saw it, and I was so shocked by the tragic ending that it took me days to pull myself together. And the last film I really loved was Oppenheimer, mainly because of the brilliant acting of Cillian Murphy and Robert Downey Jr.
How old were you when you decided you wanted to be an actor/director/screenplayer?
I started writing fiction when I was an adult, in my thirties. And screenwriting came into my life unexpectedly: in 2021, shortly before the publication of my first book, a film professional called me to say that he really liked one of my short stories and would like to invite me to his screenwriting course. Six months later, we worked together on a script called The Rocking Chair, and I also wrote my first standalone screenplay, Online. Both were made into short films, which are currently on festivals with great success.
For you a Film is...
Telepathy.
What do you feel when you're acting/directing/writing?
When I write, I exist in an alternative reality of which I am the sole creator, and this gives me an extraordinary sense of freedom. When thoughts and words flow unhindered, I experience the perfect flow. Of course, it often happens that something blocks my imagination, the characters get stubborn, the sentences start to stutter and the flow disappears. But I consider this as an integral part of the process. A good story is a long creative struggle, and I enjoy every minute of that struggle.
You can go to the Movies with an actor/director/screenplayer that you love. What kind of movie do you choose and with who you're gonna watch it?
I would love to watch the Hungarian-German-Italian romantic drama The Story of My Wife with actor Tom Hiddlestone.
Audrey Hepburn used to say “Nothing is Impossible”, what do you think about it?
As an engineer with a degree in architecture, I certainly doubt this statement, but if we take Hepburn's sentence in terms of the secrets and potential of the human soul, I agree.
Can you live just of your passion?
No, it is not an easy thing to achieve this goal if someone is an artist in our country.
What's more important, talent or luck?
Talent, because it is one of the most beautiful gifts we get from above. And in addition, I don’t really believe in the existence of luck.
You must go to a desert island but you can bring with you just one movie...
It would be the Triangle of Sadness written and directed by Ruben Östlund.
Have you ever accepted a part/ a movie to direct/ a script to write even if you didn't like the project?
No, fortunately I've loved all the projects I've been asked to do so far.
What's the best compliment you have received about your Job?
A critic once said that I write with such naturalness and authenticity as if I were simply recording what happened in reality, and the camouflage of the writer in my work can be discovered only after repeated readings.
Are you satisfied about your career?
Extremely. When I turned my back on engineering, I never dreamed that I would follow such a serious and beautiful path in fiction and screenwriting
Do you have a good luck charm?
I don't know. But I trust God to smooth my path.
Which is the worst moment on set?
When someone is publicly shamed in front of the whole crew for a mistake.
How do you feel when a job you've been part of is ending?
The first moment, I feel the same euphoria as after giving birth to a child. After all the suffering, a new entity comes into the world. Afterwards, however, I quickly feel a sense of emptiness and ambivalence: happy and sad, content and frustrated, relieved and worried. Typically, it takes a while before I can let go of the special time of completing a project, and I need some weeks to feel genuinely happy to have finished the work.
Have you ever lied to get a part/job?
No. If you should win an Oscar your first tought would go to…
My father, who always listens to me, supports me, accepts me for who I am, and has encouraged me since birth not to be afraid of life and always go forward with courage.
Alex Kruz - Interview
As an actor usually played the bad boyfriend on various TV shows and films. Worked opposite Bruce Willis in theatrical production at Creative Artist Agency before he retired. Played the Zorro character for Zorro Productions (owners of the brand) for live performances in Los Angeles involving sword and horsemanship after Antonio Banderas. Congressional Award for Humanitarianism 2018 from New York State and Chuck Schumer for his work fighting sex trafficking in the golden triangle and Nepal/India border. Emmy Nomination (2018) and recipient (2021) alongside Alex Lora Cercos. First feature film - “Fallen: The Search of a Broken Angel” - 2023. Marquis Who’s Who registry for contributions to Science and Technology - publish date 2024.
When did you decide you wanted to be an actor/director/ screenplayer?
I didn’t. I fell into it. I think we’re all broken in a way and art and our experiences here help us become more of who we are meant to be. I was originally a consultant for tv and film in fight choreography and technology but got put in front of the camera a few times and found it fun and therapeutic for several events in my life.
How did your family react?
My immediate family (my daughters) were not around, hence finding positive ways to dull the pain. I come from hard working immigrant parents so any dreams I had of pursuing a career in the arts were seen as superfluous even after having various scholarship prospects after high school. It’s interesting though, the way certain fires cannot be put out. My mother was a studio contracted actress and singer before having us. I guess I took after her.
Do you have a Muse or a Role Model?
Muse? I have muses. My two beautiful, kind, and talented daughters who live in Florence (Gabriella, and Augustina). Even though they grew up physically apart from me. I knew I could share with them the most important lesson I could impart as a father - which is to take all of the ugliness and pain life gives you and make something beautiful, inspirational, and worthy of bringing joy to others. Like a cinema camera, we work in the darkness to bring light.
Role model? We have different ones for different things but ultimately myself in the future.
Who's your biggest fan?
I don’t have any. No one knows who I am, and I am able to do what I enjoy and walk around free. I think I have the best of all worlds.
What brings you inspiration the most?
Reality. Not that “reality tv” stuff like the Lardassians. I had their same publicist for a bit after getting small roles on the Avengers and The Dark Knight, alas the cutting room floor became my home! It’s all manufactured reality btw. I mean what’s behind the illusion of what we call real and daily life. What you feel in nature, what is endless and infinite in all of us.
Which actor or director would you like to work with?
It’s funny how distant they all seem from us. I’ve had the good fortune to meet or work with most of the ones I’ve wanted to in this industry. Remember everyone puts on one shoe at a time and poops. No one tells you that though and prefers to hide behind the mystique. This is going to seem random but I’d like to chill with Denzel Washington and Leonardo Da Vinci at a bar in Florence. Da Vinci reminded us there is no box big enough to hold the infinite.
Have you ever seen a film that was better than the book?
The “Count of Monte Cristo” with Jim Caveziel. It was an honor meeting him on “Person of Interest” and telling him that when shaking his hand.
What's the movie that taught you the most?
I have a feeling for most people that it becomes the one they just completed. For me it was definitely my first feature “Fallen: The Search of a Broken Angel”. I'm one of those people who is stubbornly independent and who has learned to rely on only himself. Imagine the type of life where you’re constantly being beat down and go from crisis to crisis, told as a child you’ll never amount to anything, and survival becomes your modus operandi and you just find it hard to enjoy anything. This film really taught me, none of us are alone. No matter how powerful we think we are, there is unseen magic around us binding us all together. From the synchronicities of going to make a movie out of the blue after not doing anything for a few years, talking to your best friend in the industry, Alex Lora, who tells you exactly what to get and his perspective on it, to just asking your quantum entangled former relationship, Ewa Pirog to just come hold the camera in Arizona, and then having the whole story be about some parts of our experience this time around.
About your artistic career, have you ever had the desire to quit everything?
I have quit. I’m back on a limited basis because I had a story to tell. All things are temporary. All things are passing. I’ve had the offers to do seasons of tv as a lead on some Dick Wolf shows, or feature films for a month here and there. I didn’t take them. I believe in myself. I fired my agent for not seeing eye to eye with me, but I could do that as I bankrolled the agency and am still listed in Variety as the executive director for it. I will always choose the path where I can be of most service. In my case a lot of this was coming to a head when Covid-19 was about to start. I used my knowledge of artificial intelligence to create an algorithm predicting the exact days it would hit Europe, and America 4 months before it did. I can’t specifically say who within the government was given that information or what they did with it, but I can say they were so impressed they tasked me with providing predictive reports 30 days out to General O’Shaughnessy of how it would impact critical infrastructure for North America outside of my normal duties. This ended up in me putting my skills to use in meeting supply chain failures within the coalition and working with Dr. Savely Yurkovsky, a cardiologist from New York Hospital to come up with a physics based cure for COVID-19 which acted as a prophylaxis and cure for the symptoms 6 months before anything pharmaceutical came out. We tested it, had it written up in a journal of toxicology, I made it available publicly and shipped it all over the world and to my different foundations and orphanages I have supported over the years at no expense other than my own. I knew I would be more valuable in these things rather than a “sexy FBI agent” on a show, I knew that the US’s response would shape how the rest of the world would react and how much money would be spent and how it would weaken their economies. As crazy as this may all seem. I was right, and I demonstrated my solution and proofs to the federal and state government’s scientific committees for 2 years during lockdown to use for free, but where there is money to be made, there are beaks to get into it. I got a letter of appreciation from the president and my PhD in quantum physics from Trinity for my work.
Life is always right and there are no accidents.
On set what excites you the most?
Working! Work is love made visible. Whether it’s on a set or finding a solution for technologies unknown by the general public. It’s exciting, creating, giving life to characters, seeing them come to life, and the camaraderie in that creation and problem solving.
And what scares you the most ?
Nothing physically scares me or intimidates me but seeing mankind stay in a rut without evolving or progression, that terrifies me. Conversely, it is also what inspires me - that man draws closer and closer to his god nature. He remembers genetics and quantum and other useful concepts from the source and I believe a new breed of man will come about around this time period. Remember change is the only constant.
What's your next project?
Well I like to finish one thing fully before moving on to the next, but for me it’s a bit of a waiting game. With my current feature “Fallen: The Search of a Broken Angel” - I’m waiting for our world premiere, and in the meantime we just finished shooting a pilot for a series that ties into the film about the alien/hybrid ambassadors from the 22+ extraterrestrial civilizations which have “supposedly” interacted with our primate species here in the fishbowl and are being recruited within the government to help smooth over certain situations. It’s been the most inclusive project I’ve been a part of and I’m proud of that. Also that we just totally changed the director position with my other half is pretty cool. I can’t say too much more about that or the other two parts of the feature I’ve written to shoot later on. Most recently I was at SXSW for The Garden Left Behind’s premiere in 2019, alongside Matthew McConnaughy and Charlize Theron’s premieres but these days I don’t really relish the big festivals. Sundance in 2014 with Alex Lora and Godka
Cirka was magical, there was Spielberg and all of these creatives that make things happen, post COVID-19 it’s a different vibe. Ten years later 2024 magic man Alex Lora from our project is back at Sundance and has invited me to go with him, but I think I want to enjoy the smaller, more intimate festivals instead. Several festivals have offered to cover all travel expenses to have us there. I’d rather go where I’m wanted than be another cog in the machine. It’s good to have that freedom in all things.
You can steal the career of an artist you really admire, who do you choose?
There are so many. I guess what I admire most is courage. Courage to do the right thing even though it’s hard. Charlie Chaplin, Buster Keaton, Heddy Lamarr, Marlon Brando, and so many others.
An actor/director/screenplayer is made of....
Someone who is here to enjoy. They are in their own private heaven and hell. My last life I was a farmer during the 1930s depression. It was pretty miserable. I sometimes have that ability to jump back and see, feel into many of my past lives like a diamond seeing all of its different faces. It’s also how I cast - the lead for my feature had never done any acting but I could see that his last life he had a fruitless life in New York as an actor and he was secretly despondent about it. He took to it like a fish in water. The movie has close to 70 awards without a world premiere yet!
For you Cinema is....
A celebration of what life can be. Like a painting, the film grain has texture, is made up of tiny circles giving it it’s own life.
Do you think Black and white movies have a powerful impact?
Strip down something to its most basic colors and of course you have a different impact. I have so many favorites in Black and White - Kurosawa, Chaplin, Fellini, Hitchcock. I could go on for hours about the details in these!
Have you ever dreamed of winning an Oscar?
I would like to say no, but the truth is I’ve had projects on the shortlist 3 times already. Alex Lora has been nominated. It’s a statue. I hate to sound like an ungrateful pig but at the end of the day it’s not going to make anyone’s life better, to feed a hungry child, to cure “incurable” diseases, to keep man from using weapons of mass destruction on each other and so on. I’ve had friends win it and then check out or lose after being nominated and then check out. At the end of the day it’s just another accolade - you can’t take it with you.
Do you think you're gonna win it?
There are better things to chase in life : )
L.S. Strange - Interview
We are a husband and wife writing team crafting stories in the horror, mystery, thriller, and science fiction genres. Literary products - a novel, 'The Legend Unleashed' is a chilling account of campers discovering that legends are warnings to heed and not be trifled with, and 'Normal Thoughts From A Strange Mind: Volume I' is a group of mesmerizing short stories encompassing a variety of genres. Cinematic productions - Award-Winning short horror film, 'Appointment With The Plague Doctor, Lester Haywood'. Future projects include scripting and production of a feature film of 'Appointment With The Plague Doctor, Lester Haywood', production of a television series based on our short story book, "Normal Thoughts From A Strange Mind: Volume I', release of the next book in the series, 'Normal Thoughts From A Strange Mind: Volume II, and release of a book recounting our paranormal experiences.
When did you realize you wanted to be a Filmmaker\Actor\Writer?
We are a husband and wife writing team and realized we wanted to do this over 25 years ago creating tales and campfire stories to entertain our family and each other. This transitioned into memorializing our stories on paper which led to becoming a published author. We realized we wanted to be a filmmaker just over one year ago. After taking still shots for posters and merchandise of our original recently created horror character, ‘The Plague Doctor, Lester Haywood’, we wanted to literally bring him to life. This inspired us to go to a location and begin filming. Easy in concept but not application. The character of Lester Haywood is thought to be folklore from the American Old West and seeks out those who doubt he exists. Non-believers transcend time and dimension as Lester administers his warped sense of justice. Then we wondered, ‘how could we do that?’ Having a zero-budget film provided a whole new level of challenges. We expected a member of the production team or cast to ask us, “did you fall and hit your head?” Overcoming these hurdles was extremely rewarding. Seeing our character come to life motivated us to pursue additional projects beginning with a full-length horror feature of The Plague Doctor, Lester Haywood. Currently our team is gathering resources to move forward with scripting and production.
Do you remember your first time at the Movies?
Yes, it was the movie, ‘Frogs’ in 1972 at the Drive-In Theater. A very scary movie for a ten-year-old.
If you should change country where would you like to work?
We love visiting many locations because each offers a special experience. Yet working in our current location, the state of Colorado in America, is our favorite.
Two films that have marked your life for better or for worse…
The 1972 Horror film, ‘The Last House On The Left’, written and directed by Wes Craven educated me on the matter of trust issues.
The 1971 movie, ‘Duel’, written by Richard Matheson and directed by Steven Spielberg helped me to realize that a simple plot can become very intense and complex. Both films positively impacted my life.
What do you think about Acting/ filmmaking schools?
We are not very familiar with Acting/filmmaking schools but have friends who were very happy with their experiences while attending and taking courses. Being latch-key kids we had to figure out adult concepts and responsibilities at a very young age leaving few opportunities for educational pursuits.
Have you ever hated your ambition?
No because we’ve been able to curb it when necessary. It has always come second behind the needs of our family. We’ve only hated it when we had a lack of energy or drive.
Francois Truffaut used to think that "Film Lovers are sick people”… was he right?
Depends on the context. Today “sick” means very cool, exceptionally good! Everyone has an opinion and to each their own. Film lovers are just people looking for entertainment.
Close your eyes…if I say “Cinema” what do you see?
An elaborate, art-deco theater on a premier night. So elegant and special, a memorable experience.
Who’s the Director\Actor\Writer that taught you the most?
Alfred Hitchcock. He taught me the value of the emotional roller coaster ride in a production. Creating a ‘train-wreck’ of sorts. An audience may find it horrifying, but they can’t look away.
About your job, tell us your biggest dream and your worst nightmare…
The answer for both is to be successful. Success both elates and terrifies us because while the taste of success is sweet, the dark side is that it commands most, if not all, of your time and energy with its insatiable appetite.
How important is to have a good Cinematographic Culture?
It is extremely important. Pictures have the unique ability to convey thoughts and feelings on a level words cannot reach. An audience will see and feel emotions generated by an image or a film clip that leave an unforgettable imprint in their mind supporting the belief that eyes are the windows to the soul.
What would you like to improve as a Filmmaker?
As a Filmmaker we would like to improve sound transition between scenes, which is our biggest challenge. As a writer we would like to improve on overthinking every word/aspect so we could release more novels and short story anthologies.
A big producer give you the chance to direct\to play (in) the remake of one of your favorite black and white Movie (if you have one)… what film do you choose?
Nosferatu. It is a timeless classic. Modern film effects, such as image transition, sound enhancement and overall cinematic quality intensify the scenes and energize the overall impact to the audience.
Film Industry it’s a tough place and sometimes is normal to feel lost and discouraged… who’s the person that keeps you motivated?
It goes beyond one person. Our family keeps us motivated, each member in a different way providing support, encouragement and constructive criticism.
Alfred Hitchcock said: "To make a good film you need 3 things: The script, the script and the script". Do you agree with him? What’s your most ambitious project for the future?
Yes, we agree 100%. Our most ambitious future project is pitching a television series based on the short stories from our book, ‘Normal Thoughts From A Strange Mind Volume I’.
Do you think that sadness or at least melancholy let be more creative?
Yes. All emotions spark creativity and provide ties to real life situations the audience can relate to. Everyone has experienced sadness, angst, regret, desire, love, and happiness. Creativity is the expression of these emotions and provides a way to connect and share them with an audience.
What do you wish to yourself as a Filmmaker\Actor \Writer?
To be able to truly entertain an audience by providing a safe escape to experience fear, terror or anxiety without real danger. To touch an audience so deeply that stepping into another world releases them from the stresses in their lives, even if just for a short while.
Antonia Economou - Interview
Antonia Economou is a choreographer, director and performer. She focuses on expanding and challenging her expressive means in different creative fields and media involving representation and moving image. She investigates themes such as decadence, decay and the idea of the human mind as a labyrinth balancing between the real and the imaginary. While experimenting with her practice through cinematic means, she created a short dance film titled COMPOSITION: snakes for her (2021), about a woman and her dreams at night that merge with her reality and make it unstable. Her short experimental film I wonder, yes I confess, I wonder was released in 2023 and is currently presented and awarded in film festivals worldwide. Her upcoming short film SCOTÓMA will be released in 2024.
When did you realize you wanted to be a Filmmaker?
Since I was 8 years old I wanted to become a dancer in theater. Much later I began experimenting with the camera while I was choreographing and directing and I was absolutely seduced by the possibilities.
Do you remember your first time at the Movies?
Yes I remember the red velvet seats and the sound that was hugging in the entire room. I don't remember the movie but, while it was long, I thought it lasted 10 minutes.
If you should change country where would you like to work?
New York
Two films that have marked your life for better or for worse…
For me it was “Holy Motors” by Leo Carax and “Playtime” by Jacques Tati
What do you think about Acting/ filmmaking schools?
It really depends on the individual and how each of us blooms. I certainly don’t find a school necessary to succeed and I always enjoyed working with self taught artists. Nevertheless a school is for sure a source of organized information from which a developing actor, filmmaker or artist can profit from.
Have you ever hated your ambition?
I often contemplate on the true usefulness of creating a film or a performance in the world we currently live in. So I just try to work in the present as much as I can and focus on the practice itself since the future often seems dark to me.
Francois Truffaut used to think that "Film Lovers are sick people"... was he right?
I am afraid there are sick people in all fields. But cinema is indeed a unique perception of reality.
Close your eyes...if I say "Cinema" what do you see?
A painting
Who's the Director\Actor\Writer that taught you the most?
Wes Anderson
About your job, tell us your biggest dream and your worst nightmare...
My biggest dream is to be able to build our own sets and to have a big team of creators working on a movie. My worst nightmare is quitting.
How important is to have a good Cinematographic Culture?
I think the most important aspect is the community, the exchange and the support of young film creators.
What would you like to improve as a Filmmaker?
Not to rush
A big producer give you the chance to direct\to play (in) the remake of one of your favorite black and white Movie (if you have one)... what film do you choose?
”Persona” by Ingmar Bergman.
Film Industry it's a tough place and sometimes is normal to feel lost and discouraged... who's the person that keeps you motivated?
I don’t want this “burden” to fall onto one person. I think it's the work itself that brings me back up on my feet.
Alfred Hitchcock said: "To make a good film you need 3 things: The script, the script and the script". Do you agree with him?
Yes I do. But I also believe that first came the image not the word.
What's your most ambitious project for the future?
A feature film.
Do you think that sadness or at least melancholy let be more creative?
Almost exclusively
What do you wish to yourself as a Filmmaker?
Patience.
Do you have a website?
Nahyr Galaz Ruiz - Interview
Originally from Querétaro, Mexico and raised in San Diego; Nahyr is a multi-hyphenate filmmaker whose bi-cultural identity allows her a unique perspective in storytelling which she uses to elevate Latine voices and representation. Nahyr earned her M.F.A in Screenwriting & Directing from Mount Saint Mary's University, Los Angeles and her B.A. in Theatre Arts & Dance from CSU, Los Angeles. Nahyr's debut feature screenplay and pilot have both been selections at the Female Eye Film Festival Script Development Program. Nahyr has been a multiple "Emerging Content Creator" recipient at the National Association of Latino Independent Producers and her three short films have earned her multiple nominations and awards including Best Actress, Best Director, and Best Original Story. Nahyr ardently believes that art is the vehicle by which we convey truth, and strives to write and create from a place of truth.
When did you realised you wanted to be a Filmmaker\Actor\Writer?
This is a tough question. I think I was born a storyteller. For as long as I can remember I've loved stories. Movies, books, television, family passed down stories...all of them. When I was about seven or eight years old, I would re-enact scenes from my favorite telenovelas with my friends during recess or when we played together after school. I always wanted to be the villain because they seemed the most interesting in Mexican telenovelas. The heroine always suffered too much. I also spent many an afternoon organizing the kids at my grandmother's work into reproductions of Beauty and The Beast and The Lion King. I of course was always Belle and Nala. In second grade, as a result of a class assignment, I took to rewriting films I loved but with a more empowering plot for the female lead. I of course didn't use that language; I didn't know it. I just knew I wanted the little mermaid to have a more interesting adventure than giving up her voice for a prince. My teacher submitted my little reimagined story and it won a local district contest. As I got older dance stole my attention for a while but I remained secretly longing to act. I was simply too shy and too awkward to go for it. It wasn't until I got to college that I grew in that respect. That's where I found my craft and began dabbling with acting in film as well as theatre. It's also where dance and acting began to intersect with writing. I didn't know it yet, but it was all storytelling.
Do you remember your first time at the Movies?
Yes, there was an anniversary screening of Grease at my local cinema and my grandmother and mother took us. Looking back, it was woefully inappropriate for our ages, but we didn't understand that at the time. I just remember being swept away by the music and the characters. We had watched many movies at home; we rented a great deal of movies, especially films from the golden era of Mexican cinema... But there's something about the theatrical experience that's just intoxicating. Needless to say, I spent several months reenacting my favorite scenes in the mirror.
If you should change country where would you like to work?
I'd love to work in Spain or the UK for a BBC Masterpiece production like Poldark or Peaky Blinders or for Bambú Productions on a Spanish production like Cable Girls or Gran Hotel. That would be a dream. I also would love to shoot something in my motherland that pays homage to that Golden Era of Mexican Cinema that I grew up watching in movie rentals. That's another dream of mine.
Two films that have marked your life for better or for worse…
It's hard for me to pick only two; there have been many films that have marked me for different reasons and in different stages of my life but if I had to pick only two films I would say that Jean Jeunet's La Cité des Enfants Perdus (The City of Lost Children) is one that I often find myself revisiting and which I continue to discover new depths of fantastical and haunting beauty. The other is El Bolero de Raquel which I watched as a child with my family. It's one of my favorite Cantinflas films and it summizes that endearing heart-reaching humour and hilarious physical comedy that was his signature.
What do you think about Acting/ filmmaking schools?
I think that spending time training and learning your craft is not only necessary; it's invaluable. Even when you reach the highest level in any profession, to master your craft, you should be constantly seeking to learn and grow. That said, film school can be very expensive and out of reach so I always suggest that those seeking to get started seek out starting as production assistants and learning the ropes of every department. Acting is a bit different in that you're always working on your technique; it's a bit like dance or a sport; you have to be training always. But it shouldn't be an actor's only focus. These days learning the business of this industry is equally as vital. Attend film festivals, attend conferences and networking opportunities.
Have you ever hated your ambition?
Wow, this is another tough question. If I'm being brutally honest with myself. Yes. Yes, I have. There have been many a moment when I have frustratedly asked myself why I can't be "like everyone else." Be content with a "normal job." But then I look around and I look at our society, at the world, at my own children and I have to believe that there is a purpose for those of us who seek to be artists and put out art in the world. Stories and characters can leave a profound, lasting impact on us and remind us of our common humanity. I have to believe that that's why some of us can't be content with a regular career.
Francois Truffaut used to think that "Film Lovers are sick people”… was
he right?
I don't know if he meant filmmakers, cinephiles, audiences, or all of the above. But, if I speak to filmmakers and just this line out of context; I'd have to say that we can be sick in that we often agonize and torment over our art. I don't know a single artist, be it actor, writer, filmmaker, musician, choreographer, or poet who doesn't pour their entire being into their work and isn't their own's toughest critic.
Close your eyes…if I say “Cinema” what do you see?
I see a marquis, I see a dark theater room filled with velvet auditorium seats and lit by the glow of the large white screen. I see images moving across the white screen in 35mm.
Who’s the Director\Actor\Writer that taught you the most?
The Directors that I find have influenced me the most are Jean Jeunet, Christopher Nolan, Joe Wright, and Greta Gerwig. As far as actors who have influenced me and whose work I admire; I was impacted by Maria Félix, Vivian Leigh, and Audrey Hepburn as a child. I also have admired the talent and career of Anne Hathaway, Keira Knightley, Ingrid Bergman, Meryl Streep, and Sandra Bullock as well as Cillian Murphy, Benedict Cumberbatch, James McAvoy, and Anthony Hopkins. The writers whose work I've learned the most from are a mix of screen, television, and novelist writers. My earliest memory of a writer profoundly sparking my imagination and love of writing was Jane Austen. After that I became enthralled by Gabriel Garcia Marquez, Aldoux Huxley, Isabel Allende, and Julia Alvarez. The screenwriters whose work I've learned the most from are Emma Thompson, Greta Gerwig, Aaron Sorkin, and David Lynch. The TV writers whose work has influenced me are Amy Sherman-Palladino, Shonda Rhimes, David E. Kelley, and Taylor Sheridan.
About your job, tell us your biggest dream and your worst nightmare…
My biggest dream is to create work that elevates Latino/a/x/e voices, stories, and representation. To honor my culture, my country, and my people in my storytelling as well as to make work that resonates with people all over the world. My worst nightmare doesn't really exist for me in my profession. I think as long as I get to tell stories; film, act, and write, I'll count myself as fortunate. My worst nightmares relate more to my personal life than my professional one.
How important is to have a good Cinematographic Culture?
I feel that because the business is ever-evolving, it is vital to stay current with the latest techniques, equipment, producing trends, etc. I think it's important to watch other films and shows, not only to support other's work but also because you never know what will spark a new idea or where inspiration will hit. As I mentioned, it's important to be constantly developing your craft and seeking to learn and grow.
What would you like to improve as a Filmmaker\Actor\Writer?
Representation. It's astonishing to me that there continue to be marginalized groups of people in our industry even in 2023. The lead roles for Latinx talent in film and television continue to make up only a small percentage of top-grossing films. According to the USC Annenberg Inclusion Institute in sixteen years only 44 lead/co-lead roles were Latina roles and out of 1,600 films featured a Hispanic/Latino lead or co-lead. This is why I want to contribute to raising the representation of Latine/o/a/x talent in front of and behind the camera.
A big producer give you the chance to direct\to play (in) the remake of
one of your favorite black and white Movie (if you have one)… what film
do you choose?
Oh that would be Casablanca.
Film Industry it’s a tough place and sometimes is normal to feel lost
and discouraged… who’s the person that keeps you motivated?
I agree, this industry can be brutal and often discouraging. I am extremely fortunate in that I have a wonderful circle of family and close friends who lift me up, believe in me, encourage me, and keep me motivated even when I get down. Simultaneously, they keep me grounded. I'm never in danger of getting to full of myself or my ego getting too big because my kids are pretty good at reminding me that I'm not that cool. Ha Ha!
Alfred Hitchcock said: "To make a good film you need 3 things: The
script, the script and the script". Do you agree with him?
One hundred percent. If you don't have a good script, you don't have a story, you don't have characters for your talent to step into... you don't have a film. It starts with the script; it's the first phase of storytelling. This is why writers, good writers, are vital.
What’s your most ambitious project for the future?
It's hard to narrow it down to just one! I have quite a few projects on my slate. I'd say the most ambitious one right now is a family live-action/animated hybrid film that I'm currently developing.
Do you think that sadness or at least melancholy let be more creative?
I can't speak to other writers but I do feel in my experience that sometimes great writing can be born out of melancholy or heartbreak.
What do you wish to yourself as a Filmmaker\Actor \Writer?
I would be lying if I said I don't have big dreams and ambitions of seeing my films and my work screened before larger audiences and recognized with awards such as BAFTA and the Oscars. But at the end of the day, I simply wish to leave a legacy for my children and for my people that makes them proud and that shines a positive spotlight on Latinx voices.