Lucas Mendes - Interview

For you, a film is...

A film is a story, so it can be anything the imagination can dream up. In my latest feature film, the film is more of a nightmare than a dream, and that's the beauty of cinema: the endless possibilities, there are no limits to the frame.

What do you feel when you're acting/directing/writing?

It's hard to say just one thing. Each project makes you feel differently. For example, when I'm shooting a documentary in the middle of 5 million people, the feeling is one of grandeur, fear, and pleasure. When I'm talking to indigenous people in Peru, there's empathy, a feeling of listening. When I'm making a tense film like No, the atmosphere on set also becomes heavier. The important thing is to adapt and always find the right mood for each production, make films, and adapt.

You can go to the movies with an actor/director/screenwriter that you love. 

What kind of movie do you choose and with whom are you going to watch it?

I watch all kinds of movies, but currently, to support the boom in Brazilian cinema, I've been choosing national films. But for me, cinema has no barriers. I watch films by Von Trier, Kleber Mendonça, Tarkovsky, even Star Wars and superhero movies. When I go to the cinema, I go to have fun.

Audrey Hepburn used to say “Nothing is Impossible.” What do you think

about it?

As I said before, for cinema, nothing is impossible, you just have to produce it. After all, cinema was born from magic tricks.

Can you live just off your passion?

I am increasingly able to rely on cinema as my main source of income, but I still direct commercials.

What's more important, talent or luck?

Neither talent nor luck exist. What exists is discipline, willpower, resilience, passion—that's what drives your career. And never give up.

You must go to a desert island but you can bring with you just one movie...

M o vampiro de Dusseldorf by Fritz Lang.

Have you ever accepted a part/ a movie to direct/ a script to write even if you didn't like the project?

This happens more in advertising. Normally, film proposals come to you because somehow a producer has a connection with the director or the theme or type of film.

What's the best compliment you have received about your job?

The best thing isn't the words, but when you walk into a movie theater and see people's eyes lit up by the screen.

Are you satisfied with your career?

 There is always more to do in my professional career but I feel happier to be able to do the crazy things I want to do.

Do you have a good luck charm?

I think so! Much of what I do in cinema and my way of producing I learned at my samba school, Vai-Vai, in Bixiga, producing carnivals for the avenue, and there's also a certain ~malandragem~ (street smarts) that I learned on those streets that helps me a lot.

 What is the worst moment on set?

 When you have a take that you know can only be done once or twice, the tension to get everything right almost kills me with anxiety.

How do you feel when a job you've been part of is ending?

It's a mixture of happiness and sadness. Happy, because after a long time making a feature film, we can't see the film anymore, because in the process I think watching the film more than 80 times is sad to know that now you won't have any control over it anymore.

 Have you ever lied to get a part/job?

 When I was 17, I started playing in a jazz club because of stories I told the owner.

 If you should win an Oscar, your first thought would go to...

I think first I would talk about my family, my parents, the Vai-Vai samba school, and my beloved Bixiga.

 What really excites you artistically or emotionally?

What excites me most is that moment when everything aligns: when emotion bursts out on set, when a scene takes on a new dimension, when a glance or a silence says everything words can’t. Artistically, I love pushing boundaries: daring, surprising, doing things I’ve never seen before. What moves me most is cinema’s ability to reach someone, somewhere, perhaps thousands of miles away, and make them feel less alone. Creating that invisible connection is what gives me energy every day.

Marlon Brando said “Never confuse the size of your Paycheck with the size of your talent”. Do you agree?

Absolutely. Money, recognition, fame — none of that guarantees talent, sincerity, or artistic courage. Many great artists struggled, doubted, or went unrecognized before their time. For me, talent is daring to be yourself and pushing your vision, even if it doesn’t pay off right away. The real ‘paycheck’ is the mark you leave on your audience. Money can open doors, but it will never replace passion or truth.

Have you ever been discouraged by someone about your life/career choices?

Of course. As soon as you choose a different or risky path, people will always tell you to take the safe road, to do what’s reasonable. I was often told cinema was too hard, too risky, that few make it. But for me, that risk is what makes it worth it. I’ve always used other people’s doubt as fuel. Every time someone tried to discourage me, it pushed me to go even further and prove it was possible. Paradoxically, adversity gave me the strength to own my calling and believe even more in my dreams.

Do you think it is harder for a woman being a Filmmaker?

Yes, I do. Things are changing, but for a long time the film industry was a very male-dominated world, with barriers for women both visible and invisible. Today, more women are emerging and making their mark, but there’s still work to be done for true equality — especially in terms of creative and financial power. I truly believe that more diverse perspectives make cinema richer. We need to keep opening doors, supporting those who dare, and challenging our habits so that every voice, male or female, can fully express itself.

Do you think that Fame and money could easily change your own Vision as a Filmmaker/actor/screenwriter?

Fame and money are tests, not goals. They challenge your sincerity, your ability to stay true to what first drove you. It’s easy to get swept up, to try to please everyone, to choose comfort when success arrives. But real strength is keeping your own line, holding onto your voice — even in the spotlight.

And right now, I’m lucky enough to be preparing my first feature film without being famous or rich. That gives me total freedom: I can put all my raw force into this film, with no compromise, no calculation. I create for passion, not recognition. What protects me is remembering why I chose this job: to tell real stories, to move, invent, transmit. Recognition is a bonus, not a driver. If I ever have to betray myself for money or fame, I’d rather quit. The real luxury is staying true to your vision, no matter the circumstances.

Who’s the Movie star that made you dream for the first time?

The first movie star who truly made me dream was Tom Cruise. Seeing him in films like Top Gun, Rain Man or Minority Report, I was fascinated by his energy, his determination, and his constant drive to go further — physically and emotionally. Tom Cruise is the embodiment of the American dream: bold, taking risks, never choosing the easy way out. He made me see that cinema could make the impossible possible, and push you to go beyond your own limits.

Make a wish about your career...

My wish is to keep making films that matter, that move people, that inspire — and to go further every time in ambition, freedom, and boldness. I hope each project is a step towards something bigger: reaching audiences around the world, collaborating with artists who push me higher, and never losing the fire that made me start. And, of course, I also dream of winning the highest honor in cinema for a French filmmaker — as Jean Dujardin did with The Artist. Not just for the recognition, but for what it means: that an 'impossible' dream can come true with sincerity, talent, and perseverance. Ultimately, I want to make a film that leaves a lasting mark, that gives someone, somewhere, the desire to believe in their own dreams.

Talking about cinema/Showbusiness, how hard is it to remain completely honest to yourself as an artist?

It’s one of the biggest challenges in this profession. There are always temptations: to please, to follow trends, to do what’s expected rather than what you really believe in. Staying true to yourself means going against the current, taking risks, disappointing some people — but that’s the only way to last and to leave a genuine mark. Artistic honesty is what makes the difference between a film that entertains and one that moves people. It’s not always easy: you have to hold on to your vision, resist pressure, own your choices — even alone. But in the end, it’s the only luxury that counts: being able to look yourself in the eye and know you gave something real.

The Film you have loved the most?

No hesitation: Top Gun.

That film has everything for me: energy, style, music, speed, but also real emotion, a sense of myth, and that drive to go further. It’s more than an action film, it’s a love letter to dreams, to friendship, to risk, to the open sky. Every time I watch it, I get the same urge to go for it, to dare, to never give up on what drives me. Top Gun shows the power of popular cinema that never sacrifices ambition or heart.

And now, don’t be shy… the one that annoyed you the most?

Honestly, probably a film I’ve already forgotten! (laughs)

I try not to dwell on what bores me, but rather remember what challenges or surprises me. Even a bad film can teach you what you don’t want to do… so I just move on.

Your biggest artistic goal is…

To make Go West exactly as I imagine it, with no compromise.

To carry this vision to the end, keep the energy of the beginning, and risk everything for a film that is 100% me. If I can do that, I’ll have already accomplished a big part of my dream.

What profession other than your own would you like to attempt?

No hesitation: lawyer. Defending a cause, standing up for someone, persuading through words and storytelling… In a way, it’s close to cinema: telling, moving, trying to change others’ minds. It’s a different fight, but always for some kind of truth.

How important is it to be rewarded as an Artist?

Being rewarded is recognition, and of course it feels good. But it’s not an end in itself. Awards give you visibility, confidence, sometimes opportunities. But what really matters is the impact you have, the emotion you share with the audience. I dream of being rewarded, yes, because it proves the work touched people. But I’d rather have a single moved spectator than a trophy on a shelf. The real reward is being true to yourself and managing to share something unique.

Do you have regrets?

I don’t think it’s ever good to have regrets. At least, I don’t regret not trying. I’ve always preferred to try, to take risks, even to make mistakes, rather than live with the frustration of never knowing. Mistakes are part of the journey, but what matters is moving forward without looking back and owning your choices.

What’s the message you want to express through your art?

Jump into the unknown, try, make mistakes — but never give up!

The only real failure is not daring. The rest is experience, living, and maybe… the key to growing.

What do you feel when you're acting/directing/writing?

When I am acting, directing and writing  I feel like I am in a new adventure  that is pushing me to change,  and grow in a whole new light. . 

You can go to the Movies with an actor/director/screenplayer that you love. What kind of movie do you choose and with who you're gonna whatch it?

The kind of movie that I would watch would be historical fiction in the areas  of drama, or action. I would love to go with someone who has lived into the 90’s and even 100’s. I find elderly individuals  have  a wisdom  that can add an amazing perspective. 

Audrey Hepburn used to say “Nothing is Impossible”, what do you think about it?

I agree with this motto because you are as big as your mindset. If you believe big things are going to happen then they will, but you must be prepared to work in the storms, and shine light in the shadows.  Nothing in life that is good comes easy, you must work for it.

Can you live just of your passion?

Passion and life are interchangeable.  You need both to get you out of bed, to have a purpose, and to shine light. I believe those that live with just passion are content, and grateful in the moment. 

 What's more important talent or luck?

I think you need both. Talent combined with hard work creates luck.  Luck is never random and it’s fueled with hard work and talent. 

You must go to a desert island but you can bring with you just one movie…

“Cinderella” because I love fairy tales. 

Have you ever accepted a part/ a movie to direct/ a script to write even if you didn't like the project?

I would never accept a part I didn’t like or connect to.

What's the best compliment you have received about your Job?

The 451 film festival and writing awards that I have received through out the competitions. Each award is a compliment that judges from around the world give my work merit and creditability  after everything I have gone through in proving myself as a talented storyteller, actress, and filmmaker.  

Are you satisfied about your career?

I  think you can never be hundred percent satisfied because then you stop growing and learning.

Which is the worst moment on set ?

I think there no particular moment that sticks out. All the collective moments contribute to the end result of a film project. Whether it’s good or no so good, everything is perspective and in the end it’s how everyone works together to make a great movie. 

How do you feel when a job you've been part of it's ending?

I feel amazing that I got to be part of such an amazing project that will hopefully impact others.

Have you ever lied to get a part/job?

Never, because I believe in Karma, and what you get comes around.

If you should win an Oscar your first taught would go to…

If I was to win an Oscar, my first thought would be gratitude and amazement for the huge blessing and honor it would be to win an Oscar. To know that my work has made not just impact on others but a legendary one that would live on forever. I would thank the spiritual world, god, and my strong mindset for never giving up.  Finally , to know I would be a  shining light for others to follow their dreams in spite of the forecast. 

Two films that have marked your life for better or for worse…

The Lord of the Rings trilogy and Yi-yi

What do you think about Acting/ filmmaking schools?

Schools, for the most part, are truly amazing. They teach our craft, provide community, and can have career perks. However, film school, as in life, isn’t a guarantee of anything, and there are other ways to build people networks or access educational resources. In either case, you won’t get much out of any experience if you aren’t self-reflective and don’t know what you want to achieve or who you are.

Have you ever hated your ambition?



Never

Francois Truffaut used to think that "Film Lovers are sick people”… was he right?



I get where he’s coming from—filmmaking is mentally, physically, and emotionally challenging. He implies that filmmakers are insane for willingly choosing to endure the pain and uncertainty that accompany the medium. But challenging activities can also forge strength, wisdom, and character. Your character as a human being can improve by being a filmmaker, so long as you can regulate your emotions and believe in yourself in the context of chaos.  

Close your eyes…if I say “Cinema” what do you see?



Robot Jox

Who’s the Director\Actor\Writer that taught you the most?



What makes this question so hard is the idea of an ultimate choice, because I’ve learned a great deal from many production crew members (which in my opinion includes actors and directors)… One would be Dennis Villanueva, who works with Joe Walker, Hans Zimmer, incredible actors, excellent DPs, illustrators, and more. He puts a lot of energy into pre-production, and his sensibilities are powerful. I think he still has room to grow, like every human I know, but there is no question that he, as a contemporary director, has taught me a great deal. 

About your job, tell us your biggest dream and your worst nightmare…



My biggest dream is to shoot a short film I’ve written, about a woman and divine beings in Peru. My worst nightmare would be having an accident on a production that results in death or serious injury. 

How important is to have a good Cinematographic Culture?



It’s very important to have cinematic culture because it allows people to communicate complex ideas that generate an empathetic bond between the audience and the characters. The world needs empathy more than anything else!

What would you like to improve as a Filmmaker\Actor\Writer?



I want to generate and do more scripted narrative work as a filmmaker. 

A big producer give you the chance to direct\to play (in) the remake of one of your favorite black and white Movie (if you have one)… what film do you choose?



I don’t think you can remake a film, but you can copy the elements and generate an impersonation of an idea. I don’t want to impersonate some of my favorites, because I don’t think I can do the source material justice. That being said, something like “The Beast from 20,000 Fathoms” could be done, because the source material has enough room for new energy and ideas. Other films like “Hiroshima, Mon Amour” or “Seven Samurai” or “Sorry, Wrong Number” have such a distinct aura that I don’t think a remake could do them justice, though, as an exercise, it could be fun.

Film Industry it’s a tough place and sometimes is normal to feel lost and discouraged… who’s the person that keeps you motivated?

I’m deeply inspired by the Kayapó filmmakers I’ve had the privilege of working with over the years, whose powerful use of film serves as both a means of cultural preservation and a vital act of resistance in defense of their identity and continued existence.

Alfred Hitchcock said: "To make a good film you need 3 things: The script, the script and the script".  Do you agree with him?


I disagree, because a script is like a genetic code, containing the roots of a film, but that code does not determine an outcome. There are instances where non-script-related ideas are incorporated during the process, because they feel truer. 


What’s your most ambitious project for the future?

I have a film idea that incorporates experiences and ideas that I’ve had in the Kayapó Indigenous Territory. 

Do you think that sadness or at least melancholy let be more creative?

I don’t think you must be sad or melancholy to increase creativity. To increase creativity, you must eliminate distractions and have dreams. If you have a dream while you’re awake, you’re even closer. 

What do you wish to yourself as a Filmmaker\Actor\Writer?

I wish to be the best version of myself so that I can better endure the realities of the world.