Interviews & Reviews

Jari K. Leinonen, Finland. Master of Arts and Bachelor of Media
 Lecturer/teacher in audiovisual production and a versatile professional in the media industry. “Maybe I'll have more time to work on my own projects once I'm retired.” Own productions as director and screenwriter Documentary films: Deminers (1999), Make a Confession (2000). Travel in Time (2001). Teareye (2026). Fiction short films: Blessed Land (2001). Genesis (2017) filmed during New York Film Academy's 1-week filmmaking course. Also music video productions for various bands. Multiple student productions between own productions.

When did you realize you wanted to be a film director / actor / writer? 

As a child, I devoured comics and I was very interested in storytelling through images. In my hometown of Oulu, which has been chosen as the European Capital of Culture for 2026, media studies programs began in the 1990s, and I was given the opportunity to study and train in the audiovisual field based on entrance exams. I continued my studies at the university level and earned a Master's degree in video expression while working at the national television company. I co-wrote and directed projects including the documentary 'Deminers.' However, because the work was freelance by nature, I switched to teaching when the opportunity arose and the work was full-time. Together with students, we have produced several short films, documentaries, and music videos. So, one could say that my childhood dream has largely come true. Excluding own productions

Do you remember your first time at the movies? 

My first movie theater experience was the historical spectacle ‘Quo Vadis’ (1951), starring, among others, Peter Ustinov, Robert Taylor, and Deborah Kerr. Although Finnish films were prioritized in theaters in Finland. American movies made in Finland a breakthrough in the 1970s with releases like The Love Bug movies and Western films, which were admired on the large screens where they seemed larger than life. Later, Clint Eastwood became a Western hero. The Italian film ‘They Call Me Trinity’ and Sergei Leone’s and Charles Bronson's ‘Once Upon a Time in the West’ (1968) astonished a young audience. Without forgetting Steven Spielberg's ’ Jaws’ (1975).

If you could change countries, where would you like to work? 

In some warm country where taxation and the treatment of people are balanced. In principle, I could work in any country, if I get my hands on a story that's worth telling. As I did when making a documentary in Cambodia.

Two films that have left a mark on your life either for better or worse... 

This is difficult, but an important question. Roman Polanski's epic ‘The Pianist’ lingered in my mind for a long time. All the viewers sat tightly in their seats until the end credits finished. Roberto Benigni's ‘Life is Beautiful’ (1997), in all its harshness, was beautiful and its conclusion insightful, leading to redemption after the horrific events. There are many movies that could be mentioned.

What do you think about acting/film schools? 

Education is necessary in all fields. However, a student gains the best knowledge through practical work, so production companies and businesses should offer more hands-on work opportunities for those students who have the right attitude towards the different stages of work. Companies should also receive financial support or tax breaks for teaching students.



Have you ever hated your ambition? 

No, but sometimes it feels overwhelming when you know you have a good story to tell, but you also know all that it takes to get that story told. When reality hits you in the face with a wet rag, you become a realistic dreamer. And there are plenty of them.

According to François Truffaut, 'Movie lovers are sick people'... was he right? 

There are individuals in all walks of life and professions who manage in different ways. However, I understand the claim. The personal compulsion to tell a story can be so strong that it can push a person to the extreme, even to mania. Financial necessities pose the biggest obstacles for many stories that should reach and be seen by a wide audience. Finnish directors have broken through to major productions with persistence and original vision. An example of this is Finnish director Jalmari Helander, who directed the ‘Sisu’ films and is now working on a prequel to the ‘Rambo’ film series.

Close your eyes... if I say 'Movie,' what do you see in your mind? 

The faint sound of the projector makes a familiar sound in the background. A beam of light cuts through the dimming theater, with dust particles dancing in its shaft. The fanfares of rising music and the production company's animated logo lead you to a new story. I hope it lingers in your mind and is worth the lost time and experience. 

Which director / actor / writer has taught you the most?

Guillermo del Toro’s ‘Pan’s Labyrinth’ (2006) was worth the aforementioned experience. The moment of realization left at the end – just like in the work ‘La vita è bella’ – are those golden emotional moments that a movie creates at its best. Building such an experience is not easy. During my studies, Andrei Tarkovsky's ‘Mirror’ was an impressive experience, and I would be surprised if it hadn't influenced Darren Aronofsky's film ‘Requiem for a Dream’. You cannot overlook Francis Ford Coppola, as his works have taught that a director must have passion and a goal to tell a story, and that money should not dictate it too much. Among Finnish directors, I also cannot overlook Aki and Mika Kaurismäki, brothers whose unique directing style is known worldwide, especially in France.


Speaking about your profession, tell us your greatest dream and worst nightmare...
T

To know that a film I have made – or a film made by one of my students – has affected someone in such a way that it has turned their life around in a positive direction amidst chaos. 

Of course, the worst nightmare would be the loss of my own child's health, but regarding filmmaking, the worst nightmare would be the complete loss of the film or footage of a fully shot movie.

How important is it to have a good knowledge of film culture? 

Knowledge of film culture is not as important today as knowledge of the media, especially social media, which film culture has in a way influenced. Instead of the theater, the images and sounds we handle increasingly affect people who find it difficult to understand everything they see and distinguish between what is real and what is false. Of course, it is good for a filmmaker to know the principles of storytelling and dramaturgy, as well as to understand history and how film has developed from celluloid to videotape and now to digital recordings. Television no longer shows as many films as it does a variety of reality shows and soap operas. Streaming services have hit the jackpot in this regard and managed to make a breakthrough, which on the other hand has taken space away from theaters that are important for the art of cinema.

What would you like to improve as a filmmaker / actor / writer? 

It would be good to start teaching film history and basic production techniques at an early stage in schools, so that young people could better distinguish genuine and significant content from content that has a negative influence. The best place to watch a film is still a dark theater with a large screen, so let's keep them going and make good films to be shown in theaters.



A major producer gives you the opportunity to direct / act in a remake of one of your favorite black-and-white films (if you have one)... which film would you choose?

Thinking quickly, it would be interesting to direct Fred Zinnemann's 1952 film ‘High Noon’, starring Gary Cooper, as I would realize it in the style of the Italian master director Sergio Leone, without forgetting the unforgettable composition style of Ennio Morricone. My own perspective and directing style would be reflected through progressive emotions and dark images that become hopeful toward the end. However, a remake of the film was already made in 2000.

The film industry is a tough place, and sometimes it's normal to feel lost and discouraged... Who is the one that keeps you motivated? 

Who else would cheer me on better than myself? Clint Eastwood's unpublished goal of dying in the director's chair with his boots on is already a respectable achievement, so I would call him an exemplary director.



Alfred Hitchcock said, 'To make a good film, you need three things: script, script, and script.' Do you agree with him?

Yes. It has also been said that not even a good director can save a bad script, but a bad director might perhaps succeed with a good script. Who knows?! Hitchcock also did not like the use of music in his films, although his most famous movie is actually known for its music. However, I understand this point too, because when overused, music easily overpowers the story and destroys the illusion it creates. When used correctly, it supports the story and brings emotions to the surface.

What is your most ambitious project for the future? 

As a documentarian, I would like to explore the backgrounds of different religions and their impact on history and the modern world. As a fiction director, on the other hand, I would like to examine the reasons that lead a self-centered person to choose the wrong side, through which they ultimately learn that choices should not be made for the wrong reasons. I would also like to make people laugh, although comedy is one of the most difficult genres. 


What do you wish for yourself as a filmmaker/actor/screenwriter? 

Health and a long life to realize some of the above-mentioned dreams, as well as a connection that leads to at least one of them.

Iara Scherer Keen is an Argentinian filmmaker currently attending Pratt Institute as an undergraduate in the Film and Video major. Visual media and storytelling has been a part of her life since she was only a child. She grew up on a stage as a performer. After graduating high school she decided to pursue her dreams and move to Los Angeles, where she remained for a year before moving to New York. She has gained diverse experience across production companies in Buenos Aires, including GHM Contenidos and La Casa de al Lado, where she contributed to commercials for brands such as Johnnie Walker and YPF. In the summer of 2024, she joined Roddenberry Entertainment, where she evaluated potential projects, assisted with the editing of the podcast "Does It Fly?" hosted by astrophysicist Hakeem Oluseyi and pop-culture expert Tamara Krinsky, and conducted research on the current film market.

The biggest challenge of being an actor\director\ screenplayer is…


During the first feature I worked on I remember I was asked by a peer if I truly wanted to pursue filmmaking “If you feel you can be anything other than an artist, then you should go for it” he said. I later learned he was quoting Hiroshi Sugimoto who’s advice for artists is to learn and explore the world before trying to express their findings about it. I think the question of what life experiences one should have and how to share these learnings with the world is an interesting one every artist might find themselves answering at some point. 

Choose an Actor, Choose an Actress...and now choose a story you would  like to direct or play with both of them.

As an Argentinian filmmaker I would be honored to have the opportunity of working with Ricardo Darin at some point about a film based in my home country. 

Who’s the first Artist that let you understand you wanted to be an  Actor\ director\screenplayer?

I grew up immersed in theater before falling in love with film. I remember one of the films I loved growing up and that probably led me down this path was Cinema Paradiso by Giuseppe Tornatore. It truly made me see the love for cinema and art in a way I had not before.   

What really excites you artistically or emotionally?

Going back to the answer in the first question, I think exploring life and trying to make sense out of the things I learn by living and observing it. At this point I am focusing on films that I genuinely think have a message behind them, something to leave an audience thinking and analysing about. I am currently working on a hybrid documentary about artificial intelligence and mental health. This project came to be after a very particular conversation I had with a person I met at an event that left me thinking about the many ways people are either using or being affected by artificial intelligence nowadays. Utilizing film can genuinely spark conversations about many topics, and that is something that definitely excites me about this medium. 

Marlon Brando said “Never confuse the size of your Paycheck with the 

size of your talent”. Do you agree?

Yes, I agree and it goes both ways. I think filmmaking and art in general is about creating something that will last forever beyond economic gain. 

Have you ever been discouraged by someone about your life\career choices?


I have been questioned about it several times. But I believe if you are truly convinced about something in your life, no matter what that is you will find a way to make it happen in the best most unexpected form it can possibly be for you. 

Do you think it is harder for a woman to be a Filmmaker?


I think women and men experience the world in different ways and therefore the stories we bring to the screen are unique. We all experience challenges in our lives and therefore to me it is more so about how we rise above them, individually but also as a community. 

Do you think that Fame and money could easily change your own Vision as 

a Filmmaker\actor\screenplays?

No, my commitment to this craft will always remain the same. 

Who’s the Movie star that made you dream for the first time?


I do not think I have a specific one, but I would say growing up before I decided to go into the behind the camera aspect of filmmaking, I genuinely admired Meryl Streep (and still do). 

Make a wish about your career…

After graduating being able to continue to make films that resonate with audiences and having a consistent path in the creative realm. 

Talking about cinema\Show Business, how hard is to remain completely 

honest to yourself as an artist?

I think it is important to always stay true to yourself, know where you come from regardless of where you are, this will always set the path clear. 

The Film you have loved the most?


There are hundreds of incredible films, but I would say Cinema Paradiso has been one that will always stay in my heart. 

And now, don’t be shy….the one that annoyed you the most?


I am not sure off the top of my head. 

Your biggest artistic goal is…


To continue growing as an artist consistently. 

What profession other than your own would you like to attempt?

Just this one. I have my heart set on film. 

How important is to be rewarded as an Artist?

I think reward should always come from oneself first. 

Do you have regrets?


None, I think everything happens for a reason. 

What’s the message you wanna express through your art?

We all have different life experiences, there is always something better coming no matter how hard the ongoing situation might be. We just have to open our eyes, recognize what is happening in order to be able to move forwards. 

David B. Williamson is a Pennsylvania-based screenwriter whose work blends psychological depth, emotional intelligence, and bold, unconventional storytelling. After a fifteen-year hiatus devoted to raising his family, David returned to the arts with a renewed purpose following a traumatic catfishing incident that reignited his creative fire. His scripts—most notably Pretty Little Lucy and Trust/Fall—explore cycles of abuse, digital identity, and the complexities of human vulnerability. David’s mission is simple: to tell stories that help people feel seen, understood, and capable of healing.

When did you decide you wanted to be an actor/director/screenwriter?

I think the seed was planted long before I ever understood what a “career” in the arts even meant. I’ve always been drawn to the entertainment industry—music was

my first love, and storytelling quickly followed. The arts became my escape, my anchor, and ultimately my way of making sense of a very difficult childhood. When I was nine, my father took his own life. He was immensely abusive, and the trauma of that loss left cracks I didn’t have the language for at the time. What I did

have was music, movies, and the strange comfort of disappearing into other worlds. Those were the places where I could breathe… where I felt seen… where I

could imagine a version of life that was bigger than the pain I grew up in. As I got older, that escape evolved into a purpose. I realized I wanted to build the

kinds of stories that had saved me—stories that reach people where they are, that speak to the invisible battles so many of us carry. Acting, directing, screenwriting…

they each became different languages for the same thing: taking pain and transforming it into something meaningful. Something human. Something that

might help someone else feel a little less alone. So I didn’t choose this path all at once. It just kept calling me back—through the

trauma, through the healing, through the years of silence and the years of creating. And eventually I recognized it for what it was: the place I was always

meant to be.

How did your family react?

My family never pushed back on my artistic ambitions—mostly because we neverreally had a deep conversation about them. My intent from the beginning was to

go to Hollywood and chase those dreams, but life took a sharp turn during my senior year of college. I became a father for the second time, and that shiftedeverything. My own dreams had to take a backseat so I could focus on being the parent my children deserved. For years, I didn’t really bring up the idea of breaking into the industry. I assumed that chapter had closed. But then the catfishing incident happened—something that could have crushed me, and honestly, almost did. Instead, it reignited a spark in me that I hadn’t felt since I was young. Most people would’ve been broken by the trauma of it, but for me, it created a strange turning point. It made me want to understand the psychology behind these scams and, more importantly, help others

make sense of the emotional traps that so many fall into.

Two moments changed my trajectory completely:

1. LinkedIn, of all places.

I was looking for work, trying to rebuild my life, and kept seeing posts about people who had taken their lives because of the shame and embarrassment of

being catfished. Because my father took his own life, this hit in a place that words don’t fully explain. Suddenly, my experience wasn’t just something that happened

to me—it was something I could use to try to help others who were drowning in that same shame.

2. Researching Lucy Hale for my project.

As I researched to better understand her persona for the screenplay, I found myself watching interviews where she talked openly about going through her own

“Dark Night of the Soul.” Hearing someone—especially someone in the public eye—speak with that level of honesty and vulnerability connected with me deeply. Iwas wrestling with my own midlife crisis at the time, trying to make sense of who I was and what came next. Her words, her self-awareness, and her courage gave

me confidence to tell my story instead of running from it. Lucy, if you ever read this: Your willingness to speak openly about your own darkness was a lifeline. You

inspired me more than you know, and you are my hero for putting truth above image. So to answer the question: My family didn’t react in any big dramatic way. They saw me trying to rebuild and find myself again. What truly set everything in motion was a combination of trauma, unexpected inspiration, and a moment of clarity that made me realize I wasn’t done yet. I still had stories to tell—and maybe the strength to help someone else survive theirs.

Do you have a Muse or a Role Model?

I don’t have a single defined muse or a traditional role model. What inspires me most are people with depth—individuals who carry a kind of internal duality. I’m

drawn to those who can sit comfortably in deep conversations, who can hold light and darkness in the same breath, and who are honest about the contradictions

that make us human. I find inspiration in people who have lived through something, who’ve been forced to confront their own shadows, and who come out of it with self-awareness rather than bitterness. That type of emotional complexity fuels my creativity far more than idolizing any one person could.

My “muse,” in a sense, is that duality—people who can be strong and vulnerable, broken and rebuilding, flawed yet striving. Those are the energies that spark

something in me and push me to create stories that feel honest, layered, and human.

Who’s your biggest fan?

Honestly, I never really thought about that until recently. For a long time, I was

extremely apprehensive about opening up about the catfishing incident. It felt too personal, too raw, and I wasn’t sure how people would respond. But the moment I finally talked about it, something unexpected happened—people connected with it in a real, human way.

What started as a deeply painful experience ended up creating this incredible

support system made up of people I’ve never even met in person. They

encouraged me, believed in the story, and pushed me forward at moments when I wasn’t sure anyone was listening. It’s surreal to feel that kind of energy from strangers who resonate with the message, the vulnerability, and the journey. So if I have a “biggest fan,” it’s not just one person. It’s this community of people from all over who saw the honesty in what I shared and chose to stand with me. They became the momentum behind the project—and in many ways, behind me.

What brings you inspiration the most?

My greatest inspiration comes from people who have been hurt, broken, or pushed to the edge—because for a long time, that was the world I understood best. Trauma felt like a second home for several years of my life. It shaped me,

challenged me, and forced me to grow long before I had the tools to make sense

of it. But as I got older, I learned something important: trauma and vulnerability don’t define us—they refine us. They’re the catalysts that build empathy, emotional intelligence, and deeper interpersonal connections. They’re the cracks where the light eventually gets in. I’m inspired by those who carry their scars with honesty, those who’ve walked through fire and still manage to reach back and help someone else. That kind of resilience, that quiet courage, fuels my storytelling. It pushes me to create characters who are layered, human, and real—people who aren’t perfect, but who

keep moving forward anyway That’s the heart of my work: turning pain into connection, and turning vulnerability into something that can actually help others feel seen.

Which actor or director would you like to work with?

This is probably the easiest question for me to answer.

For acting, Joaquin Phoenix—without hesitation. In my opinion, he embodies

perfection in psychological breakdown. No one captures emotional unraveling,

internal conflict, and the slow descent into collapse the way he does. His work is

raw, precise, and deeply human. He’d be extraordinary in the role of David in

Pretty Little Lucy because he naturally gravitates toward characters who exist in

the gray zones of the mind. He understands the quiet chaos of psychological

deterioration better than any male performer working today.

As for directing, it’s David Fincher, hands down. His attention to detail is

unparalleled—he sees every micro-moment, every breath, every flicker of emotion that might go unnoticed by someone else. His films are masterclasses in precision and psychological tension. Fincher’s focus on tiny nuances is exactly what Pretty Little Lucy demands. The story is built on atmosphere, subtle cues, emotional fractures, and the slow tightening of the psychological noose. He’s the kind of director who could translate even the smallest beats of the screenplay directly onto the screen. Working with either of them would elevate the material to a level I can only describe as cinematic truth.

Have you ever seen a film that was better than the book?

For me, the one clear example is The Shining. As iconic as Stephen King’s novel is, Stanley Kubrick’s adaptation stands in a league of its own. He didn’t just translate the story—he reinterpreted it, bending it into something colder, more

psychological, and more visually unsettling. The film lingers in your bones in a way that feels entirely separate from the book. It’s one of the rare moments where the cinematic language elevates the material into something timeless, unforgettable, and arguably stronger than the source itself.

What’s the movie that taught you the most?

There are so many incredible films that have shaped me, so it’s hard to single out just one. But if I’m being honest, the film that probably taught me the most is Pulp Fiction. Tarantino has this uncanny ability to fracture a story, scatter the pieces, and still guide the audience through it with absolute clarity. He turns structure into a cinematic breadcrumb trail—every scene is its own world, yet each one pulls you

deeper into the overarching narrative. That film taught me that storytelling doesn’t have to be linear to be powerful. It showed me how character, tone, and rhythm can hold a story together even when time is intentionally out of order. And it’s the first movie that made me truly understand that a screenplay can be bold, chaotic, and unconventional while still

feeling tight, intentional, and unforgettable.

About your artistic career, have you ever had the desire to quit everything?

Not in the sense of giving up—but life did force me to pause. As I mentioned

earlier, becoming a father shifted my entire world. My creative ambitions didn’t

disappear, but they had to take a backseat. What I thought would be a brief pause turned into a fifteen-year hiatus from music, filmmaking, and everything I once imagined my career would be. It wasn’t because I lost the desire—it was because my children needed me, and

being the father they deserved mattered more than anything else at that time. So my dreams didn’t die; they just lived quietly in the background while I focused on raising my family. There were moments when I wondered if the creative part of my life was simply over, but deep down I always knew I’d come back to it when the time was right. And when that spark finally reignited, it came back stronger, more focused, and more meaningful than ever.

On set, what excites you the most?

My on-set experience is still fairly limited, but even in those small moments, I

discovered something I absolutely love: the camaraderie. There’s a unique kind of energy that happens when creative people come together with the same goal—to make something meaningful. Everyone supports each other, everyone’s

contribution matters, and you feel this collective pulse that reminds you why

storytelling is such a powerful art form. There’s a huge misconception about people who work in creative fields, as if we’re chaotic or impractical. But the reality is the opposite. Creative individuals are some of the most disciplined, collaborative, and passionate people you’ll ever meet. The

quirks and “idiosyncrasies” people talk about are often just misunderstandings.

What I’ve seen is a community that lifts each other up and pours everything they

have into their craft. That sense of unity and shared purpose—that’s what excites me most when I’m on set. It feels like being part of something bigger than yourself.

And what scares you the most?

The thing that has always scared me the most—even from a young age—is

worrying about what other people think of me. I grew up with this belief that

showing vulnerability made you weak or pathetic, so I learned to keep everything inside. I was terrified that if I let people see the real, emotional parts of me, they would judge me or use it against me. A lot of that came from my father. His abusive side shaped so much of how I understood connection. Even the simplest gestures—like giving or receiving a hug —were painful, uncomfortable experiences for me. Affection didn’t feel safe.

Vulnerability didn’t feel allowed. When you grow up in that kind of environment,

you internalize the idea that closing off is the only way to survive.

It took me years to realize that vulnerability isn’t weakness—it’s courage. But that early fear still echoes sometimes. Opening up, letting people in, and being

emotionally transparent can still feel intimidating. Yet ironically, those are the very moments that create the deepest connections and the strongest art.

What’s your next project?

I have several projects in the pipeline, but one of the closest to my heart right no is a screenplay called Trust/Fall. It’s one of my most recent pieces, and it’s also

one of the most personal. The story dives deep into the emotional and psychological terrain of cycles of abuse—how they form, how they repeat, and how hard they are to break. It’s an intense, character-driven drama that explores trauma, accountability, and the painful journey toward self-awareness. Writing it was both cathartic and difficult, but it’s a project that means a great deal to me because of how closely it resonates with my own experiences and the themes I’ve lived through.

You can steal the career of an artist you really admire—who do you choose?

It may sound unconventional, but I don’t think I could pinpoint a single artist whose career I’d want to “steal.” Creativity is a shared language; every artist absorbs, borrows, and is influenced by others to some degree. For me, it’s less about idolizing one person and more about being drawn to anything that feels

aesthetically or emotionally striking. If something captures my attention—whether it’s a performance, a directing choice, a color palette, or even a single moment on screen—I study it. I break it apart, analyze what makes it resonate, and find ways to bring elements of that inspiration into my own work while still keeping my voice authentic.

So rather than trading careers with one specific artist, I pull from many. I’m more interested in understanding whysomething works, what emotional chord it strikes, and how I can take that spark and translate it into stories that feel uniquely mine.

An actor/director/screenwriter is made of…

…the broken pieces of themselves that they’re frantically and anxiously trying to put back together. Every creative choice, every character, every scene becomes a way of sorting through the fractures—an attempt to rebuild meaning from moments that once felt shattered. Artists aren’t shaped by perfection; they’re shaped by the cracks, the scars, and the quiet chaos they’ve survived. And in trying to assemble those pieces into something whole, they create work that speaks to the broken parts in everyone else.

For you, Cinema is…

…an escape into enlightenment and understanding. It’s a viewport into another

world—one that can be therapeutic, transformative, and deeply meaningful.

Cinema gives us the ability to experience lives beyond our own, to see ourselves

reflected in characters and moments we never expected. It builds empathy. It

strengthens interpersonal relationships. It gives shape to emotions we don’t

always know how to articulate. For me, cinema isn’t just entertainment—it’s a bridge between people, a shared language of humanity, and a place where healing often begins.

Do you think black-and-white movies have a powerful impact?

Absolutely—but the impact depends on the context and the intention behind the choice. Black and white isn’t just an aesthetic; it’s a narrative tool, and when it’s used deliberately, it can deepen a film’s emotional resonance in a way color

sometimes can’t. Take Schindler’s List, for example. That film doesn’t just show history—it transports you into it. The stark black-and-white palette strips away distractions and places you directly inside the emotional and historical gravity of Nazi Germany. Had it been shot in color, the emotional weight and historical

authenticity would have been fundamentally different. The absence of color

becomes part of the storytelling. Another brilliant example is Pleasantville. In my opinion, it uses black-and-white and color as symbolic opposites—representing conformity versus transformation, repression versus awakening. The way the world shifts gradually into color mirrors

how change, curiosity, and humanity ripple through a controlled environment. It’s visually striking and thematically meaningful. So yes—black-and-white films can be incredibly powerful, but only when the choice serves the story. When used with purpose, it becomes more than a style; it becomes a message.

Have you ever dreamed of winning an Oscar?

Honestly, I’ve never really thought about it. If anything, the idea of it feels a little

frightening. I didn’t come into this industry chasing awards—I came into it because I wanted to tell stories that might break the cycles of abuse and trauma that so many people live with every day.

An Oscar would absolutely be an incredible honor, no doubt about it. But at the

end of the day, the real recognition for me is knowing that something I wrote could help someone feel seen, understood, or a little less alone. If my work can spark healing or validation for someone who’s been through pain, that means more to me than any trophy ever could.

So do I dream about it? Not really. But if it ever happened, it would simply be a beautiful bonus—not the goal.

Do you think you’re going to win it?

I would love to win an award someday—of course I would. Any artist who pours

their entire soul into their work can appreciate the honor of being recognized by

their peers. But it’s not something I see as essential. What matters more to me is

the impact of the story itself. If my words can help someone climb out of their own wreckage and start rebuilding, that’s the kind of validation that stays with you for life.That said… with the way things have been unfolding recently, with all the unexpected momentum and the growing support surrounding my work, I do think I stand a pretty good chance. It’s a surreal feeling. I’m not driven by the trophy—but I won’t pretend I don’t feel the winds shifting in a way that makes the possibility feel real. In the end, awards fade. Impact doesn’t. And if I’m lucky, maybe I’ll get to experience both.

I grew up in New York, a place that has shaped my perspective and remained home no matter where life has taken me. I’ve been fortunate enough to see the world and experience people from all walks of life, and those experiences have grounded me in ways I didn’t expect. As a kid, I found myself drawn to honest, larger-than-life personalities like Rip Torn, whose work left a lasting imprint on how I view character, emotion, and humanity. After serving in the Navy, I faced a period of homelessness that challenged me on every level. It forced me to confront who I was, what I valued, and how I wanted to move forward. Through that chapter, I learned a lesson that still guides me today: I can’t control every situation, only my approach to tackling it. That mindset has carried me through every high and low, shaping how I connect with people and how I see the world. Everything I’ve lived through continues to influence the way I tell stories and the way I navigate life.

When did you realised you wanted to be a Filmmaker\Actor\Writer?

I realized I wanted to be an actor when I was in the first grade. I watched Independence Day so many times on VHS with will smith. I remember being excited about him knocking the alien out and complaining to the alien while dragging it through the Mojave desert. I watched the movie so often I would act it out. Even on the swing set I’d voice the whole movie out  loud with other kids joining me. I got caught on the playground in a foot of snow by a teacher asking me what I was doing. I was dragging a towel with a small snowman I built pretending it was the alien in the parachute. Yup, that was embarrassing.

Do you remember your first time at the Movies?

I remember my first time at the movies better than losing my virginity. I didn’t know what a movie screen in the theater was. I don’t think I had watched anything other than Jackie Chan and Clint Eastwood movies or the occasional John Wayne movie till then. Clearly, I didn’t understand back then, given my age and experience of the world. I went with my Grandmother, Uncle, and Mother. I was watching Disney’s Aladin. The voice of Robin Williams in the theater blew me away. Of course, I cried and wanted my own popcorn and candy. 

If you should change country, where would you like to work? 

That is my favorite question ever! Australia! Aside from the awesome accents, those people know art. They are living the United States Version of the 80s regarding art and I love it. 

Two films that have marked your life for better or for worse…

Wickerman with Nicholas cage. Are you kidding me. I don’t want to give away the ending but come on. That ending messed me up for years. All I could think about was different cultures and ways of life. It taught me to accept what I can’t control. Just be prepared for any obstacles that come my way.

What do you think about Acting/ filmmaking schools?

I tried an acting school years back that closed overnight. I think they’re okay for people who don’t have a natural desperation for success and need inspiration. Or they do have the drive but just don’t have direction. Either way, to each their own.

Have you ever hated your ambition?


No, I am grateful for it. I don’t see many with the ambition I have. 


Francois Truffaut used to think that "Film Lovers are sick people”… was

he right?



100%

I don’t know a single successful person that isn’t out of their mind in one way or another.

Close your eyes…if I say “Cinema” what do you see?


Popcorn on the floor next to a dark seat holding up one's temporary throne. Then as I look up, I see my daughter on her first date with her middle school crush enjoying the moment and taking in the lessons brought on by others on screen so they don’t have to learn the hard way. That was my last weekend. Fatherhood and cinemas go hand in hand.

Who’s the Director\Actor\Writer that taught you the most?

Joe O’Dell.  He played D.B. Cooper in “D.B Coopers Case Closed” that aired as a special on a major network. He was more than a Director, Actor and Writer. He is a Big brother to me, took me on when I was at my absolute worst. I was a newly single full time father who just got out of the Military. I don’t think there is any way I could thank him.

About your job, tell us your biggest dream and your worst nightmare…

My biggest dream is to ensure my family can gain from my relentlessness in Media and Entertainment. Financially and intellectually. And above all Spiritually.  My worst nightmare… That’s a hard one. When you see the stuff and experience the things I’ve endured and watched others endure, fear becomes a comfort zone. I’d have to say that my biggest fear isn’t not making it, because I’m going to die trying. I’m going to make people laugh. Overall, suddenly not being afraid and losing my relentlessness is my biggest fear.  

How important is to have a good Cinematographic Culture?

Cinematographer culture is an interesting thing. It reminds me of the false comradery they told me would exist in the military. I understand some may want to teach and help. But for the most part, I’ve come across concepts and no technique. At the end of the day, it’s what looks cool. It’s what brings out emotion. Usually, it’s completely unexpected. Look, I can’t write scripts all day, but when something organic comes across my lens, I take the opportunity because I’m never guaranteed I will have the chance to capture it again. When you are working with your heart instead of your brain, you are working in a realm that cannot be taught at a school or in a classroom. They can explain it, but unfortunately most will never experience it even if they spill millions of dollars into it.

What would you like to improve as a Filmmaker\Actor\Writer?

I’d love to improve people’s lives. Help them through their hardships. I would love to improve my understanding of people on a very personal, deep level, one at a time. Just when I think I have them figured out, boom. Out of nowhere a new concept or thought emerges leaving me in the dark all over again. However, I have the luxury of being driven, being relentless and wanting to learn. This question can go in many directions, but it all boils down to bettering myself as a person and being the best version of myself.  



A big producer give you the chance to direct\to play (in) the remake of one of your favorite black and white Movie (if you have one)… what film do you choose?


Jekyll and Hyde. 1941. I’m a combat trained Veteran. The struggle in my brain is a war that that movie encompasses and would reach the people I want to help on a grand scale worldwide.  


Film Industry it’s a tough place and sometimes it is normal to feel lost and discouraged… who’s the person that keeps you motivated?

Brad Pitt. Period. I mean, I had a poster of his x-wife growing up. I loved Fight club and clearly as a filmmaker have some similar mental health issues. The guy has a line for every issue in life. Some are nice, others are harsh. But the voice remains clear, Never Give Up, Never Give in.  

 Alfred Hitchcock said: "To make a good film you need 3 things: The script, the script and the script".  Do you agree with him?

Yes, the script. Only because it’s just the single most important thing three times over. I spent years perfecting the art of script writing and still have not mastered it. It’s a clear mathematical equation. If you have phenomenal actors and bad script, you have a bad film. If you have bad actors and a bad script, you have a bad film. If you have bad actors and good script, you have a good film. Look at Walking Red Flag for example.  It’s the best film ever! 



What’s your most ambitious project for the future?

My most ambitious project for the future is not in existence yet. Rite when a project is the biggest to me, I learn another lesson and feel a need to help those following.  

Do you think that sadness or at least melancholy let be more creative?

Yes, if I didn’t feel a need to escape reality, I wouldn’t have the ambition that drove me to this point and hopefully drives me further.

What do you wish to yourself as a Filmmaker\Actor \Writer?

I wish to myself, can I help people with such a great story that it brings some calmness to the world. Can I change the minds of people so much with a story that it actually helps people in the day to day life they live and make it better? 

Seon Shim is a documentary filmmaker and anthropologist whose work explores disability, authorship, and representation across Korea and the diaspora. Trained in visual anthropology, Seon creates collaborative, ethically grounded films that foreground the voices and creative practices of disabled artists. Their short documentary, The Cat That Lives in Your Dreams, follows Jin Li, an autistic Korean artist, and has screened internationally while informing Seon’s research on audience ethics, consent, and circulation. Seon is a first-year PhD student in Anthropology at the University of British Columbia, building on graduate training at New York University and a background in collaborative ethnography and crip media-making. They have received recognition on the festival circuit, including a Special Mention in the Young Director Short Film category, and maintain a portfolio at seonshim.net.

The biggest challenge of being an actor, director, or screenwriter is…

Filmmaking is fundamentally about collaboration. Working closely with others presents its own set of challenges, but these are equally rewarding. 

Through this process, one can cultivate deep, meaningful relationships with the people they work alongside.

Choose an actor, choose an actress, and now choose a story you would like to direct or play with both of them.

As a documentary filmmaker, I am drawn to working with actors who would be open to creating a documentary about their own lives with me. Two individuals who come to mind are Peter Dinklage and Jung Eun-Hye, a Korean actress with Down syndrome.

Who was the first artist who made you realize you wanted to be an actor, director, or screenwriter?

Tennessee Williams. I deeply admire his plays and the emotional resonance they carry.

What really excites you artistically or emotionally?

I am most creatively driven by a sense of chronic loneliness. Even when surrounded by love and companionship, I often feel isolated. While this can be detrimental to my mental health, it fuels my artistic expression. Through writing and filmmaking, I seek to communicate feelings I might struggle to express in real life—a way of reaching out to others through art.

Marlon Brando said, “Never confuse the size of your paycheck with the size of your talent.” Do you agree?

Absolutely. Many extraordinarily talented individuals receive little acknowledgment, yet their work carries immense value. For me, filmmaking, particularly documentary work, is not about financial gain or fame—it is about connecting with those who understand my vision and collaborating to make a meaningful impact in the world.

Have you ever been discouraged by someone about your career choices?

Frequently. While I prefer not to dwell on daily hardships or failures, I acknowledge that there will always be people who wish to see you fail. I believe that their doubt can be transformed into motivation.

Do you think it is harder for a woman to be a filmmaker?

Being a woman presents inherent challenges. Filmmaking requires navigating diverse cultural contexts, and societal expectations often associate leadership and technical expertise with masculinity. This can create additional hurdles for women.

Do you think fame and money could change your vision as a filmmaker, actor, or screenwriter?

No. While my life path might shift in certain ways, my commitment to my filmmaking vision would remain constant.

Who is the movie star who first inspired you to dream?

There was no specific movie star who led me to this path. The Cat That Lives in Your Dreams was inspired entirely by its protagonist, Jin Li.

Make a wish about your career:

I hope to continue creating films that inspire and resonate with audiences.

In cinema and show business, how hard is it to remain completely honest with yourself as an artist?

It is extremely difficult—but life itself is difficult. I would never abandon cinema simply because it presents challenges. Cinema is integral to my existence.

The film you have loved the most?

Jean Rouch’s Jaguar.

And the one that annoyed you the most...

Lee Chang-dong’s Burning. It is both deeply fascinating and maddening—in the best possible way. I have watched it five times, and it becomes richer and more compelling with each viewing.

Your biggest artistic goal is…

To continue living as an artist.

What profession, other than your own, would you like to attempt?

I am currently pursuing a PhD and aspire to become a professor.

How important is it to be rewarded as an artist?

Recognition and awards can be valuable, as they provide opportunities to connect with the right people at pivotal moments—benefiting both my collaborators and their artistic perspectives.

Do you have regrets?

Filmmaking is an ongoing process of reflection and revision. I have many regrets about The Cat That Lives in Your Dreams, which is why I wish to expand it into a feature-length work—making it more inclusive, nuanced, and fully realized.

What message do you want to express through your art?

Do not remain in the confines of your own bubble. It is difficult to see beyond personal boundaries, but films can make this process more accessible. I strive to convey that message through my work.

William Mesa, owner of Flash Film Works and director/producer, was the Visual Effects Supervisor for such diverse films as Rob Reiner’s STAND BY ME, Sam Raimi’s DARKMAN and ARMY OF DARKNESS, Peter Weir’s FEARLESS, and Andy Davis’s UNDER SIEGE, THE FUGITIVE, COLLATERAL DAMAGE, HOLES and THE GUARDIAN. William has directed two HBO Premier Movies GALAXIS and DNA. He also Directed the Lions Gate film THE BLACK GATE as well as commercials and a video game, MAXIMUM SURGE. William has been the recipient of many awards over the years. He received the technical achievement award from the Motion Picture Academy and a British Academy Award Nomination for Best Visual Effects on THE FUGITIVE, where he was responsible for the train crash with Harrison Ford. He was nominated for an Emmy Award for INSIDE THE THIRD REICH and won three Emmy Awards for his visual effects on the CBS telefilm, MIRACLE LANDING, the Hallmark Hall of Fame special, THE HUGGA BUNCH and for the HBO mini-series THE PACIFIC.

When did you realised you wanted to be a Filmmaker\Actor\Writer?

I started shooting surf films when I was just 15 and then shot small shorts thereafter.

Do you remember your first time at the Movies?



Forbidden Planet (1956)

Two films that have marked your life for better or for worse…

Doctor Zhivago (better) The Fugitive (good experience.

What do you think about Acting/ filmmaking schools?

I think they can be very helpful

Have you ever hated your ambition?



Yes there can be a lot of problems with studios.

Francois Truffaut used to think that "Film Lovers are sick people”… was

he right?



They are not sick people they just want more.

Close your eyes…if I say “Cinema” what do you see?



2001 at the Cinerama Dome

Who’s the Director\Actor\Writer that taught you the most?



Bruce Beresford taught me a lot about being a good director

About your job, tell us your biggest dream and your worst nightmare…



Finding the best project to have a lot of fun is the biggest dream.

How important is to have a good Cinematographic Culture?



Having a great time making a film is always very important

What would you like to improve as a Filmmaker\Actor\Writer?



Getting a good script

A big producer give you the chance to direct the remake of

one of your favorite black and white Movie (if you have one)… what film

do you choose?



They Were Expendable (1945)

Film Industry it’s a tough place and sometimes is normal to feel lost

and discouraged… who’s the person that keeps you motivated?

Peter McGregor-Scott (now passed away)

Alfred Hitchcock said: "To make a good film you need 3 things: The

script, the script and the script".  Do you agree with him?


Yes.

Kris Francoeur is an award-winning screenwriter, author, and ghostwriter who lives on a small family farm in central Vermont. When not writing, she enjoys time with her family, traveling, gardening, and taking care of her dogs, cat, sheep, bees and chickens. Kris is also an avid knitter and spinner, and often her best ideas for scripts and novels come when at the spinning wheel or in the garden.

When did you decide you wanted to be an actor/director/ screenplayer?

I’ve known since I was a small child that I wanted to be a writer or some sort. As an author, I’ve written and published many books, but when I wrote The Stained-Glass Window, readers kept commenting that it should be made into a movie or television series. That set me on a journey of learning to write for the screen, and I found that writing screenplays is an absolute blast!

How did your family react?
 

My family is amazing! They have been my biggest cheerleaders in both my writing as an author, and as a screenwriter. When I get notified of a win in a screenwriting competition, they act like I’ve just won an Oscar or Emmy.

Do you have a Muse or a Role Model?

Our middle son, Sam, was always my biggest fan – he always believed I would be a published author and helped me keep going when rejections would arrive. When he died in 2013 at the age of 20, I knew I owed it to his belief in me to keep trying. Each and every day, I try to make Sam proud!

Who's your biggest fan?

My husband Paul is definitely my biggest fan. Although he struggles to speak due to having advanced ALS (Motor Neuron Disease, or Lou Gehrig’s Disease), he can brag about my accomplishments without any trouble. He loves to tell people about my writing, and my awards – and he will read my romance writing for me!



What brings you inspiration the most?


I am a people-watcher. I like to watch as people go about their days and make up stories in my head about their backstories. Then, being outside, especially in the gardens or with my animals, sparks my creativity every time.


Which actor or director would you like to work with?


I would love to work with Jennifer Lawrence (who married a local guy), and with Eric Dane (both for his skill as an actor, and his advocacy for ALS), and for producers, Steven Spielberg.


Have you ever seen a film that was better than the book?


I liked the first Hunger Games movie more than the book – I hadn’t fully “seen” the descriptions in my mind, so seeing it on the big screen made it come to life for me.


What's the movie that taught you the most?


Rudy – when I was a teacher, we used to watch it once a year with students, to teach the value of hard-work, perseverance, and hope. I love that movie and still watch it at least once a year.


About your artistic career, have you ever had the desire to quit everything?


Absolutely! My first “1 star” review on Amazon for my first novel made me cry. I wanted to throw it all in then, and then I realized that there was some truth in that review, and I worked to improve my writing.


On set what excites you the most?

I’ve never been on a set before, so I don’t know…



And what scares you the most?

I’ve never been on a set, but I suspect the idea of looking like an idiot would be my biggest fear.



What's your next project?

I am writing two new series scripts based upon some of my other novels, as well as about to release a new novel in November of this year. 



You can steal the career of an artist you really admire, who do you choose?

Being a female version of either the late Paul Newman or Robert Redford – both were great at their crafts and made the world a better place while living on their own terms.



An actor/director/screenplayer is made of....

Creativity, bravery, and hope.



For you Cinema is....

A way to make people think, laugh, love, cry, and hope.


Do you think Black and white movies have a powerful impact?

I absolutely do – the stark lack of other colors strips the story down to its most perfect essence.



Have you ever dreamed of winning an Oscar?

Having just started my screenwriting journey, I hadn’t started dreaming that big, but having won some smaller festivals lately, yes, now I am!



Do you think you're gonna win it?

Not sure if it will be an Oscar, might be an Emmy, but yes, I am going to win one!

Anaya Kunst (Anaya Music) is a New Age Music composer and MultiAwardWinning Recording Artist, (MSc, PhD, PostDoctor) Filmmaker, Director, Producer and Author. Anaya is an Outstanding Keyboardist, her music has a Healing power and she is considered a Music Diva, passionate about elevating the human spirit through the power of music and visuals and the universal Vibration of Love and Peace. She is a GRAMMY®, ASCAP and LIT Talent Awards voting member. AnayaMusic, is a prolific New Age composer and filmmaker whose work has garnered international acclaim across all continents.

The biggest challenge of being an actor\director\ screenplayer is…

To  translate your imagination into a movie writing the script, the image design and soundtrack.

Choose an Actor, Choose an Actress...and now choose a story you would like to direct or play with both of them

Meryl Streep and Clint Eastwood , a science fiction story.

Who’s the first Aritst that let you understand you wanted to be an Actor\ director\screenplayer?

Keanu Reeves 

What really excites you artistically or emotionally?

The whole creation process that can go on for months. The production now in Dolby Atmos revolutionizes the audio experience, offering unparalleled immersion and realism. By dynamically positioning and shifting sounds in a 3D environment, even overhead, this technology elevates audio to new heights. Unlike conventional surround sound, Dolby Atmos crafts a spatial audio landscape, enveloping you in a world where you are part of the soundscape.

Marlon Brando said “Never confuse the size of your Paycheck with the size of your talent”. Do you agree?

Yes

Have you ever been discouraged by someone about your life\career choices?

Yes but never was a problem for me because I always know what I want to do. It’s a creative process that occurs internally, and then it’s just a matter of adding the sound and image. You have to be very in tune and clear about what you want. Determination and dedication are essential ingredients for the realization of the work.

Do you think is harder for a woman being a Filmmaker?

Yes, we need to be 1000 times better!

Do you think that Fame and money could easily change your own Vision as a Filmmaker\actor\screenplaye?

No, if you learn how to deal with that , all is ok. We won over 650 international awards in film and music and I know it is an extraordinary achievement. 

The success means an accomplishment for an independent artist, receiving an award is truly fulfilling. The recognition not only validates my Art but also amplifies its reach, touching the lives of many who will be impacted by its transformative effect. This multiplier effect expands the horizons of what we create, resonating with a broader audience and spreading its influence far and wide beyond.

Who’s the Movie star that made you dream for the first time?

Twilight Sag

Make a wish about your career...

To have more technical resources to make a movie and to have some musicians playing with me in the movie soundtrack with a Philarmonic orchestra.

Talking about cinema\Showbusiness, how hard is to remain completly honest to yourself as an artist?

It is a question of maturity and be faithful to yourself and respectful with you.

The creation is a Sanctuary for the Soul: Embrace Your Divine Being : In a world filled with distractions, it’s essential to find harmony within ourselves. Amid the beauty of external distractions, remember to look inward and recognize the divine being that resides within you. Cultivate a profound experience of divinity within yourself, allowing your soul to flourish in its sanctum.

The Film you have loved the most?

Twilight Sag and Avatar         

And now, don’t be shy….the one that annoyed you the most?

All movies has good part.

Your biggest artistic goal is… 

To touch people’s heart to elevate vibration in the universe. 

Feeling the natural flow, effortless and synchronous. Mastery of a skill unlocks the soul’s voice, paving the way for the miracle of creation.

What profession other than your own would you like to attempt?

Aircraft pilot 

How important is to be rewarded as an Artist?

Leave a legacy to help new artists

Do you have regrets?

No. I’ve had the privilege of learning a great deal about myself and the world around me. Interactions with remarkable artists have provided me with fresh perspectives and profound human experiences. Suzanne Doucet, a seasoned consultant, has been a significant source of wisdom and inspiration for me over the years. I have had the pleasure of collaborating with Matthew Shell on music albums since 2015, and with Pedro Tavares where we have embraced new sound technologies. Tony Corelli joined our partnership in 2024, bringing his expertise in innovative sound technologies to the table. Additionally, Marcio Alves has been an integral part of our team since the early 2000s, contributing his skills in film and image design.

Together, we form a harmonious team, blending our diverse human and professional qualities. I am deeply grateful for the invaluable partnership we share. Collaborating with dedicated partners in my artistic endeavors has been invaluable to my growth and development. Above all, my supportive husband has been instrumental in realizing my dream of a life filled with love.

What’s the messagge you wanna express through your art?

My art is my life and to live is an act  of love for the transcendence to elevate spiritual and human vibrations.    

Angel Katherine Taormina is a New York born actress, writer, and filmmaker who has been working in entertainment, experimental film, theatre, photography, and various art forms from the age of seven and who, beginning in 2020, shifted into the world of feature film. Originally a theatre-baby, she studied with NYFA and with mentors and professionals from various other Arts schools. She was an extra in the films "The Siege" (1998) and "Spider-Man 2" (2004). Angel worked in everything from comedy to drama to live production to experimental film, and pursued her unique perspectives on life through her storytelling. She became the inventor, creator, and author of the Stagebooks series and of Cinétage- which is the name she gave to her experiment that married the styles of theatre and film in live performance, culminating in 2020's "The Saints of the Rue Scribe" which won 29 film festival awards in 13 countries, played in theatres both nationally and internationally.

The biggest challenge of being an actor\director\screenplayer is…

I  find myself very comfortable in my own skin when I am writing, directing, and acting. I like to challenge myself in that, each time, I want to create the most nurturing environment I can for my cast and crew so that they can feel just as comfortable as I am. When everyone is happy and everyone is on the same page and everyone is excited about collaborating, that is when the perfection- the “magic” happens. My favorite challenge is to allow that magic to happen in different and freshly intuitive ways each time we are making a project. 

Choose an actor. Choose an actress. And now choose a story you would like to direct or play with both of them.

As an actor, there is an endless list of actors I would love to work with- Denzel Washington, Chris Evans, Kate Winslet, Ana de Armas, etc. And as a writer, I’d love to create something perfect for each one of them (and I might have something in mind already for a couple of them). So, for the sake of giving a proper answer, I’ll answer this question in the position of director. Also, for the answer, I’m going to time travel. I would love to visit the early days of film and direct Charlie Chaplin and Lillian Gish in a silent romantic dramady utilizing both their incomparable strengths. And why? Because they were the best. And I learn something from each of them every time I rewatch their films. Also, it would be fun to direct while wearing a dress again. 

Who’s the first Artist that let you understand you wanted to be an actor\director\screenplayer?

James Cameron. Titanic. It was revelatory for me because it was the first time I realized that filmmakers had the power to create worlds and that there were absolutely no limits on what was possible with storytelling through film. I was eight years old, Kate Winslet’s Rose was the most beautiful, charismatic, and larger-than-life character I’d ever seen on the big screen, and a futuristic technology (a movie camera) successfully transported me into a version of the past (1912 as depicted by James Cameron). The power to make any moment the present moment. That is what that film gave me. The desire for it. And the discovery that, in my own way, I had it and would be able to use it in the not-so-distant future as a filmmaker. 

What really excites you artistically or emotionally?

Watching people do what they love and do best. Whether it be in the past or the present. I love to watch greatness where the greatness is so incredible yet feels so easy because it comes so naturally to the performer. Fred Astaire dancing. Pavarotti singing. Watching Jeff Dunham live at a comedy show. Watching the greatest actors of all time act. For example- Denzel Washington, probably the greatest actor of our time, could be reciting the alphabet and have my attention 1000% because he is a genius at what he does. It relaxes and excites me to see talent so secure in what they do that they can’t help but shine. 

Marlon Brando said “Never confuse the size of your paycheck with the size of your talent”. Do you agree?

Yes. Talent and money can often mean, or equal, the same thing, but they are also two separate entities that often find themselves working together for their mutual benefit and the benefit of the Arts-loving public. 

Have you ever been discouraged by someone about your life\career choices?

Actually, no. I was blessed with two great parents who nurtured, encouraged, and supported every artistic action I made from the time I was a baby. And they still do, to this day. They love me and I love them and I think that, were someone to attempt to discourage me, their love would ring out so loudly that I wouldn’t even hear the insult. 

Do you think it is harder for a woman being a filmmaker?

I can only speak for myself. I never perceived a difference. 

Do you think that fame and money could easily change your own vision as a filmmaker\actor\screenplayer?

Yes! It could help me to do more of what I already do. It could lead to more films and more opportunities to be creative and inspired through the Arts and to share those joys with others through those very Arts.

Who’s the movie star that made you dream for the first time?

Charlie Chaplin. He made me dream of a blank canvas of a new world in a new future where anything was possible and creativity was limitless. Kind of like the very world we find ourselves in today. Art pioneering Art.

Make a wish about your career...

I wish that audiences will always feel a sense of hope, wonderment, and inspiration while watching my films. 

Talking about cinema\show business, how hard is it to remain completely honest to yourself as an artist?

At the end of the day, I have to be able to live with myself. If I can do that without a problem, then there is no problem. That is my measurement of self. That is how I know everything is alright. And if ever it feels like it might not be such should a certain choice be made, I make a different choice and continue making different choices until I find the one I can live with myself with. And then all is well. 

The film you have loved the most?

Ah! I can’t pick just one! So I will name some of my favorite films that I have yet to mention. And I will apologize for the ones I forget to mention. Days of Wine and Roses, Top Hat, The Kid, The Gold Rush, The Walk, Knives Out, Going My Way, Titanic (I have to mention it again, of course), It Happened One Night, Dante’s Peak, The Artist, and Twister. 

And now, don’t be shy…. the one that annoyed you the most?

What gets me annoyed the most is when a film that I love, ends. Because I want more. And that is a wonderful feeling. That is how I always hoped, growing up, that audiences would feel about my films.

Your biggest artistic goal is…

I have a thing that I say. It’s “more of same”. And what that means to me is a reminder that doing what I do makes me happy right now and that I always want to stay happy doing what I do because I love it so much. And I always want to love it as much as I do right now. Thus, “more of same”.

What profession other than your own would you like to attempt?

I really don’t think I’d be much good to anyone if I tried doing anything other than my own profession. It would be hilarious to try something out just to see how bad at it I’d be. My mother is a retired teacher. There’s a good case in point. I respect what she did. But I respect it enough to know that, within a day of me attempting to do her job, the principal would approach me and say, “Stick to writing, acting, and directing. Get back to the studio. You’re fired.” We would laugh and then I’d go make another film. 

How important is it to be rewarded as an artist?

I believe that Art is its own reward. We make art for a living. We create worlds. And we can share our worlds with others. For me, that is the reward- the joy of being who and what I am. 

Do you have regrets?

None. Every possibility for regret is also a possibility to take on an opportunity. 

What’s the message you want to express through your art?

There is always a light at the end of the tunnel. And every journey is unique. So there is always room for a delightful surprise. 

Monte was born in 1977 to a Guatemalan immigrant mother and a blue-collar Texan father who were both divorced and met at a singles party in Twin Peaks, San Francisco. Monte grew up in the rural hills near Napa, California, leaving at the age of 18 to earn a bachelor’s degree from Claremont McKenna College, and then a law degree from Harvard and a master’s degree in real estate from NYU. After taking the typical route of joining Big Law for a decade, Monte hung up his shingle and worked out of his own shop for another 12 years. Monte was quite secure that would be the end of this bio until one very late night philosophical debate, some heavy IOS Notes scribbling and an introduction to Final Draft later, GOOD was born, and his 23-year legal career seems to have abruptly, universally and unexpectedly (my hand's up too) come to an end.

When did you realised you wanted to be a Filmmaker\Actor\Writer?

Quite by accident, truthfully.  Before I wrote my first script two years ago, the last creative writing work I finished received an A-. I began screenwriting basically on a dare; but in doing so discovered a capacity for joy and purpose I had no idea I had been starving for all my life such that I now cannot conceive of a world without it.

 Do you remember your first time at the Movies?

Yes.  I was five years old in the back of my parents station wagon; a Chrysler wood-paneled K-Car with the windows rolled down so that we could hear the speakers at the Drive-In movie theater while my sister and I shared a grocery bag full of home-made popcorn.  The movie was E.T.

If you should change country where would you like to work?

Australia and New Zealand.  I fell in love with Australia when I was in my 20s and have been back three times since, and New Zealand’s geography and people make it an extraordinary location for movie making.

 Two films that have marked your life for better or for worse…

I draw so much inspiration from Star Wars, as a filmmaker and in life.  Similarly, The Shawshank Redemption provides me with a shining example of the power of redemption and the resilience of the human spirit.

What do you think about Acting/ filmmaking schools?

I honestly have never really thought much about them.  I have never attended one and never knew what they were like.  

Have you ever hated your ambition?

 I have only just begun to dare have any; what drives me is more of a voice telling me to hurry up and make up for a lifetime of lost time.

Francois Truffaut used to think that "Film Lovers are sick people”… was he right?

Film Lovers are sick people only because they are love sick for film.

Close your eyes…if I say “Cinema” what do you see?

A grand, beaux arts theater, filled with an excited audience, holding their popcorn, watching the curtain go up.

Who’s the Director\Actor\Writer that taught you the most?

Aaron Sorkin.

 About your job, tell us your biggest dream and your worst nightmare…

My biggest dream is to give a little hope, to a whole lot of people.  My worst nightmare is to never be heard from again.

How important is to have a good Cinematographic Culture?

Cinematographic Culture can, unchecked, become too industrial; but given the right guidance, the right care, and the right purpose, it can be a beacon for a humanity longing for inspiration during times that feel choked with despair.

What would you like to improve as a Filmmaker\Actor\Writer?

My reach, my voice, and my connection to the audience. Always.

A big producer give you the chance to direct\to play (in) the remake of one of your favorite black and white Movie (if you have one)… what film do you choose?

Citizen Kane

 Film Industry it’s a tough place and sometimes is normal to feel lost and discouraged… who’s the person that keeps you motivated?

My children.

 Alfred Hitchcock said: "To make a good film you need 3 things: The script, the script and the script".  Do you agree with him?

Yes.

 What’s your most ambitious project for the future?

The Parables theparables.net, a 4 film anthology, spanning from 2001-2048, that takes the audience through a journey of time, space, genre and the human spirit.  The first film Good, is currently under production.

 Do you think that sadness or at least melancholy let be more creative?

It can certainly spawn creativity, but it by no means has a monopoly.

 What do you wish to yourself as a Filmmaker\Actor \Writer?

A quiet corner, with my thoughts, my dreams for humanity, and my laptop.

Tirrell Jamahl Paxton is an attorney and writer from Chicago, Illinois, USA who enjoys time with family and producing Moorish related media. His full-time profession focuses on investigating White Collar crime. He also practices martial arts, enjoys reading, and learning Spanish.

The biggest challenge of being an actor\director\ screenplayer is…?

I am the screenplay writer and executive producer for the Moors in Spain: The Freedom Fighters. The animated short film is based on a historical fiction book titled, “The Moors in Spain: When Arab and African Muslims Led the World.”  The biggest challenge is ensuring that the facts are accurate meanwhile creating an interesting story.  Additionally, it is critical to find the right director or animator to bring the story to life. I was very lucky to find and collaborate with Marvel Toons for this animated short film.

Choose an Actor, Choose an Actress...and now choose a story you would like to direct or play with both of them:

I would like Michael Jai White to play the main character named Tariq in the first Moors film.  Michael Jai is a martial artist, well-spoken, and has a serious but approachable demeanor. I see him physically as a Moor in 8th century Morocco.  In my opinion, he would make a great soldier and leader for the Moorish freedom fighters. I would like for Angela Basset, co-star actress in Boyz-N- Tha Hood and Black Panther, as Tariq’s mother. Ms. Basset has a regal presence and would teach Tariq very important values that encourage him to risk his life for freedom.

Who’s the first Aritst that let you understand you wanted to be an Actor\ director\screenplayer?

My cousin, DuJuan “DAP” Paxton is a filmmaker residing in Atlanta, Georgia. Initially, we were going to collaborate on the Moorish film, but it did not work out. Alternatively, I decided to write a book, the “Moors in Spain: When Arab and African Muslims Led the World.” After the book, I thought it would be a good time to find a filmmaker based on the book. While discussing the potential for a feature film with a different filmmaker, I came across an animator, Marvel Toons, and we clicked! He encouraged me to start a YouTube channel (Amazing-History-Stories) as a venue to screen the animated videos and market the book about the Moors. Miraculously, I obtained 160,000 subscribers in four months! So, I must thank DAP and Marvel Toons for inspiration.

What really excites you artistically or emotionally?

My book and movie are about justice, fairness, and coexistence. I get really excited about expressing this message creatively through my work.

Marlon Brando said “Never confuse the size of your Paycheck with the

size of your talent”. Do you agree?

Absolutely! There is a major difference between artistic value and commercial value! I have learned to be able to distinguish between art and commerce as I have gotten older. The former is appreciated by people with knowledge of the craft, but the latter can simply be appealing to the masses.

Have you ever been discouraged by someone about your life\career choices?

I believe we all have been discouraged in some shape or form. People can discourage us explicitly and implicitly. The former can be harsh, but less damaging than the latter. When someone explicitly discourages us, we have an opportunity to confront their doubts. In many instances, people are only expressing their own self-doubts or lack of knowledge about our aspirations. You can process the negativity and discard it. In many cases, you can even convince the naysayer that you could be on to something special and achievable.  Implicit discouragement, on the other hand, is so devastating because you wonder what the person is thinking. You do not have a chance to confront the negativity. You could constantly wonder whether they are on your side or harbor some ill feelings based on jealousy.  If discouragement is based on jealousy and dislike for us, it is dangerous and weighs on our spirit, providing the person is a family member or close friend.

Do you think it is harder for a woman being a Filmmaker?

I do not know enough about this industry to make a general statement one way or another. However, I will say that women must deal with the unfortunate circumstances of ulterior motives and unwanted advances more than men in any endeavor. When men are networking, we know it is not because someone has some romantic ideas in mind. We can focus on business. Women must reach out to male strangers and perform a balancing act to keep unwanted attention at bay.  I can understand how difficult this could be and also an energy draining experience that distracts from the goal of creating a great piece of work. Therefore, in this regard, I would have to say yes.

Do you think that Fame and money could easily change your own Vision as

a Filmmaker\actor\screenplaye?

Yes. I believe fame and money would place a heightened degree of social responsibility on me. It would be difficult for me to know there is injustice, unfairness and poverty in the world and I have the means to lessen it, but fail to do everything I could to correct things.

Who’s the Movie star that made you dream for the first time?

My cousin DAP. I never thought about producing a movie until he said we could get it done. In fact, he has made and distributed multiple films, so he demonstrated the feasibility of filmmaking.

Make a wish about your career...

My artistic goals related to film are to finish and distribute six animated films and a feature film about the Moors. It would be great to release a new animated series on the Moors each year. I also hope to make a feature film that includes production on locations in Morocco and Spain.

 Talking about cinema\Showbusiness, how hard is to remain completely

honest to yourself as an artist?

I am really new to the industry. Therefore, I have not been faced with any circumstances that could possibly call my integrity into question. I would say that I am committed to the Message; therefore, it would be difficult for me to sabotage the Message in order to obtain fame and fortune. I am here to disseminate the Message.

The Film you have loved the most?

Gladiator is my favorite movie! I have been watching it for 25 years. I love historical cinema. Plus, Gladiator contains a Message consisting of perseverance, loyalty, and triumph after much sacrifice.  

And now, don’t be shy….the one that annoyed you the most?

It is not one movie, but a genre. I dislike movies that betray native Americans as bloodthirsty barbaric heathens. In contrast, the cowboys, or European immigrants, are the heroes defending themselves. In fairness, I think it is a complicated issue that deserves more truthful storytelling. Typically, there is savagery on both sides. Additionally, there must have been acts of kindness, understanding and appreciation from native Americans and the American immigrants throughout history.

Your biggest artistic goal is…

My biggest artistic goal is to convey the Message in the most effective way possible so that it can be understood by all people despite their religious, cultural, and national backgrounds.  I think the Moors is a very interesting and important period in history. This history dispels a lot of misconceived ideas about west Africa, particularly being uncivilized and atheist. It also demonstrates a time when Jews and Muslims got along and helped build advanced civilizations across several continents. Further, Jews and Muslims coexisted with Christians for hundreds of years, which raised the standard of living to great heights on all three communities.  I believe that we all can learn from these individuals and the way they figured out how to live together.

What profession other than your own would you like to attempt?

Actually, I am an attorney and accountant. These professions have enabled me to devote resources to other pursuits such as literature, social media and films.

How important is to be rewarded as an Artist?

If my reward as an artist translates into the number of people who learn, appreciate and disseminate history to improve humanity, then it is extremely important to be rewarded as an Artist.

 Do you have regrets?

I am very fortunate to say no! Did I make mistakes? Yes, I made a lot of mistakes that required time, energy and money. However, I see these mistakes as educational experiences to learn what to do. I am very pleased with the book, YouTube Channel, and animated short film dedicated to Moorish history!

What’s the message you want to express through your

art?

The message I am conveying is that there is one overarching concept that connects us all. We are human and being such, we should strive for justice, equality and prosperity for everyone.

Angel Katherine Taormina is a New York born actress, writer, and filmmaker who has been working in entertainment, experimental film, theatre, photography, and various art forms from the age of seven and who, beginning in 2020, shifted into the world of feature film. Originally a theatre-baby, she studied with NYFA and with mentors and professionals from various other Arts schools. Angel is also the author of eleven novels and has also produced both singular photos and photo books throughout the years. In 2024, Angel began to unveil her new path. Angel decided to officially launch into a full-fledged career in feature film as writer, filmmaker, and actress with her new company, FireWing Productions, and her first official feature film, “Resilience”.

What's the absolutely necessary ingredient to be a good actor/director/screenplayer? 

You need to love what you do. You need to do it because you know there is nothing else in life that you would rather do. You need to have love for it, passion for it, and fun doing it. If the creativity is a part of you, it will always come out of you. 

First and last cinematographic crush?

I get a lot of crushes on films and on different aspects of films. For example, Titanic was the film that made me fall in love with the possibilities of visual storytelling. By the same token, Charlie Chaplin’s “The Gold Rush” did exactly the same thing for me. Different eras, same goal achieved. If you want to physically tell a story, there is always a way in each scene for the actor and the camera to work together to make it happen. I’m also a big lover of the dance numbers in the musicals of the late ‘30s and the ‘40s- and ‘50s. Especially Fred Astaire and Gene Kelly. Sometimes the most amazing and memorable thing to see is a camera on a person and that person being amazing for six straight minutes with no cuts (or only cutting when the camera ran out of film). I think my crush is just cinema itself and all its parts. 

How old you were when you decided you wanted to be an actor/director/screenplayer?

As long as I can remember. Here are some examples of what I did for fun growing up. I wrote and directed and starred in a Care Bears play that I wrote for my 4-year-old birthday party and then got all my neighbors to be in it. I’m on camera from 11 days old. There’s a video of me somewhere at 2 1/2 years old saying “Daddy, listen to me sing the Barney song”. At 5 years old, I’d stand up in front of movie theatre audiences before the films began and announce “I am now going to sing, and dance, and act for you, and you are going to applaud for me.” Seriously. I’d say that verbatim every single time. So, that’s just me. It’s my life. The camera has always been an extension of my own hand and the performance stage has never felt any different from my own home. I was (and still am) the girl who’s always doing something creative (and, usually, eccentric). I was never “normal”. I was always “me”. And film gives me that ability to be myself. I love it. Always have. Always will. 

For you a Film is...

A world that I can create and share with other people in hopes of inspiring them through cinema in the same way that I was inspired through cinema. It is a world where anything can happen. So take flight and do the impossible. Because nothing is impossible. Even in a new way, in today’s age, because we have new abilities to marry great acting talent to great technological and cinematic advances, making the seemingly impossible seamless, beautiful, and easy, we really can do anything and can provide audiences with stories, experiences, emotions, triumphs, and realities they will never forget. For me, there is never a subtraction of ideas. Only addition. Only more possibilities to share beauty. And that is best achieved when we all collaborate together. Harmony is beauty. Beauty is art. Art is for everyone. 

What do you feel when you're acting/directing/writing?

I feel like I am right where I belong. I feel free. I feel limitless. I feel inspired. And I feel safe. And my goal is that everyone I work with can feel the same way. 

You can go to the Movies with an actor/director/screenplayer that you love. What kind of movie do you choose and with who you're gonna whatch it?

I’m going to bend time a bit for my answer. I would want to go into the past, pick up Georges Méliès, bring him to the future (our present), show him some of my favorite films from over the course of the expansion of cinema (spanning from “The Kid” to “Days of Wine and Roses” to “Titanic” to “Knives Out”, and then maybe even ask him what he thinks of my films) and ask him if he’d ever imagined his magical storytelling invention reaching such heights and reaching so many billions of people and helping to shape the way we see the world. I’d hope he’d be impressed and would return to the past a bit more confident in the power of his own inventions. 

Audrey Hepburn used to say “Nothing is Impossible”, what do you think about it?

I obviously agree. I said the same thing before even reading this question. Cinema is the realm of “everything.” She is entirely correct. She saw it. She knew it. She lived it. Cinema is freedom. I love Audrey Hepburn. I love her quirkiness in “Roman Holiday”. There is something about the role that makes a person a star that is so special. They give everything, uninhibited. They are free. And they fly. They have success because of their freedom. For me personally, I write so that the characters can be free, I create my directing environment so that the actors can be free. And, when I act, I am free. So everyone, at all times, can be free- to express themselves, to create, to fly to the impossible and make it possible. 

Can you live just of your passion?

Yes. No matter what it would bring. Because I have nothing if I don’t have the joy that the love of my life brings me.

What's more important talent or luck?

Both. Equally. In different situations, sometimes only one is necessary, then the other is necessary in another situation and, in some situations, it’s actually such that both are necessary simultaneously. 

You must go to a desert island but you can bring with you just one movie...

When I think of a deserted island, I am assuming that I will have to be future-thinking in order to continue the survival of creativity in the world. Thereby, I would not bring a film. I would bring a camera. And, with my creativity, I would create a story that the future could be inspired by.  A story of love and hope might go well there.

Have you ever accepted a part/ a movie to direct/ a script to write even if you didn't like the project?

Such an opportunity has never been presented to me. I don’t really know what could cause me to have an aversion to a project if I am being approached in the first place; assuming that the very act of the person approaching me presumes some kind of pre-existing artistic connection so as to be able to relate to the project on a creative level. 

What's the best compliment you have received about your Job?

“You look happy.” And they saw that and they said that. And I know that when I am having fun and am happy, that I am where I am supposed to be. So, for me, that is a huge compliment. 

Are you satisfied about your career?

Absolutely yes!

Do you have a good luck charm?

No. For me, every project is different, so I just let the project and the life of the project take me wherever it takes me and I live and feel in the present moment of what each project brings. 

Which is the worst moment on set ?

The moment before the best moment on set. Challenges engender creativity. Creativity, art. And art, freedom. And that is a fun feeling. And a great one. 

How do you feel when a job you've been part of it's ending?

I’d once been a part of a project that lasted 20 years. It’s a happy and content sadness. But then you remember that you are a person with a life, and then you continue living your life. And you love and enjoy the creative cycle. 

Have you ever lied to get a part/job?

No. But when I was a kid in school, I would purposely try to omit my age so people would assume I was older.

If you should win an Oscar your first taught would go to…

After thanking the Academy and everyone involved in the film, I would thank my mom and dad for supporting me at every moment and for allowing me to live my creative life and for teaching me that everything is possible. And then I would say “I love you!” at the top of my lungs, and smile.

I'm a Brazilian filmmaker. I was born in Goiânia, but I built my career and in a way, my professional career in São Paulo. I've worked on several television projects, small advertising projects, and even directed some larger campaigns, but what I really love is making films. I started directing short films in 2010 and continued producing when I moved to São Paulo. Some of my films that were relevant in festivals and film shows were “A Idea (2012 SP)” and “Olhinhos (2013 SP)”. In 2015 I moved to New York and got involved with a theater group in Brooklyn where I met Malik Work. I produced and directed my first feature film with him, a hip-hop musical called “Verses at Work”, which won the Spotlight award at LABRFF in 2016 and recently returned to European festivals. Between 2017 and 2021, I produced and directed several documentaries in partnership with executive producer Heitor Werneck. In 2024, I produced and directed “No”, a feature film based on existentialist works.

What's the absolutely necessary ingredient to be a good actor/director/screenwriter?

I think the main thing is to want it badly. Even more so when producing here in Latin America, making films is an arduous task that requires absolute dedication and is almost masochistic. To become a good director, you need that desire, discipline and, of course, to love cinema and storytelling.

First and last cinematographic crush?

The first is Sergio Leone, I remember the movies I used to watch with my grandfather. The last one is very difficult to say, I'll mention one who is my ideological guru of cinema, John Waters, not for his aesthetic side but for his unique way of telling incredible stories and for his resilience as a filmmaker.

 How old were you when you decided you wanted to be an actor/director/screenwriter?

 Since I was 10, I used to make homemade movies with friends. But I think it was only when I was 18, during a lecture by film critic Lisandro Nogueira, that I decided that was what I really wanted to do in my life.

For you, a film is...

A film is a story, so it can be anything the imagination can dream up. In my latest feature film, the film is more of a nightmare than a dream, and that's the beauty of cinema: the endless possibilities, there are no limits to the frame.

What do you feel when you're acting/directing/writing?

It's hard to say just one thing. Each project makes you feel differently. For example, when I'm shooting a documentary in the middle of 5 million people, the feeling is one of grandeur, fear, and pleasure. When I'm talking to indigenous people in Peru, there's empathy, a feeling of listening. When I'm making a tense film like No, the atmosphere on set also becomes heavier. The important thing is to adapt and always find the right mood for each production, make films, and adapt.

You can go to the movies with an actor/director/screenwriter that you love. 

What kind of movie do you choose and with whom are you going to watch it?

I watch all kinds of movies, but currently, to support the boom in Brazilian cinema, I've been choosing national films. But for me, cinema has no barriers. I watch films by Von Trier, Kleber Mendonça, Tarkovsky, even Star Wars and superhero movies. When I go to the cinema, I go to have fun.

Audrey Hepburn used to say “Nothing is Impossible.” What do you think

about it?

As I said before, for cinema, nothing is impossible, you just have to produce it. After all, cinema was born from magic tricks.

Can you live just off your passion?

I am increasingly able to rely on cinema as my main source of income, but I still direct commercials.

What's more important, talent or luck?

Neither talent nor luck exist. What exists is discipline, willpower, resilience, passion—that's what drives your career. And never give up.

You must go to a desert island but you can bring with you just one movie...

M o vampiro de Dusseldorf by Fritz Lang.

Have you ever accepted a part/ a movie to direct/ a script to write even if you didn't like the project?

This happens more in advertising. Normally, film proposals come to you because somehow a producer has a connection with the director or the theme or type of film.

What's the best compliment you have received about your job?

The best thing isn't the words, but when you walk into a movie theater and see people's eyes lit up by the screen.

Are you satisfied with your career?

 There is always more to do in my professional career but I feel happier to be able to do the crazy things I want to do.

Do you have a good luck charm?

I think so! Much of what I do in cinema and my way of producing I learned at my samba school, Vai-Vai, in Bixiga, producing carnivals for the avenue, and there's also a certain ~malandragem~ (street smarts) that I learned on those streets that helps me a lot.

 What is the worst moment on set?

 When you have a take that you know can only be done once or twice, the tension to get everything right almost kills me with anxiety.

How do you feel when a job you've been part of is ending?

It's a mixture of happiness and sadness. Happy, because after a long time making a feature film, we can't see the film anymore, because in the process I think watching the film more than 80 times is sad to know that now you won't have any control over it anymore.

 Have you ever lied to get a part/job?

 When I was 17, I started playing in a jazz club because of stories I told the owner.

 If you should win an Oscar, your first thought would go to...

I think first I would talk about my family, my parents, the Vai-Vai samba school, and my beloved Bixiga.

Adam King is a young, aspiring writer from Barbados who enjoys writing poetry, screenplays, stageplays and songs. He is currently enrolled at Sterling College in Sterling, Kansas where he is majoring in Writing and Editing - Creative Writing. Adam also enjoys playing the piano and guitar and is an avid lover of all things theatre and film.

When did you decide you wanted to be an actor/director/screenplayer?

I decided I wanted to be a screenwriter in 2021 after watching the first season of the HBO series, Euphoria. I remember being thoroughly moved and impacted by the storyline       and direction of the series that I then realized I wanted to have that same impact on others with my stories. 

How did your family react?

My family reacted very openly to my new interest. For my entire life up until that point, I always dreamed of being a pilot. But my family also knows that when I have my mind         set on a particular task or interest, I follow through with and go all in. So there was no doubt in their mind that I wouldn't at least work hard towards it. 

Do you have a Muse or a Role Model?

I'd say my muse is mostly personal experience. A lot of my work tends to be inspired by autobiographical events, feelings, issues or things I just have to say about the world. I  don't like to use the term "role model" but I am a very big fan of Barry Jenkins' work and I use his scripts as sort of a blueprint to better mine.

Who's your biggest fan?

My family is my biggest fan. They all support and encourage me in the best way possible! So one day, I hope to make them really, really, proud.

What brings you inspiration the most?

Oddly, I think the night is very inspiring. There's something about the darkness and twinkles of light that just pulls the most out of me. But I do also enjoy being out in nature as well. Seeing life in its purest form also inspires me to do the same with my work.

Which actor or director would you like to work with?

As previously mentioned, I'm a huge fan of Barry Jenkins so being able to work with him would be a dream come through. I'd also love to work with Sam Levinson as well because I think his directing is absolutely phenomenal. 

Have you ever seen a film that was better than the book?

I don't know. This one is tough. I do tend to favour the books because that's how the story was originally meant to be told. But I did enjoy the recent adaptation of It Ends With Us.

What's the movie that taught you the most?

This might be a little corny but really the original 1994 Lion King movie has honestly left an indelible mark in my life. To this day, it still is my favourite movie and I watched it for       the first time when I was 6 years old. That story will forever be one that melts my heart and it continues to inspire me to write something for people that leaves just half of  impactful as a mark that it has had on me.

About your artistic career, have you ever had the desire to quit everything?

No, I haven't. I enjoy what I do, even if the rewards aren't coming. So I just remember to be grateful and humble when those rewards do come.

On set, what excites you the most?

Unfortunately, I have never been on a set. But I can't wait for the day that I hopefully get to experience it!

What's your next project?

I am currently in the process of writing my first official pilot. It's a project that I am very excited about and I can't wait to share it with others!

You can steal the career of an artist you really admire, who do you choose?

I wouldn't choose anyone. Everyone's path to success is unique to them so I'd rather enjoy the path and career that I am currently on!

An actor/director/screenplayer is made of...

Passion. I think to be in this industry you have to be passionate about what you do. There is a lot of rejection involved in this field so having the passion to keep pushing  yourself to grow and work on your craft is what defines you and your career. 

For you Cinema is...

Art in motion. 

Do you think Black and white movies have a powerful impact?

Oh, absolutely. There is something so beautiful about stripping a piece of art of its colour. Because of this, the movie has to be centered around the storyline and acting because no real visuals are in play and I think that really brings out the power of storytelling.

Have you ever dreamed of winning an Oscar?

Yeah, of course. That's one of my biggest dreams. Being noticed and appreciated by the Academy would be nothing short of extraordinary for me. 

Do you think you're gonna win it?

I mean...a man can dream. I'd be very much satisfied and grateful just for the nomination but a win would truly be life and career-defining.

Gabriel Boyer is a French filmmaker driven by an ambitious and popular cinematic vision. After Plein Gaz, his very first short film — a burst of adrenaline and energy inspired by 1980s Hollywood cinema — he directed Go West, his second short film, which is now being developed as a feature-length adaptation. Through his films, Gabriel Boyer claims an intense and sensory approach to directing, where every minute counts and emotion and rhythm are central. Whether it’s urban chases or epic adventure stories, his aim is always to recreate on the big screen the unique atmosphere of the films that have inspired generations of moviegoers.

 The biggest challenge of being an actor/director/screenwriter is…

Staying true to yourself while constantly reinventing yourself. You have to dig deep for what’s most authentic inside you, while facing other people’s expectations, failures, and the pressure to deliver. The real challenge isn’t just to make films or act, but to push your ideas as far as possible, even when everything pushes you to conform or censor yourself. You have to have the courage to defend a vision, to take emotional risks. Ultimately, the greatest challenge is to dare to remain unique and free — and never forget why you started.

Choose an Actor, Choose an Actress...and now choose a story you would like to direct or play with both of them:

For the actor, I choose Jean Dujardin. For me, he represents elegance, precision, and that rare ability to be both charismatic, funny, and deep.

For the actress, I choose Margot Robbie. I admire her ambition, her drive to reinvent herself with every role, and her willingness to take risks.

With them, I’d love to direct a contemporary drama about redemption and rebirth, as a road movie. Two wounded souls, opposites in every way, forced to travel together: that’s where transformation happens. A story of emancipation and hope, where every landscape mirrors an inner state.

Who’s the first Artist that let you understand you wanted to be an actor/director/screenwriter?

For me, it all started with Steven Spielberg. As a child, watching his films, I realized you could move, amaze, make people dream and touch them deeply, all at once. He turned cinema into a universal experience, rich in emotion. Spielberg made me see that a well-told story can change how people see the world, give hope, and unite generations. Thanks to him, I knew I wanted to tell stories for a living.

 What really excites you artistically or emotionally?

What excites me most is that moment when everything aligns: when emotion bursts out on set, when a scene takes on a new dimension, when a glance or a silence says everything words can’t. Artistically, I love pushing boundaries: daring, surprising, doing things I’ve never seen before. What moves me most is cinema’s ability to reach someone, somewhere, perhaps thousands of miles away, and make them feel less alone. Creating that invisible connection is what gives me energy every day.

Marlon Brando said “Never confuse the size of your Paycheck with the size of your talent”. Do you agree?

Absolutely. Money, recognition, fame — none of that guarantees talent, sincerity, or artistic courage. Many great artists struggled, doubted, or went unrecognized before their time. For me, talent is daring to be yourself and pushing your vision, even if it doesn’t pay off right away. The real ‘paycheck’ is the mark you leave on your audience. Money can open doors, but it will never replace passion or truth.

Have you ever been discouraged by someone about your life/career choices?

Of course. As soon as you choose a different or risky path, people will always tell you to take the safe road, to do what’s reasonable. I was often told cinema was too hard, too risky, that few make it. But for me, that risk is what makes it worth it. I’ve always used other people’s doubt as fuel. Every time someone tried to discourage me, it pushed me to go even further and prove it was possible. Paradoxically, adversity gave me the strength to own my calling and believe even more in my dreams.

Do you think it is harder for a woman being a Filmmaker?

Yes, I do. Things are changing, but for a long time the film industry was a very male-dominated world, with barriers for women both visible and invisible. Today, more women are emerging and making their mark, but there’s still work to be done for true equality — especially in terms of creative and financial power. I truly believe that more diverse perspectives make cinema richer. We need to keep opening doors, supporting those who dare, and challenging our habits so that every voice, male or female, can fully express itself.

Do you think that Fame and money could easily change your own Vision as a Filmmaker/actor/screenwriter?

Fame and money are tests, not goals. They challenge your sincerity, your ability to stay true to what first drove you. It’s easy to get swept up, to try to please everyone, to choose comfort when success arrives. But real strength is keeping your own line, holding onto your voice — even in the spotlight.

And right now, I’m lucky enough to be preparing my first feature film without being famous or rich. That gives me total freedom: I can put all my raw force into this film, with no compromise, no calculation. I create for passion, not recognition. What protects me is remembering why I chose this job: to tell real stories, to move, invent, transmit. Recognition is a bonus, not a driver. If I ever have to betray myself for money or fame, I’d rather quit. The real luxury is staying true to your vision, no matter the circumstances.

Who’s the Movie star that made you dream for the first time?

The first movie star who truly made me dream was Tom Cruise. Seeing him in films like Top Gun, Rain Man or Minority Report, I was fascinated by his energy, his determination, and his constant drive to go further — physically and emotionally. Tom Cruise is the embodiment of the American dream: bold, taking risks, never choosing the easy way out. He made me see that cinema could make the impossible possible, and push you to go beyond your own limits.

Make a wish about your career...

My wish is to keep making films that matter, that move people, that inspire — and to go further every time in ambition, freedom, and boldness. I hope each project is a step towards something bigger: reaching audiences around the world, collaborating with artists who push me higher, and never losing the fire that made me start. And, of course, I also dream of winning the highest honor in cinema for a French filmmaker — as Jean Dujardin did with The Artist. Not just for the recognition, but for what it means: that an 'impossible' dream can come true with sincerity, talent, and perseverance. Ultimately, I want to make a film that leaves a lasting mark, that gives someone, somewhere, the desire to believe in their own dreams.

Talking about cinema/Showbusiness, how hard is it to remain completely honest to yourself as an artist?

It’s one of the biggest challenges in this profession. There are always temptations: to please, to follow trends, to do what’s expected rather than what you really believe in. Staying true to yourself means going against the current, taking risks, disappointing some people — but that’s the only way to last and to leave a genuine mark. Artistic honesty is what makes the difference between a film that entertains and one that moves people. It’s not always easy: you have to hold on to your vision, resist pressure, own your choices — even alone. But in the end, it’s the only luxury that counts: being able to look yourself in the eye and know you gave something real.

The Film you have loved the most?

No hesitation: Top Gun.

That film has everything for me: energy, style, music, speed, but also real emotion, a sense of myth, and that drive to go further. It’s more than an action film, it’s a love letter to dreams, to friendship, to risk, to the open sky. Every time I watch it, I get the same urge to go for it, to dare, to never give up on what drives me. Top Gun shows the power of popular cinema that never sacrifices ambition or heart.

And now, don’t be shy… the one that annoyed you the most?

Honestly, probably a film I’ve already forgotten! (laughs)

I try not to dwell on what bores me, but rather remember what challenges or surprises me. Even a bad film can teach you what you don’t want to do… so I just move on.

Your biggest artistic goal is…

To make Go West exactly as I imagine it, with no compromise.

To carry this vision to the end, keep the energy of the beginning, and risk everything for a film that is 100% me. If I can do that, I’ll have already accomplished a big part of my dream.

What profession other than your own would you like to attempt?

No hesitation: lawyer. Defending a cause, standing up for someone, persuading through words and storytelling… In a way, it’s close to cinema: telling, moving, trying to change others’ minds. It’s a different fight, but always for some kind of truth.

How important is it to be rewarded as an Artist?

Being rewarded is recognition, and of course it feels good. But it’s not an end in itself. Awards give you visibility, confidence, sometimes opportunities. But what really matters is the impact you have, the emotion you share with the audience. I dream of being rewarded, yes, because it proves the work touched people. But I’d rather have a single moved spectator than a trophy on a shelf. The real reward is being true to yourself and managing to share something unique.

Do you have regrets?

I don’t think it’s ever good to have regrets. At least, I don’t regret not trying. I’ve always preferred to try, to take risks, even to make mistakes, rather than live with the frustration of never knowing. Mistakes are part of the journey, but what matters is moving forward without looking back and owning your choices.

What’s the message you want to express through your art?

Jump into the unknown, try, make mistakes — but never give up!

The only real failure is not daring. The rest is experience, living, and maybe… the key to growing.

Norwegian co-directors Espen Jan Folmo, Ph.D. and Nini Caroline Skarpaas Myhrvold fuse psychology, cultural research and visual poetry into films designed to spark collective transformation. Folmo spent a decade leading Norway’s Quality Lab for Psychotherapy, advancing research on mentalization and cultural change, while Myhrvold’s background spans trauma-sensitive environmental therapy and executive studies at Hult International Business School. Their debut feature, LOOK UP—The Science of Cultural Evolution, distils cutting-edge science and mythic storytelling into an animated odyssey that has earned more than 100 international awards—including multiple Gold Awards at the Florence Film Awards, Best Educational Film at the Cannes World Film Festival, and Best Picture & Best Animation at the London Movie Awards.

When did you realised you wanted to be a Filmmaker\Actor\Writer?

We realised we wanted to make films in our early thirties, when years of psychotherapy research, journalism and midnight debates fused into one conviction: cinema is the only medium spacious enough to hold science, poetry and soul at once.

Do you remember your first time at the Movies?



We do remember our first trip to the movies—a tiny art-house screening of Stalker when we were eleven. One slow tracking shot over water-logged leaves convinced us that film can rearrange reality’s molecules; we walked out different.

If you should change country where would you like to work?



If we ever uprooted, we’d plant ourselves in Kyoto—drawn by the craft ethos of Japanese studios and the country’s reverence for silence and negative space, both of which suit our “scientifically-poetic” style.

Two films that have marked your life for better or for worse…

Two compass-films have marked us: The Matrix cracked open our sense of reality and still reads like a psychological documentary in disguise, while Groundhog Day keeps teaching that repetition can be a doorway to transcendence.

What do you think about Acting/ filmmaking schools?

Film schools are wonderful dojos for technique—provided they don’t convince students that craft outranks curiosity. The real curriculum is letting the film transform you rather than moulding yourselves to an algorithm.

Like the Wachowski siblings, we create in full tandem—trading roles, finishing each other’s sentences, two minds chasing one vision.

Have you ever hated your ambition?



Yes, we’ve hated our ambition—usually at 3 a.m. while colour-grading frame 17 642—but that same restlessness drags impossible projects into daylight.

Francois Truffaut used to think that "Film Lovers are sick people”… was
he right?



Truffaut said film-lovers are “sick people.” If so, count us joyfully infected; the symptoms are chronic curiosity and heightened empathy.

Close your eyes…if I say “Cinema” what do you see?



Close our eyes and the word “cinema” becomes a projector beam made of living dust—pure brilliancy, the light that lets all other colours shine.

Who’s the Director\Actor\Writer that taught you the most?



The mentor who tutors us daily is Andrei Tarkovsky; a single shot of his teaches us a semester’s worth of patience.

About your job, tell us your biggest dream and your worst nightmare…



Biggest dream: to craft a shared-dream feature where audience brainwaves weave the final cut in real time. Worst nightmare: that we mistake algorithmic applause for artistic evolution and stop taking risks.

How important is to have a good Cinematographic Culture?



A deep cinematographic culture is oxygen; without it the work grows thin and gasps for context

What would you like to improve as a Filmmaker\Actor\Writer?



What we most want to improve is the art of surrender—letting the film direct us as much as we direct the film.

A big producer give you the chance to direct\to play (in) the remake of
one of your favorite black and white Movie (if you have one)… what film
do you choose?



Given carte blanche to remake a black-and-white classic, we’d choose Bergman’s Persona and refract its dualities through real-time deep-fake blends so viewers can’t tell whose face is whose.

Film Industry it’s a tough place and sometimes is normal to feel lost
and discouraged… who’s the person that keeps you motivated?

When discouragement prowls, we become each other’s lighthouse; one look and the work remembers why it exists.

Alfred Hitchcock said: "To make a good film you need 3 things: The
script, the script and the script".  Do you agree with him?

We agree with Hitchcock: the script, the script, the script—plus the invisible fourth script hidden in the edit, where rhythm rewrites every page.



What’s your  most ambitious project for the future?

Our most ambitious future venture is a time-capsule film that asks our descendants to judge us, then uses dream-recording tech to let them answer back.

Do you think that sadness or at least melancholy let be more creative?

Melancholy is creative compost; it darkens the soil so new shoots can grip.

What do you wish to yourself as a Filmmaker\Actor \Writer?

We wish ourselves the courage to stay beginners, the stamina to serve stories larger than our egos, and the grace to end every project a little more awake than when we began.

As of May 2025 Michelle has received over 451 career awards between her filmmaking, writing and acting. She has set a record in history winning as many international film festival awards in a short period of time as an independent artist in the motion picture industry. Her short film “An Ever After Drama” has received over 200 international awards, including 73 for best actress. Her screenplays have received 234 screenplay awards . She won the notable Winter 2023 Red Movie Awards for Best Actress, and the Red Movie Awards 2023 Summer for Best Script, putting her in the annual competition with greats like Tom Holland. Tom Holland won the best actor category in the summer edition of the Red Movie Film Festival putting her talent at A-list level. She also won best Actress for the Spring 2023 NicoMedia Film Awards. She was a finalist at the 2024 Red Movie Film Festival for Best Actress. Her portfolio consists of 11 feature scripts, a short film, and four books.

What's the absolutely necessary ingredient to be a good actor/director/screenplayer? 

I don’t think it’s one size fit all approach to be a good actor, good director or screenwriter. First, each role encompasses different ingredients to be good.  All do require hard work, a creative imagination, and a connection to the story.   I think to be a good Actor you must be prepared, calm, and adaptable to the director’s vision and the story. To be a good director you have to understand the screenwriter’s vision and the outcome you want the audience to feel when they watch the movie. Finally, to be a good screenwriter, you must have a story that resonates deeply in your soul, and understand the flow of the genre and dialect of the story. All parts, the beginning, middle, and ending must be in sync. 

How old you were when you decided you wanted to be an actor/director/screenplayer?

I knew as young as 7 years old I wanted to work in the motion picture business. When I told others they all thought I was day dreaming, and said the chances of that ever happening are slim to none on a small town everyday girl. 

For you a Film is... 

An escape to let go and live a new journey. 

What do you feel when you're acting/directing/writing?

When I am acting, directing and writing  I feel like I am in a new adventure  that is pushing me to change,  and grow in a whole new light. . 

You can go to the Movies with an actor/director/screenplayer that you love. What kind of movie do you choose and with who you're gonna whatch it?

The kind of movie that I would watch would be historical fiction in the areas  of drama, or action. I would love to go with someone who has lived into the 90’s and even 100’s. I find elderly individuals  have  a wisdom  that can add an amazing perspective. 

Audrey Hepburn used to say “Nothing is Impossible”, what do you think about it?

I agree with this motto because you are as big as your mindset. If you believe big things are going to happen then they will, but you must be prepared to work in the storms, and shine light in the shadows.  Nothing in life that is good comes easy, you must work for it.

Can you live just of your passion?

Passion and life are interchangeable.  You need both to get you out of bed, to have a purpose, and to shine light. I believe those that live with just passion are content, and grateful in the moment. 

 What's more important talent or luck?

I think you need both. Talent combined with hard work creates luck.  Luck is never random and it’s fueled with hard work and talent. 

You must go to a desert island but you can bring with you just one movie…

“Cinderella” because I love fairy tales. 

Have you ever accepted a part/ a movie to direct/ a script to write even if you didn't like the project?

I would never accept a part I didn’t like or connect to.

What's the best compliment you have received about your Job?

The 451 film festival and writing awards that I have received through out the competitions. Each award is a compliment that judges from around the world give my work merit and creditability  after everything I have gone through in proving myself as a talented storyteller, actress, and filmmaker.  

Are you satisfied about your career?

I  think you can never be hundred percent satisfied because then you stop growing and learning.

Which is the worst moment on set ?

I think there no particular moment that sticks out. All the collective moments contribute to the end result of a film project. Whether it’s good or no so good, everything is perspective and in the end it’s how everyone works together to make a great movie. 

How do you feel when a job you've been part of it's ending?

I feel amazing that I got to be part of such an amazing project that will hopefully impact others.

Have you ever lied to get a part/job?

Never, because I believe in Karma, and what you get comes around.

If you should win an Oscar your first taught would go to…

If I was to win an Oscar, my first thought would be gratitude and amazement for the huge blessing and honor it would be to win an Oscar. To know that my work has made not just impact on others but a legendary one that would live on forever. I would thank the spiritual world, god, and my strong mindset for never giving up.  Finally , to know I would be a  shining light for others to follow their dreams in spite of the forecast. 

Pablo Fernández is an award–winning filmmaker and journalist with over 20 years of experience. He was born and raised in Argentina, and now lives in the United States. Pablo co–directed and co–produced the documentary The Voice of the Mapuche, which was selected at over 30 international film festivals and won awards in the categories of Indigenous Peoples, Human Rights, Environment, and Cultural Diversity. Prior to that project, Pablo had performed various roles in the production of other documentaries, such as Septembers, One Year One Day, Code Name: Butterflies, and El Yali Wetlands: The Heritage of Water. Pablo holds a Master of Science degree in Global Media, a Graduate Certificate in Translation and Conference Interpreting, and a Bachelor of Arts degree in Spanish and Latin American Literature. Most importantly, he has been to every continent and he has swum in the waters of all three major oceans.

 Do you prefer Comedy or Drama?

My first instinct would be to say that I prefer Drama, although this category can be very broad. Drama would include historical films, which is my favorite genre. However, Comedy can also be used to convey serious messages, so it really depends on the context and the issues that the film would cover.

Life imitates Art or Art imitates Life?

I would say that Art imitates Life, and on many occasions it falls short. As Gabriel García Márquez once said, reality almost always surpasses any dimension of fiction that human beings can think of.

Which is the best Moment on set?

My background is in documentary filmmaking, and I have been part of the crew during reenactments. I think that the best moment on set is when you realize that actors have truly become the characters that they are representing, and the two personalities are undistinguishable.

Did anyone ever tell you weren't good enough?

No, and even if anyone had dared, I would have never paid attention. I have never suffered from what some people call “impostor syndrome”. I have never felt that I don’t deserve to be in the place that I have reached through enormous effort and sacrifice. My family is working class. We don’t come from any privileged elite. My parents always taught me and my siblings that all human beings are worthy of the same dignity and respect, and that if you had to work much harder than others to get where you are, then you deserve even more credit.

How can you stay focused on your goal?

I think that keeping your mind on the message that you want to convey with the film is a very good way to stay focused on your goal. The main issue to me is always the message or messages that the film is intended to convey.

Have you ever had a breakdown because of your Job?

No, but I am also a journalist, and the stress of a newsroom, especially in television, can really push you to the limit.

Talent is a blessing or a curse?

Talent is definitely a blessing. The problem is when you live in a system that is not designed to encourage human flourishing across the board for every member of society, a system that reserves flourishing for the privileged few. That is the problem.

What would you like to improve about yourself as an

actor/director/screenplayer?

I would like to be more prolific. I know that working in cinema is my passion, but I have often relegated this passion because I have felt that it was necessary to work in other sectors in order to pay the unrelenting barrage of bills that we all get every month.

What's the worst criticism that you have received?

That my works fall short in showing the true scope and magnitude of state repression. I struggle with this dilemma every time, although I know that it is not possible to be there at every moment that agents of the state execute repressive actions against people who are fighting for their rights.

If you weren't an actor/director/screenplayer what would you like to be?

I would dedicate all my time to growing nutrient-packed high-quality organic food in order to achieve self-sufficiency and to be able to teach future generations that we don’t have to depend on Big Ag multinational corporations.

If Cinema was a color what would it be?

It would definitely be Blue, because it is the color of the forces of the Universe, and Cinema is a universal language that unites us all.

A day without a movie is…

A day in which we would miss the opportunity to learn from other human beings and other cultures.

If someone offered you to play/direct/write in/a movie that you despise

but that for sure will make you rich and famous...would you accept the job?

Absolutely NOT. I have never been, and I will never be complicit in working on a project that conveys concepts that do not align with my values. This is strictly out of the question.

What's your greatest ambition?

To tell the stories of those who don’t have access to global media, including film.

What's your biggest fear?

Leaving this material world while feeling that I have not done enough to make it a better place.

Does music help you to play/direct, write?

Yes! I could never work without music. My playlists are very comprehensive, mostly made up of reggae, blues, jazz, and African music, among other genres.

You have the chance to make a Silent movie, what's your message to the

audience?

If Charles Chaplin was able to convey universal messages against oppression, that would be my model. I would try to imitate Chaplin, the grand master.

Share your speech if you should win an Oscar.....

This award is for the courageous people of Vieques, in Puerto Rico, who continue to show the whole world that it is possible to overcome oppression, even if the oppressors are very powerful. The oppressors often possess the most modern weaponry, but they cannot break the will of a people who are determined to continue resisting. The steadfastness of the people of Vieques, spanning over 70 years, is a shining light of hope that reaches all corners of the world. And, any similarity with current struggles is not a coincidence.

While I am very happy to win this Oscar, I had already received the best award of all. My nieces told me that by writing the screenplay for The Battle of the Fishermen and by having won recognition across the globe, I have already won the “Cool Uncle Award”.

Palmer Durr is from Bluffton, Indiana, USA. He is a film director and cinematographer who has worked in New York, Los Angeles, Mexico, Brazil, China, and Europe. He has invested over a decade with the Kayapó Indigenous Community of the Amazon Rainforest, where he directed the film “Kukràdjà” and taught film-craft to help preserve cultural tradition.

 When did you realise you wanted to be a Filmmaker\Actor\Writer?

In 2009, I was 18 years old and realized that filmmaking combined everything I had learned or had been exposed to and experienced up until that point.

Do you remember your first time at the Movies?



Yes, The Lion King 1993.

If you should change country, where would you like to work?



New Zealand. 

Two films that have marked your life for better or for worse…

The Lord of the Rings trilogy and Yi-yi

What do you think about Acting/ filmmaking schools?

Schools, for the most part, are truly amazing. They teach our craft, provide community, and can have career perks. However, film school, as in life, isn’t a guarantee of anything, and there are other ways to build people networks or access educational resources. In either case, you won’t get much out of any experience if you aren’t self-reflective and don’t know what you want to achieve or who you are.

Have you ever hated your ambition?



Never

Francois Truffaut used to think that "Film Lovers are sick people”… was he right?



I get where he’s coming from—filmmaking is mentally, physically, and emotionally challenging. He implies that filmmakers are insane for willingly choosing to endure the pain and uncertainty that accompany the medium. But challenging activities can also forge strength, wisdom, and character. Your character as a human being can improve by being a filmmaker, so long as you can regulate your emotions and believe in yourself in the context of chaos.  

Close your eyes…if I say “Cinema” what do you see?



Robot Jox

Who’s the Director\Actor\Writer that taught you the most?



What makes this question so hard is the idea of an ultimate choice, because I’ve learned a great deal from many production crew members (which in my opinion includes actors and directors)… One would be Dennis Villanueva, who works with Joe Walker, Hans Zimmer, incredible actors, excellent DPs, illustrators, and more. He puts a lot of energy into pre-production, and his sensibilities are powerful. I think he still has room to grow, like every human I know, but there is no question that he, as a contemporary director, has taught me a great deal. 

About your job, tell us your biggest dream and your worst nightmare…



My biggest dream is to shoot a short film I’ve written, about a woman and divine beings in Peru. My worst nightmare would be having an accident on a production that results in death or serious injury. 

How important is to have a good Cinematographic Culture?



It’s very important to have cinematic culture because it allows people to communicate complex ideas that generate an empathetic bond between the audience and the characters. The world needs empathy more than anything else!

What would you like to improve as a Filmmaker\Actor\Writer?



I want to generate and do more scripted narrative work as a filmmaker. 

A big producer give you the chance to direct\to play (in) the remake of one of your favorite black and white Movie (if you have one)… what film do you choose?



I don’t think you can remake a film, but you can copy the elements and generate an impersonation of an idea. I don’t want to impersonate some of my favorites, because I don’t think I can do the source material justice. That being said, something like “The Beast from 20,000 Fathoms” could be done, because the source material has enough room for new energy and ideas. Other films like “Hiroshima, Mon Amour” or “Seven Samurai” or “Sorry, Wrong Number” have such a distinct aura that I don’t think a remake could do them justice, though, as an exercise, it could be fun.

Film Industry it’s a tough place and sometimes is normal to feel lost and discouraged… who’s the person that keeps you motivated?

I’m deeply inspired by the Kayapó filmmakers I’ve had the privilege of working with over the years, whose powerful use of film serves as both a means of cultural preservation and a vital act of resistance in defense of their identity and continued existence.

Alfred Hitchcock said: "To make a good film you need 3 things: The script, the script and the script".  Do you agree with him?


I disagree, because a script is like a genetic code, containing the roots of a film, but that code does not determine an outcome. There are instances where non-script-related ideas are incorporated during the process, because they feel truer. 


What’s your most ambitious project for the future?

I have a film idea that incorporates experiences and ideas that I’ve had in the Kayapó Indigenous Territory. 

Do you think that sadness or at least melancholy let be more creative?

I don’t think you must be sad or melancholy to increase creativity. To increase creativity, you must eliminate distractions and have dreams. If you have a dream while you’re awake, you’re even closer. 

What do you wish to yourself as a Filmmaker\Actor\Writer?

I wish to be the best version of myself so that I can better endure the realities of the world. 

Experienced Principal Actor and content producer with a demonstrated history of working in feature films, national television, and on the stage. Strong professional creative skilled in film, television, voice, & theater with a heart and capacity for educating youth as a school leader. Originally "from the slums of Shaolin" (Staten Island), the NYC world, traveling throughout the country, along with being able to observe people abroad has built a muscle. That muscle is anointed to be flexed within entertainment and education.

When did you decide you wanted to be an actor/director?

When I got on the campus of Morgan State University back in 91’ my major was telecommunications, which they now call media studies. As soon as I picked up a camera and got on a stage I knew I wanted to make movies. I had fun while earning my degree by making video shorts, and by working the stage.

How did your family react?

My family has been on the journey with me. I have a strong group of siblings, aunts, uncles, and people on the periphery who demonstrate their support for what I have been doing with film and tv through giving time. They give by taking time to watch something I’m acting in, or by downloading something they know I have produced.

Do you have a muse or a role model?

I think my work is inspired by my love for people and how people interact with each other. Specifically, when I was a youngin in Bedford Stuyvesant my dad took me to see a live play starring the son of one of his teacher co-workers. The co-worker was Laurence Fishburne’s mom. After watching that play with Laurence Fishburne as a teenager, and then seeing Mr. Fishburne’s film and television career level up, I gained an understanding of the power of performance.

Who is your biggest fan?

My biggest fan is probably my lady Asia, my family, and I’m hoping a few of my co-workers. Asia is the one who listens to me talk about the work all the time, helps me with my auditions, travels with me to the cities where the work is, and totally allows me to bore her with everything film and tv I’m talking about.

What actor or director would you like to work with?

I want to work on a large scale production with any of the legends. One of my most memorable moments to date on the acting side has been to work on a Christmas film set opposite John Schneider (Bo Duke from the Dukes of Hazzard). I’d also gotten a brief moment a few years back to share a scene with Annabella Sciora. It is so dope to be in position to work with the

seasoned, and the loved. As a background actor I was able to observe Martin Scorscese, Steven Speilberg, Sallie Richardson, and others lead large scale sets. Those opportunities fueled my curiosity, and energized my passion for the work on both sides of the camera.

Have you ever seen a film that was better than the book?

Crime Partners written by Donald Goines came out as a movie in 2001 starring Snoop Dogg, Ice-T, and Ja-Rule. I read some of Donald Goines' books back in the day and was pleased to see that someone had invested in bringing the stories to the big screen. After Crime Partners, the film Never Die Alone came out starring DMX. Again, I was pleased to see the interest in bringing Donald Goines’ work back into focus.

What’s that movie that taught you the most?

In reflecting on what film has taught me the most, Michael Moore’s documentary films that hit the scene really caught my attention. They were so informative and so authentically done. Sicko, Bowling for Columbine, Fahrenheit 9/11 were all documentary films that captivated the

country, and even the world, instantly.

On set what excites you the most?

On set I am motivated by being in the moment. Once I see cameras, lights, headphones, book mics, and people moving around I am powered up.

What scares you the most?

My only fear is to not be able to access opportunities that put me in position to experience that.

You can steal the career of an artist, who do you choose?

I would not necessarily like to steal their career but I respect the direction of the careers of Jordan Peel, Ava Duvernay, Anthony Mackey, Rob Morgan, and Russell Hornsby. These artists have been putting it down for years on the big screen, adding emotional value to the storytelling in the things they are a part of.

What is your next project?

My next acting project coming in 2025 is a feature film, Los Ones. I joined forces again with Christopher Kendrick, the writer and director of Fattenin’ Frogs for Snakes. On the short film tip, Blind Justice and Alright are two independent projects that recently allowed me to play in front of the camera.

However, from behind the lens, my next producer/director project is Cappadonna’s That’s MY WORD! This project Is a four part documentary series. We have only shared episode 1 on incarceration through the film festival circuit. We are preparing to release episode 2 on addiction, episode 3 on special education, and the fourth installment will focus on the culture.

We are excited to bring these community conversations to the world.

For you cinema is…?

Cinema for me is a perfect medium for storytelling. As an actor, writer, producer, or director the ability to use your gifts and foundational knowledge to create content and characters people can enjoy, and learn from, is a heck of a purpose to have in our world.

Do you think Black & White movies have a powerful impact?

I have used black and white movie clips, and cartoon clips. I have fun with the nostalgic and historic feel of Black and White film. While making Cappadonna’s That’s My WORD! I have had fun researching the archives.

Have you ever dreamed of winning an oscar?

Of course I have. I have dreamed of winning an oscar for directing and acting. Laurence Olivier, Warren Beatty, Clint Eastwood are names of people who have been on both sides of the lens on that oscar level.

Do you think you are going to win it?

Should I think of any other outcome?